Apr 112018
 

 

“By the end of Kur,” Voidthrone explain, “it is our intent to leave both listener and performer drained. Within this receptive exhaustion, we leave a spark — a seed of discontent that rejects normality. A hunger engendered for the other side of the veil. Beyond which — an absolute darkness, filled with Lions and Tigers and Bears. Oh my!”

The close of that last sentence may be the only time you smile at the experience of Kur, their new EP. Oh, maybe a somewhat crazed smile of appreciation for what this Seattle band have accomplished, but the music itself (which combines elements of black and death metal) is a disorienting, disturbing, and even terrifying experience, combining head-spinning intricacy, unsettling dissonance, and raw emotional intensity.

As for the band’s objective, it may not take a complete trip through all four songs to leave you feeling drained. The title track of the EP that we’re premiering today in advance of its May 4 release, especially when experienced along with the freakish music video that accompanies it, will probably take care of that all by itself. Continue reading »

Nov 222016
 

eliran-kantor-embers-of-a-dying-world

 

I bet you thought we were finished posting for this Tuesday. Nope, I just got waylaid by my day job on the way to finishing this thing, but now having surmounted those obstacles, I give you this round-up.

This collection a bit different from the norm, in that I’m including a couple of items that aren’t hot off the presses. But we’ll begin with two that are, and then conclude with a new Megamix treat from Crypticus that you probably won’t hear anywhere else.

MORS PRINCIPIUM EST

The artwork up there is by one of my favorite metal artists, Berlin-based painter Eliran Kantor. I’ve already posted it on our site’s Facebook page and made it the cover photo on my personal page. How could I not put it here as well? The artist describes it as “an apocalyptic homage to Vermeer’s ‘The Astronomer'” — and here’s what that famous work (completed in 1668 and on display at the Louvre in Paris) looks like: Continue reading »