Aug 182022
 

The last 24 hours brought forth a deluge of new songs and videos, from names both prominent and obscure. It completely messed up my plan to use today’s column as a way of continuing to catch up with new stuff that emerged over the last week. Hopefully I’ll be able to get back to that, but everything in the following collection is hot off the presses.

AUTOPSY (U.S.)

Prepare for a heaving and stomping death/doom horror of massive proportions that screams, roars, and leaves pain and madness in its wake… and also convulses in outbursts of mindless marauding savagery, all of it accompanied by a suitably chilling video. So deep into their career, Autopsy still know how to make even long-lived metalheads sit up and take notice. Continue reading »

Apr 162020
 

 

I hope all of you are well and staying safe and neither lapsing into stupor nor pulling our your hair due to quarantine-itis. I have chosen a few things to occupy your mind today, since you probably have more unoccupied mind than usual these days. To fill the vacancy I’ve selected a new EP, an assortment of recent advance tracks from forthcoming releases, and a new single. As is often the case, I owe thanks to a couple of trusted advisors for many of these choices.

REJOICE! THE LIGHT HAS COME

This is the (untitled) EP mentioned above. It was released on April 12th by a West Virginia-based band whose recording line-up for the EP also included a couple of well-known session performers (at least I assume they aren’t permanent members) — Colin Marston on bass (he also mixed and mastered the record) and drummer Kevin Paradis — in addition to guitarists Eric Gill and Dan Long and vocalist Paul Ozz, all of whom are also members of Aghasura. Continue reading »