Mar 172025
 

(On March 11th Transylvanian Recordings released a disgusting new album by Sacramento-based Tentacult. It’s fitting, therefore, that Sacramento-based NCS slave DGR is reviewing it today.)

Like any good proper umbrella genre that has absolutely exploded you can take the phrase “death metal” and draw ever finer concentric triangles from it into a pyramidic tower of subgenres with each sprouting two to three more lines from it until eventually you reach descriptors long enough that you run out of breath before you finish defining the sounds that make up a group.

By the end of it, you can construct a very pretty geometric structure of lines that’ll entrance your local social media “spiritual” influencer. At times it can be like trying to speed-read aloud a complicated dinner recipe in a single breath, your very last utterance of “blank-death metal” usually followed by the sound of you collapsing to the floor due to lack of oxygen and blood flow to the brain.

In layman’s terms though, you can often break down the view of death metal into four categories: Continue reading »

Jan 252023
 

As of last night I had this round-up all ready to go. I mean, I still needed to do the writing, but I had picked a selection of music from five new releases that I thought would go really well together, and they all had fine cover art too. And then this morning I found some more just-released gems within the Niagara Falls of e-mails that crashed into our in-box overnight. What to do?

As you can tell, I decided to turn this mid-week round-up into a two-parter. Part 1 sticks with what I decided to do last night. Part 2 will include the new stuff I spotted this morning. Part 2 isn’t written yet, which means you won’t see it ’til tomorrow. Something else will probably hit our in-box overnight that will make it even longer.

MAZE OF SOTHOTH (Italy)

We’ve had a six-year gap since this band’s debut album Soul Demise, which we premiered here and reviewed here. But at last they have a new full-length named Extirpated Light that’s headed our way on March 24th via Everlasting Spew Records. And based on the first single, it sounds like the intervening years have brought some changes in their sound, which Metal-Archives previously labeled Technical Death Metal, even though that label was missing a lot of necessary nuance. Continue reading »