Aug 172015
 

Terra Deep-part of this world part of another

 

(Our guest “Bonnie Fjord” reviews the forthcoming third album by Oregon’s Terra Deep and introduces our stream of one of the new songs.)

In 2012, one-man metal auteur Terra Deep self-released his debut album Starlight Lodge. The audience of Then was treated to a staggering and ambitious black metal document, a horn of grim plenty that successfully brought together second-wave Norwegian riffage, a Swedish aptitude for the progressive, and the operatic pomp of folk metal. The audience of Now, whatever the span of its attention during this Great Musical Exchange, should be poised to devour Terra Deep’s newest work.

Recently having signed a two-album deal with Dusktone, platform for dim luminaries Welter In Thy Blood, the man who identifies as either Hursag or Matthew Edwards — depending on context — has completed work on his third opus, Part of This World, Part of Another. Casual net perusal reveals some kind of connection to another Oregonian group, Glossolalia Records, but scant correspondence with Edwards has revealed a solitary musician with a kind of controlled creative mania. The album was, however, engineered and co-produced by The Will of a Million‘s Stephen Parker, part of the Glossolalia compound. Continue reading »

Mar 102014
 

I’m happy to be back home after almost five days away, but I’m less than happy that today is a fucking Monday. I thought I’d celebrate the wretched occasion by throwing some miscellaneous things your way that I saw and heard after I got home late yesterday. I’ve packaged these items together because they’re… what’s the word I’m looking for?… let’s just say they’re out of the ordinary.

CHATALHÜYÜK

The last time I came across music billed as caveman death metal, it was Norway’s Goat the Head. They have been sadly missing in action for the last three years, but until they see fit to rouse themselves into a new burst of creative activity, I will have to content myself with Chatalhüyük. They have labeled their music “Neolithic metal” and they sing of such Stone Age things as big wood spirits and pterorhs stealing their krohi.

I’m not sure what a krohi is, unless it’s a Neolithic youngling. I’m pretty sure a pterorh is a pterodactyl, even though they became extinct about 60 million years before the Stone Age began and the Neolithic came at the very end of the Stone Age. But hey, if you’re willing to contemplate the concept of Neolithic death metal, then why not krohi-stealing pterodactyls? Continue reading »