Nov 142025
 

(On November 21st Nuclear Blast will release a new EP from the Swedish metal band The Halo Effect, an EP named We Are Shadows that includes five cover songs, featuring one track picked by each band member. Our writer DGR has been a fan of the band, spent some time with this new EP, and wrote the following review.)

The year in heavy metal is going to have peaks and valleys. Previously, we could’ve viewed years in heavy metal as one seemingly unending torrential flood or the polar opposite in a semi-peaceful consistency, a steady flow of new albums, discoveries, and distractions in equal measure. The past handful of years, however, have been so brain-fried and birdshot when it comes to any form of a consistent release schedule that you could never tell what was going to arrive and – part of this due to getting older and being blissfully unaware of the world surrounding us – more often than not now it feels like we’re constantly getting blindsided by something just off in the distance arriving at the front door with all the aplomb and grandeur one might afford to a distant cousin deciding to bike across the country and wanting to crash at your house for the day. Not to say that there’s any personal experience in the matter, but come the fuck on dude, we’ve spoken one time in nearly forty years?

2024 could have been kindly described as a year of fits and starts at best, were it not for the feeling of burning the candle at both ends – as well as just immolating the whole fucking thing after dousing it in kerosene with the amount we wrote – but 2025 has been the first time in some time that things have felt… consistent. Sort of. We still seem to be drunkenly stumbling to a semblance of previous reality at times but this is more like the occasional stumble one might make when they’re just on the legal line and walking home after having cut themselves off hours ago. Continue reading »

Jan 222025
 

(Not long ago Nuclear Blast released the second album by the Swedish melodic death metal band The Halo Effect, and today we have DGR‘s review of the record.)

We are now a couple weeks removed from the release of The Halo Effect‘s newest album March Of The Unheard and the one thought that keeps rattling around the ole’ brainpan is a discussion of what exactly you might come to music for.

This can seem repetitive of course because everyone has a chosen purpose that music might fulfill for them, whether it’s simple enjoyment or some deeper resonance with the artist. I am more often part of the second club, which is why you’ll see many screeds penned that spend more time pontificating about why a specific piece of art might have arisen versus the actual general quality of it. Yet in the case of a group like The Halo Effect I’ve found myself firmly in the former camp.

When it comes to The Halo Effect, I’m not seeking anything deeper and I’m present for the simple enjoyment of whatever the band are creating, and it seems that largely, the band feel the same way. There’s nothing deeper here. No inner quest, nothing revealing itself, and no long-lasting message with which we can walk away from March Of The Unheard feeling fulfilled, with our lives changed. March Of The Unheard is musical red-meat at its finest and, for lack of better term, a perfectly fine ‘pop’ album. Continue reading »

Aug 112022
 

(Andy Synn gets to grips with the debut album from Melodeath “supergroup” The Halo Effect)

Let’s face it, a lot of people aren’t going to be able to resist pitting the upcoming albums from In Flames and The Halo Effect against one another.

And while that’s understandable to an extent – after all, most (arguably all, if you count Mikael Stanne’s early stint filling in on vocals) of The Halo Effect actually used to be in In Flames – any attempt to position them in direct competition to one another completely misses the point of why this band exists in the first place.

Let’s face it, while the current incarnation of In Flames are essentially a franchise unto themselves – with all the external and internal pressures to produce “hits” which that entails – The Halo Effect is, for all intents and purposes, just five old friends getting together to jam out some tunes that hew a little closer to their roots (though how closely is certainly up for debate).

But while this means that the pressures and expectations surrounding the release of Days of the Lost may not be quite as overbearing, that doesn’t mean there aren’t any expectations riding on it at all… and it’s up to Iwers, Engelin, Svensson, Strömblad, and Stanne to prove that they’ve got more to offer here than just a fleeting hit of feel-good nostalgia.

Continue reading »

Apr 142022
 

 

I intended to complete and post this round-up yesterday, but my fucking day job rudely interfered. In the meantime I’ve been alerted to a bunch of other new songs and videos that surfaced yesterday. Trying to include them now would result in further delay, so I’ll just have to save them for later. Almost half of what you’ll find below came my way via DGR, and one more from a friend and former NCS writer, and the rest I somehow found on my own.

THE HALO EFFECT (Sweden)

“IT’S GLORIOUS. I mean this is like it fell right out of a time machine from the Colony sessions.” That’s what DGR wrote when he alerted some of his fellow NCS slaves to the existence of this first song, which is the title track to The Halo Effect‘s new album, Days of the Lost. And if you don’t know, one reason for the Colony reference is that this band includes a bunch of former In Flames members (Jesper Strömblad, Niclas Engelin, Peter Iwers, and Daniel Svensson) plus Dark Tranquillity‘s Mikael Stanne behind the mic. Continue reading »

Jan 222022
 

 

I hope you’re having a good weekend. I hope to make it better by sharing a dozen new songs and videos I picked after sliding down the interhole for hours early this morning. I made an effort to provide a broad span of genres, and to arrange everything so as to take advantage of the contrasts. I’ve also put every damned one of these tracks on my list of candidates for 2022’s Most Infectious Songs.

Also, when a round-up swells to these proportions I usually don’t take time to download/upload the artwork, but I made an exception today because there’s a lot of good cover art in this group, beginning with Eliran Kantor‘s stupendous painting for the new Immolation. Speaking of which….

IMMOLATION (U.S.)

Does anyone need any more reason to get stoked over a new Immolation album? I don’t see any hands up. I guess I could have skipped this first song and video. I guess you could skip over it too. But I’m getting more and more near-sighted, so I could have missed a hand, so here goes. Continue reading »