May 052026
 

(written by Islander)

If we think of ourselves as listener-fish scurrying through the sea of our days and music-makers as throngs of fishers trying to catch our attention, what lures work best? For some fish it might be affectionate familiarity with a band’s previous music. Lacking such familiarity, it might be a genre description or a “for fans of” reference or an al-luring piece of cover art.

In the case of Voidthrone from the Pacific Northwest and their new album Dreaming Rat (set for release on May 8th), it might be all of that, but they have one additional lure — an intriguing concept underlying the album (or overarching it). They organize the album’s nine songs into a triptych of parallel “Arcs” which together create “a three-part cosmic death ritual”. Each numbered Arc has its own title, and we’ll get to those, but the three could be summed up with these words:

“a solar system burning through its lifespan, a civilization collapsing under its own complexity, and a parasite replicating itself across language, culture, and flesh”

Continue reading »

Sep 052022
 

From virtually the beginning of their career Seattle-based Voidthrone have devoted themselves to creating unsettling and unnerving musical experiences. As they said at the time of their last release (2018’s Kur), “It is our intent to leave both listener and performer drained. Within this receptive exhaustion, we leave a spark — a seed of discontent that rejects normality. A hunger engendered for the other side of the veil. Beyond which — an absolute darkness….”

Those words came back to us after exposure to the discomforting sonic visions housed within Voidthrone‘s new album Metaphysical Degradation, now set for release in October. They preview what it holds in store with these words:

“The fevered revelations of change, in music form. Frenetic stories of warfare, sacrifice, consciousness, duality, infection, theism. Six songs laden with aural sickness, with secret messages to subvert the program running on your wetware. Bathe in the occult thrumming threaded through this oceanic blasphemy.”

As proven by the album’s opening track and first single, “Pyrrhic Victory“, Voidthrone have chosen a diabolically confrontational means of wiping clean the slate of their listeners’ minds and preparing them for something else, something other. As they’ve done before, but done here in spades, they’ve intertwined death and black metal to create a disorienting, disturbing, and even terrifying experience, combining head-spinning intricacy, unsettling dissonance, and raw emotional intensity. Continue reading »

Apr 112018
 

 

“By the end of Kur,” Voidthrone explain, “it is our intent to leave both listener and performer drained. Within this receptive exhaustion, we leave a spark — a seed of discontent that rejects normality. A hunger engendered for the other side of the veil. Beyond which — an absolute darkness, filled with Lions and Tigers and Bears. Oh my!”

The close of that last sentence may be the only time you smile at the experience of Kur, their new EP. Oh, maybe a somewhat crazed smile of appreciation for what this Seattle band have accomplished, but the music itself (which combines elements of black and death metal) is a disorienting, disturbing, and even terrifying experience, combining head-spinning intricacy, unsettling dissonance, and raw emotional intensity.

As for the band’s objective, it may not take a complete trip through all four songs to leave you feeling drained. The title track of the EP that we’re premiering today in advance of its May 4 release, especially when experienced along with the freakish music video that accompanies it, will probably take care of that all by itself. Continue reading »

Nov 222016
 

eliran-kantor-embers-of-a-dying-world

 

I bet you thought we were finished posting for this Tuesday. Nope, I just got waylaid by my day job on the way to finishing this thing, but now having surmounted those obstacles, I give you this round-up.

This collection a bit different from the norm, in that I’m including a couple of items that aren’t hot off the presses. But we’ll begin with two that are, and then conclude with a new Megamix treat from Crypticus that you probably won’t hear anywhere else.

MORS PRINCIPIUM EST

The artwork up there is by one of my favorite metal artists, Berlin-based painter Eliran Kantor. I’ve already posted it on our site’s Facebook page and made it the cover photo on my personal page. How could I not put it here as well? The artist describes it as “an apocalyptic homage to Vermeer’s ‘The Astronomer'” — and here’s what that famous work (completed in 1668 and on display at the Louvre in Paris) looks like: Continue reading »