Jan 282013
 

(In this post, guest writer Graffiti Petey provides a look back at California’s Antagony.)

Metalhead A: “Suicide Silence. White Chapel. All Shall Perish. Job for a Cowboy.” 
Metalhead B: “Yup, heard of all these bands.” 
A: “How about Despised Icon? Animosity?” 
B: “Yeah, I think I remember them.”
A: “Okay, what about ANTAGONY?”
B: “Who???”

Chances are if you are reading this you have never heard about the seminal Bay Area-based metal band–Antagony (circa 1999-2009). Their story is a tragic account of bad timing and bad luck. Why is this band still relevant? Well, it’s been almost 4 years since they disbanded but their loyal fanbase is still passionate about what they did and what they could have been. To put it simply: Antagony mixed elements of Death/Grind and Hardcore before all of the aforementioned bands. Now you know this. If you are familiar with Hollywood tragedies, a good analogy would be River Phoenix: an experienced actor who influenced his generation but never quite hit stardom. After his untimely death–fellow actors like Leonardo DiCaprio, Johnny Depp, Keanu Reeves, and his brother Joaquin have gone on to super-stardom. This is the pattern we’ll see with Antagony.

Reading over Antagony’s past members is like reading a who’s who in the modern metal scene. The thirteen former members of Antagony have gone on to such bands as Oblivion, All Shall Perish, Hacksaw to the Throat, Suffokate, Oblige, Misericordiam, and more. You may be asking yourselves—how did all of these bands gain more recognition than their originator? The answer to that is a fateful combination of bad luck and bad timing, as we’ll discuss during the chronological analysis of the band history. Continue reading »

Dec 122012
 

This has proven to be an interesting morning for news. Here’s what I saw that made an impression. There’s some music at the end, too.

ALL SHALL PERISH –> OBLIVION

All Shall Perish were one of the originators of the deathcore genre, and in this writer’s humble opinion they remain one of the best bands to be found in that now-thoroughly-saturated space. This morning, All Shall Perish guitarist Ben Orum announced that he is leaving the band. As he explained in a statement I saw on Facebook, his responsibilities to his family have made it too difficult for him to continue touring.

But although he is withdrawing from All Shall Perish, Orum further announced that he is joining a band of whom we at NCS have become quite fond: Oblivion. The connection that led to this new partnership is an interesting one. As Ben Orum explained in his statement:

While I am done with touring, I will never stop writing music. I am joining the extreme metal band OBLIVION as a bassist and contributing songwriter. OBLIVION’s debut album will be released on January 1st, 2013. We are beyond excited to unleash it onto the metal world. I’ve always been into death metal and extreme music, this is my return to TRUE Death Metal. What makes OBLIVION unique and sets us apart from the pack is the fact that our primary songwriter is a world-renown classical composer and professor of music, Dr. Nick Vasallo. His voice gives the music a subtle refinement with the craftsmanship of the compositions. Continue reading »

Oct 022012
 

(In this post DGR reviews the Sacramento show of the current Hatebreed-Whitechapel-All Shall Perish tour on September 27.)

Here’s the thing about a show like this. I know that I am not the hugest fan of the hardcore scene and I’ll be the first to admit that I was really only there to see All Shall Perish and Whitechapel (for the 2nd and 3rd times, respectively), and if Deez Nuts turned out to be great, fine. If Hatebreed were awesome, then that would be great, too. However, I found myself a little more excited when it finally hit me that this was what they were calling the Ten Years Of Perseverance tour and that Hatebreed would be playing pretty much all of that disc front to back, with some of their other songs interspersed throughout. Now, if you’re going to go see Hatebreed it may as well be during this tour because man, Perseverance is kind of THE Hatebreed album and everything after that was more for fans.

I managed to get some good parking and they already had the doors open, which was a little odd since the flyer said 6:30 doors, 7:00 start time. Little did I know that they would actually start the show about half an hour early and end it really early and pack a ton of music in between. Seriously, I got home at 10:44, which is nuts. I usually don’t expect to get home from one of these until 11:30-ish. Also, I bumped into the folks from RockHardLive, one of the local video companies, so any footage comes from them. You should check them out and follow their YouTube channel, because they do some damn good concert footage from around this area. Continue reading »

May 072012
 

(DemiGodRaven checks in with this review of the Sacramento stop of the THIS IS WHERE IT ENDS tour, featuring All Shall Perish, Carnifex, Fleshgod Apocalypse, The Contortionist, and more.)

First off, before I really begin, I need to give a huge shout out to the folks at CapitalChaos and RockHardLive. Whilst at the moment they are both competing with each other at least in one sense, we’re all able to reap the rewards because they both had people out at this show recording it, and as a result we have some decent live videos on both ends. Check out both the Capital Chaos and Rock Hard Live youtube pages, because both of them have been doing more for Sacramento than anyone could imagine. Believe me, if a band has played here recently, there’s a pretty good chance the live footage you see pop up on youtube is because of one of those two groups. They deserve far more credit and love than what they get.

Now then. I arrived at the show late. I actually had it planned where I would get there around 6:30, believing that since the doors opened at 5:30, there would be about an hour delay (as has been standard fare at the other shows at Ace that I’ve been to) so I could get there right as things were kicking off. This provided me an opportunity to enjoy some fine 20-year old hooch that my friend’s Grandfather had made at his Dad’s birthday. Meanwhile, my friend is over in Japan teaching. I am nothing if not an appreciator of weird social situations.

I was looking forward to this show for a few reasons. I’d finally get to see The Contortionist. (Okay, I’ve actually seen them before, but it was at something like 1 am in The Boardwalk. I was so fucking tired I actually found myself dozing off in the corner of the venue. I couldn’t believe it, you could’ve been blasting grindcore in my face and I still would’ve dozed off.) I’d finally get to see All Shall Perish, and as part of a touring cycle for an album I enjoy the hell out of. I’d get to see Conducting From the Grave on a larger stage than The Boardwalk’s.

Oh, and Fleshgod. Did I mention Fleshgod? Because I’d finally get to see Fleshgod Afuckingpocalypse in a live setting. I could’ve listened to two hours of Hare Krishna bullshit as openers if it resulted in me getting the solid forty or so minutes I did of Fleshgod on stage. Continue reading »

Jan 262012
 

(DemiGodRaven helps catch us up on metal news.)

Hey folks, I’ve planted my ass in the underworld for a brief period of time in order to round up all the smaller (and maybe not so small) news stories that may have fallen through the cracks in one way or another. Some of them are simple things like album streams, others are album teasers, there’s some tour news, and hey, occasionally you’ll even get a free song or two, ya hear? Also, if you aren’t reading this in a 50’s news reporters voice after seeing the picture of the hat above YOU ARE DOING IT WRONG. First up is a pretty simple album stream, and then we’ll go on from there.

Lamb of God’s latest album Resolution saw release recently, and so they decided to run a full album stream over at AOL Music to give people a chance to get in a good listen before they decide whether to buy or not. I’ve enjoyed this release much more than Wrath, but it is still largely iterative on the sound that they started building in Sacrament.

It’s a good listen all the way through, but I can imagine it would be pretty dull if you picked a random song instead of the five or six really great ones. In other words, this is not an album built for Ipod shuffle like Amon Amarth’s stuff usually is (for example), so you’ll have to be in a really Lamb of God mood in order to really get into this one.

Also, they used the shotgun blast sample again. The same one they used on Sacrament. I was just waiting for the GOD-DAMN before it. Full review incoming soon. In the meantime, while you wait for me to validate your opinion and tell you how awesome of a metal listener you are, you can stream that fucker over here. Continue reading »

Jan 162012
 

I’m almost to the point of buying a Scion car just to express my gratitude to Scion A/V.  Almost.  Unless you’ve been living in a cave (or the loris compound at the NCS Island), you probably know that Scion A/V has been releasing free EPs and videos from badass metal bands.  But they’re doing more than that.

What I just discovered is that Scion A/V has been enlisting certain metal labels to round up a selection of their artists for performances in Los Angeles before live audiences, professionally recording the shows, and then prepping audio of the performances for free download.

The first team-up was with Nuclear Blast, who helped arrange appearances of Exodus, All Shall Perish, Origin, and Decrepit Birth at The Roxy in West Hollywood on November 12 of last year. As of today, the digital album of those live performances has become available for free download. Here’s the track list, which happens to include many of my favorite songs from each band:

1.  Decrepit Birth: “Metatron”
2.  Decrepit Birth: “The Resonance”
3.  Decrepit Birth: “Polarity”
4.  Origin: “Banishing Illusion”
5.  Origin: “Evolution of Extinction”
6.  Origin: “Swarm”
7.  All Shall Perish: “Wage Slaves”
8.  All Shall Perish: “Procession of Ashes”
9.  All Shall Perish: “Gagged, Bound, Shelved and Forgotten”
10. Exodus: “Beyond the Pale”
11. Exodus: “Blacklist”
12. Exodus: “Metal Command”
Continue reading »

Jul 202011
 

(NCS contributor Israel Flanders has found an album by a deathcore band that he actually likes — a lot.)

All Shall Perish is one of those deathcore bands everyone always tells you DON’T suck massive loads of horse shit through a straw, at least from my experience.  If I get into a conversation with someone about whether such a thing as “good” deathcore exists, this band always is mentioned.  I never really checked them out before, but for purposes of this review I actually tracked down the discography up until now and listened to it to evaluate this new album, This Is Where It Ends.  My conclusion: All Shall Perish sucked massive loads of horse shit through a straw . . . until this album.

There is a HUGE line-up change here to take into account, and that is Jason Richardson, now of Born Of Osiris, leaving and in-coming a guitarist by the name of Francesco Artusato.  He put out a solo album recently before this album, and if you are familiar with that solo album you know this dude DESTROYS UNIVERSES!  But to get back on topic . . . this album rules.

This is a whole new band.  The musical similarities between this and their last album, Awaken The Dreamers, are almost nil, if not totally absent.  There is a lot of speed here, a lot of ultimately pure melodeath moments, and a good dose of that death metal atonality, but it feels genuine here — when it comes to the death metal elements on this album, I don’t get that manufactured, half-assed deathcore feel I usually complain about.  (more after the jump . . .) Continue reading »

Jul 012011
 


June is behind us, July lies ahead. Here in the U.S., we’re about to start the long weekend leading up to Independence Day, when Americans celebrate the birth of the nation by buying explosive ordinance wherever fine explosive ordinance is sold and lighting up the night sky (in addition to blowing the shit out of objects and sometimes themselves). People will also be exposing unsightly parts of their bodies wherever sun can be found and eating large quantities of health food prepared on outdoor grills. Our Founding Fathers would be proud of what they wrought!

Because the last month has ended, that means it’s time for another installment of METAL IN THE FORGE, in which we collect news blurbs and press releases we’ve seen over the last month about forthcoming new albums from bands we know and like (including occasional updates about releases we’ve included in previous installments of this series), or from bands that look interesting, even though we don’t know their music yet. In this series, we cut and paste those announcements and compile them in alphabetical order.

Remember — this isn’t a cumulative list. If we found out about a new album during May or preceding months, we wrote about them in previous installments of this series. So, be sure to check the Category link called “Forthcoming Albums” on the right side of this page to see forecasted releases we reported earlier. This month’s list begins right after the jump. Look for your favorite bands, or get intrigued about some new ones. And feel free to tell us about how we fucked up by omitting releases that we overlooked. Continue reading »

Jun 102011
 

Time to start mentally gearing up for the weekend. We’re here to help with a couple of killer new songs from Machine Head and All Shall Perish.

Almost four years have passed since Machine Head’s last album, The Blackening, which garnered mountainous heaps of praise. The next album (still untitled) is now finally scheduled for a September 27 release by Roadrunner Records. To begin building excitement for the album, a single called “Locust” will be released on June 14 for digital distribution on iTunes and Amazon MP3. Earlier this week, a 30-second sample of the song surfaced, but now the whole thing is up on YouTube.

It’s about 8 minutes long and it sounds great. It’s multifaceted, both heavy and melodic — a damned good harbinger for the album to come. Have a listen after the jump.

All Shall Perish also have a new album on the way, one we’re really looking forward to. It will be called This Is Where It Ends, and it’s due for  North American release on June 26 by Nuclear Blast. Two days ago, Lambgoat premiered the second song from the album to receive advance display. It’s called “Procession of Ashes”. It’s a crusher, as you would expect, but it includes a few musical surprises from this band, including an extended outro that I really didn’t see coming.

Both these songs are rockin’ my head this morning. You can hear both after the jump. Continue reading »

Jun 022011
 


Damn, I’m finally able to go outside without shivering and being beaten about the head and shoulders with high winds and rain blowing sideways. That must mean it’s June in Seattle!  And so it is. A largely dismal May is behind us, the Seattle Mariners are astonishingly only a game and a half out of first place in their division (that’s baseball for you outlanders), and the summer lies ahead.

What else lies ahead? A bunch of new metal, of course. And because it’s the beginning of a new month, we’re bringing you another installment of METAL IN THE FORGE, in which we collect news blurbs and press releases we’ve seen over the last month about forthcoming new albums from bands we know and like (including occasional updates about releases we’ve included in previous installments of this series), or from bands that look interesting, even though we don’t know their music yet. In this series, we cut and paste those announcements and compile them in alphabetical order.

Remember — this isn’t a cumulative list. If we found out about a new album during April or preceding months, we wrote about them in previous installments of this series. So, be sure to check the Category link called “Forthcoming Albums” on the right side of this page to see forecasted releases we reported earlier. This month’s list begins right after the jump. Look for your favorite bands, or get intrigued about some new ones. Continue reading »