We’re actually going to have a “THAT’S METAL!” — BUT IT’S NOT MUSIC” post today, but we’re beginning with something on the flip side of that, using a title that I think BadWolf originally coined for something else we posted that doesn’t fall within our usual ambit. We don’t do this often, because we know people don’t usually come here for non-metal music. Also, I almost never listen to anything but metal. But I did yesterday.
One of the blogs I follow is written by fellow Seattle-ite Gemma Alexander. Yesterday she wrote about two live performances she caught on Friday night at Seattle’s Decibel Festival, “a world class celebration of underground and experimental electronic music”. Her vivid description of what she saw and heard (which I highly recommend) intrigued me so much that I went in search of music by the two performers — Nils Frahm from Germany and Ólafur Arnalds from Iceland.
Later, having spent more than an hour immersed in the music of both, I decided I ought to share what I found, because it’s pretty amazing.
Nils Frahm is a Berlin-based contemporary/experimental composer whose principal instrument is the piano — and an assortment of electronic effects that transform the sound. I gather that in his live performances, Frahm improvises and experiments, in essence creating new works using his recorded music as the template. Here’s how Gemma described what she witnessed: