Sep 232026
 

(Andy Synn presents an exclusive premiere of one of the darkest, harshest albums of 2026)

Success, or so they like to say, can be a double-edged sword.

And the music business in particular is full of bands who have reached the heighest of heights – whether critical, commercial, artistic, or some combination of all three – only to then have to live in the shadow of their success for the rest of their careers.

For Swiss Black/Sludge/Doom coven Rorcal this sonic apotheosis came in the form of 2019’s demonically intense Muladona (based on the novel of the same name), whose visceral, soul-scarring assault on the senses deserves – in my opinion, at least – be held up right alongside the nastiest, gnarliest works of Dragged Into Sunlight, Primitive Man, and This Gift Is A Curse at their very best.

That’s not to say that the band’s previous output – from the colossal Drone-Doom of Heliogabalus to the grinding attack of Világvége to the asphyxiating, Post-Metallic atmospherics of Κρέων – were in any way lacking (indeed, the latter is, quite rightly, considered to be something of an underground gem), but Muladona raised the bar so much, creatively and conceptually, that both 2021’s Witch Coven collaboration and 2023’s more Blackened Hardcore-leaning Silence still felt somewhat eclipsed by their progidigious predecessor.

This Friday, however, will see the release of the band’s nightmarish new album, Mahre, which doesn’t so much seek to escape the shadow of Muladona as it does dive even deeper into it, pursuing a darker, more disturbing path, and today we have distinct (mis)fortune of presenting the album in its entirety via the medium of a fascinating, and disturbing, full-length video accompaniment for the record, created by the band’s frequent collaborator (and friend of the site) Eeli Helin.

Continue reading »

Sep 262023
 

(We’re honoured to be hosting the premiere of Rorcal‘s new album in advance of its September 29 release by Hummus Records, with words by our own Andy Synn)

Success, or so they say, can be a double-edged sword.

What, for example, do you do after releasing an album which – in my opinion, at least – is both the very definition of a true cult classic and one of the best records of the year? How do you follow something like that?

Some bands double down on what already worked. Others switch things up and try a different approach.

But Rorcal… they just reached even deeper down into that aching, infinitely empty pit of gnawing hunger and nameless horror that exists within their collective soul and tore loose another spiteful slab of auditory darkness that they chose to call Silence.

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Mar 262021
 

 

As you can see, I had enough time to pull together a round-up of new tracks and videos today. It’s the first time I’ve managed to do this during the work-week in ages, usually having to wait until Saturdays before I can pull it off. As I meandered among things I was interested in checking out, the following six items began to cluster together in my head. Other things I enjoyed didn’t fit in this cluster, so I’ll leave them for tomorrow.

What caused these songs to coalesce in my thinking is because all of them seemed made of madness. For sure, they do have their distinctive thrills, but in varying ways they’re almost all a fracturing of sanity in sound.

KHANDRA (Belarus)

The first song I’ve chosen is the first single from a new album by this black metal band from Belarus, whose past music we’ve gratefully premiered and reviewed on two previous occasions. The name of the song gives you fair warning about what’s coming:  “Irrigating Lethal Acres with Blood“. Continue reading »

Oct 272020
 

 

(Andy Synn is celebrating his decade of writing for NCS with a collection of 10 reviews, one for each year….)

You know what I discovered this weekend?

I’ve now been writing for NCS for ten years.

I know. Mind = blown.

Over the last decade I’ve had several different jobs, moved house multiple times, and seen various relationships – both good and bad – come and go. But NCS has consistently been one of the few constants in my life which has helped keep me going through thick and thin.

So I want to say thank you. Thank you to all the bands for all the great music over the years. Thank you to all the readers and commenters (the good ones anyway) for all the kind words, “witty” banter, and support. Thank you to the rest of the core NCS crew, for always having my back (even if/when they disagree with what I’ve written, which inevitably makes them wrong and me right).

And thank you most of all to Islander for allowing me to become a part of the site. Hopefully one day you’ll finally understand just how much you’ve helped change my life.

Anyway, in honour of this momentous occasion I’ve picked out ten albums – one from each year I’ve been writing here, including this year – which I overlooked when they first came out. Continue reading »

Feb 082020
 

 

(After a months-long hiatus, Andy Synn has brought us a new episode in this series devoted to lyrics in metal, revealing the thoughts of Yonni Chapatte, vocalist of the Swiss band Rorcal and of the band Kehlvin.)

In case you haven’t noticed I am a HUGE fan of Blackened Sludgemonsters Rorcal.

Just read my write-up of their most recent album, Muladona, in my Critical Top Ten list from last year if you don’t believe me!

Heck, if not listening to the band myself I’m probably extolling their many virtues to someone else, trying to get them to do so, and anyone who counts themselves a fan of artists like Inter Arma, Lord Mantis, Phantom Winter, or Dragged Into Sunlight should make sure to blitz their way through Rorcal’s back-catalogue ASAP.

Before that, however, you might want to give the following article a read, where the band’s vocalist, Yonni Chapatte goes into great detail about his background, his methods, and the various concepts which underpin Rorcal’s work. Continue reading »