(Andy Synn follows yesterday’s installment of “Unsung Heroes” with another one, this time presenting reviews and streams of new albums by two French bands and one Italian group, all of which provide well-deserved exceptions to our “Rule” about singing.)
As I’ve tried to stress several times – not just this year, but every year – it is literally impossible for any “Best of…” list to be totally comprehensive and/or definitive.
There’s only so much listening time available, and so many, many albums released each year, that the most you can ever really hope for is a representative sample of the year’s “best” releases.
It’s in acknowledgement of this unfortunate, but incontrovertible, fact of life that I first started writing these “Unsung Heroes” articles in the hope of providing some well-deserved, albeit retroactive, coverage for a bunch of artists and albums which I/we didn’t get chance to cover in proper detail before now, and which you, our readers, may well have missed out on too.
Today’s article has a particularly doomy focus although, as you’re about to find out, each of the three bands featured here has a distinctly different take on the genre.
Of the three artists I’m about to (possibly) introduce you too, one of them is a very recent discovery that I didn’t stumble across until my week-long list-a-thon was almost finished, while the other two I was hoping to be able to write a paragraph or two (or five) about prior to “List Season” commencing, but just never found the time.