Mar 212022
 

(Andy Synn brings us three more examples of British brilliance)

It feels like absolutely ages since I’ve written one of these columns, but – after double-checking – it turns out I actually did do one just last month.

For some reason my sense of time has been all out of whack this year, to the point where the days either feel like they’re rushing by (meaning I simply don’t have time to write about all the things I want to) or else have been slowed to a mind-numbing crawl (meaning the wait for new releases seems interminable).

My terrible time-keeping, therefore, is ultimately what’s to blame for this particular edition of “The Best of British” covering such a wide spread, as one of the album’s featured here has been out for almost a full month, the other was released a few weeks ago, and the third isn’t out until Friday, making for a mixed-bag of older, newer, and unreleased records for you to wrap your ears around.

Thankfully one thing that isn’t mixed is the quality, as each of these albums represents the very best work yet by each of the three bands in question. So let’s start the show, shall we?

Continue reading »

Jan 312020
 


Leeched

 

(Andy Synn turned in this review of the performances by Leeched, Geist, and Tuskar in Nottingham, England last night — January 30th — with some of his own video documentation of the experience.)

Sometimes, despite all our best intentions, things just don’t work out quite the way we want them to.

That was certainly the case this evening, as, for various reasons which I won’t go into here, I ended up being massively delayed getting to this show, and therefore missed both the local openers Pemphigoid and Underdark.

This was actually doubly-unfortunate too – firstly because while I’ve never been the biggest fan of the latter, the last few times I’ve seen them it’s felt like they’re finally starting to live up to (at least some of) the hype , so I was hoping to see if this trend continued, and secondly because I’ve not yet managed to catch the former band live, and this was going to be my first chance to do so.

Still, putting aside these regrets and recriminations for the moment, I suppose you’re all wondering how the rest of the show went? Continue reading »

Oct 242019
 

 

We all have coping strategies for problems we can’t solve. You know you can’t make the problem go away, so you just… cope… the best you can.

One of my problems, which I’m sure you get tired hearing me whine about, is that I can’t keep up with all the new metal that emerges every day. I try to find time every day to make lists of what I want to check out, but am rarely able to listen to even a significant fraction of the entries.

One of my coping mechanisms for this problem, when I actually have time to do some listening, is just to focus on what I added to the top of the list most recently, and just make myself temporarily ignore how much is seething underneath — which is how I picked the songs in today’s collection.

THY CATAFALQUE

You can tell you’re getting close to the end of the year when you start finding music from releases that are planned for 2020. I’m pretty sure the song I’ve chosen to begin today’s collection is the first excerpt I’ve selected for a round-up that comes from a 2020 album (although the second one is just a bit further down this page). Continue reading »