Mar 092016
 

Exodus-Tempo of the Damned

 

(TheMadIsraeli returns with another round-up of music from yesteryear that’s been keeping him company lately. Volume 1 can be found here. As will become obvious, the post’s title is tongue-in-cheek.)

Here we are with this again. I’m feeling this idea a lot, I have to admit. Getting right to it…

ExodusTempo Of The Damned

I honestly believe at the end of the day this is Exodus’ best Souza-era record. It has punch, attitude, mean-as-fuck riffs, and it feels like there’s a higher degree of precision here. I know people enjoyed the wild, free-spirited nature of their earlier albums, but I do feel like the band mastered their craft here.

It also stands as a pretty solid reminder that out of all the more popular American thrash bands, Exodus are the absolute KINGS of the mid-paced stomp. “Sealed with a Fist” is the epitomizing example, raunchy and in your face while being infectious and full of that piss and vinegar thrash captures so well. Continue reading »

Nov 302015
 

 

(Wil Cifer penned these reviews of three November shows in Atlanta, Georgia.)

Here’s a snapshot of metal onstage and in the flesh. Over the course of the past week I caught three different metal shows at three different venues with the genres spanning from industrial to thrash to black metal.

The first of these was almost on the periphery of what most might consider metal when Author & Punisher played The Earl, a hipster dive bar with a venue in the back.

We arrived just in time to catch the Portland duo Muscle and Marrow. Never really gave their last studio album The Human Cry the time to immerse myself in it, but their live show changed the way I think of them. There are metal elements to what they do, but I would not call them a metal band. Even then, of the three shows, I would say they were the most emotionally heavy band of the week. This was channeled in a very honest physical manner. Singer/ guitarist Kira Clark’s voice goes from an almost black-metal-like scathing scream to a vulnerable soprano. The duo implemented samples and layers of vocals triggered from a laptop off stage, but in comparison to Author & Punisher they were very organic. Continue reading »

Sep 262014
 

 

I failed to pull together a round-up of new music yesterday — as you may have noticed, we were pretty busy with a lot of other goings-on at the site. What that means is that I now have two days’ worth of new things to pore over in deciding what to throw your way.

And man, it has been one hell of a week for new songs and videos. I’m having trouble remembering another one so filled with worthy new debuts. Unfortunately, this means I won’t be able to cover everything that deserves to be covered. But we soldier on as best we can.

VESANIA

Yesterday brought a torrent of news from this excellent Polish supergroup whose music my comrade Andy Synn once described as “crushing blackened-death metal with a lunatic, symphonic twist”. Vesania’s discography, as it then existed, was the subject of one of Andy’s SYNN REPORTs in 2012, but that report is about to be rendered incomplete, because… Continue reading »

Jun 092014
 

Here are four startling new events that happened over the weekend.

DEATH GRIPS

Death Grips released the first half of a new album last night. As is their want, there was no advance notice, or at least none that I saw. The name is niggas on the moon. It’s 8 tracks long, it’s streaming in full on Soundcloud and YouTube, and it’s free to download. And all 8 songs feature Björk. Seriously.

The band’s announcement says this 8-song release is the first half of a double album, the name of which is the powers that b. They say it will be released later this year on Harvest/Third Worlds Records.

I haven’t started listening to the music as I write this on a Sunday night, so I’ll save any thoughts about it for a later update. Or maybe someone else around here will provide some thoughts. I’m expecting weirdness.

To download the music, click this link:

http://thirdworlds.net/files/niggas-on-the-moon.zip

Stream it below. Continue reading »

Jan 162012
 

I’m almost to the point of buying a Scion car just to express my gratitude to Scion A/V.  Almost.  Unless you’ve been living in a cave (or the loris compound at the NCS Island), you probably know that Scion A/V has been releasing free EPs and videos from badass metal bands.  But they’re doing more than that.

What I just discovered is that Scion A/V has been enlisting certain metal labels to round up a selection of their artists for performances in Los Angeles before live audiences, professionally recording the shows, and then prepping audio of the performances for free download.

The first team-up was with Nuclear Blast, who helped arrange appearances of Exodus, All Shall Perish, Origin, and Decrepit Birth at The Roxy in West Hollywood on November 12 of last year. As of today, the digital album of those live performances has become available for free download. Here’s the track list, which happens to include many of my favorite songs from each band:

1.  Decrepit Birth: “Metatron”
2.  Decrepit Birth: “The Resonance”
3.  Decrepit Birth: “Polarity”
4.  Origin: “Banishing Illusion”
5.  Origin: “Evolution of Extinction”
6.  Origin: “Swarm”
7.  All Shall Perish: “Wage Slaves”
8.  All Shall Perish: “Procession of Ashes”
9.  All Shall Perish: “Gagged, Bound, Shelved and Forgotten”
10. Exodus: “Beyond the Pale”
11. Exodus: “Blacklist”
12. Exodus: “Metal Command”
Continue reading »

Jul 172011
 

This is not an entirely hypothetical question. It could happen. Our brothers in blog at Heavy Blog Is Heavy are giving away two tickets to the Vancouver stop of the Hell On Earth Tour on August 3, plus a chance for a meet-and-greet session with tour headliners Rob Zombie and Slayer (Exodus is also on this tour, but to ask them questions, you’ll have to get up stage in the middle of their set and see if you can get their attention).

Those tickets and passes are the grand prize in a contest HBIH is currently running, with the second prize being two more tickets (but no meet-and-greet). To enter, you just have to answer this imminently practical question: If all hell were to break loose and zombies came out of the woodwork, how would you slay them?

I keep answers to questions like this on a little notepad in an emergency kit, which includes such other potentially useful items as a can of catfood, a block of C-4 explosive, two packs of Ding-Dongs, and a used-only-once band-aid. My notepad also includes words of greeting in seven known extraterrestrial languages. In other words, I’m fuckin’ ready for anything.

I know how to kill zombies, too. Kill ’em so they won’t be coming back — ever. Unfortunately, since I’m within the secret, monolithic brotherhood of blogdom with the HBIH people, I’m ineligible to enter this contest. Probably for the best; it wouldn’t be fair to everyone else. I also know what to ask Rob Zombie and Slayer, but if I told you, I’d have to kill you.

To get more details about the HBIH contest, go here. Contest ends on July 26.

May 272010
 

More than a month has passed since we posted our last update about the 70,000 Tons of Metal Cruise, and we figured it was time to check in again.

Since our last update, Exodus, Forbidden, and Testament have signed on. That’s a heavyweight injection of Bay Area thrash into this floating festival (we’ll give you the complete current line-up of 18 bands after the jump). Plus, in related news, the Swedes have gotten in on the act by putting together their own metal cruise (more on that after the jump too).

If you don’t know what this cruise is, we’ll fill you in: The organizers have chartered a cruise ship (Royal Caribbean’s “Majesty of the Seas”) capable of carrying 40 metal bands (which means they’re still targeting 22 more bands to fill out the line-up) and 2,000 fans, departing Miami on January 24, 2011 for a 5-day, 4-night cruise in the Caribbean, including a stop at the Mexican island of Cozumel.

The 70,000 Tons of Metal cruise has got great potential — both good and bad. It could be a truly awesome experience. It could also be a clusterfuck of cosmic proportions. And there’s no way to know which it will be until that cruise ship limps back into port, probably on fire, at the end of the voyage.

We’ve got some thoughts about what could make it orgasmically good, and what could make it suck big-time. But we’d bet the farm that unless Royal Caribbean is run by metalheads (not likely), they have no fucking idea what they’re about to get themselves into, and that increases the risk of suckage.  (more thoughts, and other related stuff, after the jump . . .) Continue reading »

Mar 072010
 

I try to stay grymm. This is an extreme metal blog, after all. Brooding and scowling are the order of the day, except when we take a break for attempts at humor — which necessarily have to be tasteless or sarcastic. Problem is, I have a weakness for cats. I have a cat — or to be more accurate, I share a cat. He’s about 17 years old and a big part of my day. That makes me a little insecure, because as pets go, I have this nagging worry that cats aren’t considered metal, not like a Doberman or a pit bull or a wolfhound.

I got a little bit of an ego boost when I read Issue #62 (Dec 2009) of Decibel. It included an article called “The Cutest Kitties in Metal.” The article consisted of seven pages of dudes from metal bands with their cats, with photos and affectionate commentary from the dudes about their cats. That made me feel a little more metal about my own cat thing.

But that was a couple months ago, and I’ve started feeling insecure again about my metalness. Like when I saw the photo above and started laughing. I don’t even know why I’m making that confession.  Lolcats are not metal. I know that. I don’t even know why I’m putting this post together. Trying to justify my cat weakness I guess, at the risk that you readers will think this post is a complete, bullshit waste of space and time.

But fuck it, the die is cast. In for a dime, in for a dollar. Tomorrow we’ll have a post ready on some divergently awesome new music, but today, I’m afraid it’s all catz.

So, the cat above isn’t metal.  But what about this?  (after the jump . . .) Continue reading »

Feb 122010
 

The week is almost over, and it’s been a good one for us.  We discovered Shining and Thrudvangar — and we also came across some random, eye-catching visual stuff that gives us an excuse for another installment of our irregular feature called “That’s Metal” — But It’s Not Music.

That visual stuff (photos and videos) happened to fall more or less neatly into the theme of “Planes, Trains, and Automobiles” — and each item struck us as being pretty fucking metal, even though it’s not music.  So, what the hell, we thought we’d share.

First up: Automobiles. Or more accurately roads where you can drive automobiles. This example came our way via the blog of Steff Metal, our favorite metal maven from the Antipodes. Her “Linking Horn” feature consistently turns us on to interesting shit we’d never otherwise see.

Case in point: The 19 Most Complex and Dangerous Roads in the World. Follow that link and you’ll see photos of some breathtaking roadways, like the one above — the Stelvio Pass Road in the Eastern Alps of Italy. It’s got 48 hairpin turns at an altitude of 1.7 miles above sea level. Or check out the next photo (after the jump . . .) Continue reading »

Feb 082010
 

Arch Enemy comes to town and your NCS Authors turn into moths drawn to a candle flame.

On February 6, 2010, the TYRANTS OF EVIL tour stopped at The Showbox in Seattle and two of us plus our entourage were there to take in the tyranny of evility. We file this report (along with a big batch of our regrettably amateurish photo images at the end of the post).

MUTINY WITHIN

This band first drew our attention through a YouTube video of their transplant-from-England vocalist Chris Clancy singing an operatic aria called “Nessum Dorma.” So, okay, the dude’s got some pipes. But does he belong in a metal band, and is the band itself worth a damn? Someone thinks so, because they’re signed to Roadrunner Records, they’ve got a debut album coming out on February 23, they’re touring with Arch Enemy, and they clearly had a bunch of appreciative fans in the Showbox audience.

But this is power metal, with mostly clean singing, and you know that’s not our thing (see the name of this site). Anything we might say would come off as a put-down, but that wouldn’t be our intent. We’re just not into this kind of metal. So, we’ll pass on the review and move to the next band . . . . (after the jump) Continue reading »