Andy Synn

Dec 162021
 

Once again Andy Synn sets out to try and capture the best of the year in just ten albums.
Does he succeed? Let’s find out!

For those of you who might be new to the site, allow me to explain.

My “Critical Top Ten” isn’t quite the same as your usual “Top Ten” you’ll find elsewhere.

For one thing, it’s not a ranked list. Rather, it’s purposefully structured to present a – hopefully – broad overview of the year’s best albums, ones which I think exemplify, in different ways, the best of their respective genres, in an attempt to feature as many different faces and facets of the year’s Metal scene as I can fit into just ten selections.

Of course, this is inevitably coloured by my own tastes, no matter how much I might try to be objective about things, and limited both by what I’ve actually heard (I can’t judge it if I haven’t listened to it, after all) and by the fact that ten albums is never enough to fully represent the vibrant variety of the last twelve months (case in point, I had to drop both In Asymmetry and Dordeduh at the last minute in order to keep it down to ten).

But, still, I’ve spent many hours agonising over each one of these choices (including the “bonus” recommendations for those already familiar with my main selections) hoping that, collectively, they at least aspire to being a representative sample of 2021 – the albums which are, you might say, critical, to understanding and appreciating the last twelve months in Metal.

Tomorrow, of course, I’ll be publishing my list of my “Personal” favourites of the year, something which is generally a lot easier and a lot less pressure, but for now… enjoy!

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Dec 152021
 

(Today Andy Synn brings you his suggestions for the albums which represent the top tier of this year’s metallic crop)

So we’re now halfway through “List Week”, although it’s probably more than that considering yesterday’s “Good” post was easily the most complicated and time-consuming of all the week’s articles.

Case in point, today’s round-up of the “Great” albums – the ones which I think represent the crème de la crème of their particular genre(s), whether by pushing them further or simply by exemplifying their very best qualities – is less than half the length of yesterday’s.

After all, while greatness comes in many forms, trying to define it, even pseudo-objectively, means you’ve got to be a little more selective.

Obviously, this list isn’t comprehensive or definitive in any way (never trust any site or reviewer who claims otherwise) since it’s impossible for any one writer to hear everything that comes out in a given year, and you’ll probably spot the notable omission of albums by Frontierer (don’t worry, DGR will probably include that one), Clouds (excellent on first listen, but needs more time to really sink in), Møl (not a bad band, but overhyped in my opinion) and many more that I simply didn’t get around to due to the fact that time remains annoyingly linear.

You’ll also note that I’ve left off both albums I was involved in this year since I’m not arrogant enough to review my own records, but if you fancy checking out Apathy Noir’s final full-length, At the Edge of the World, or Beyond Grace’s second album, Our Kingdom Undone, feel free to do so in your own time!

Anyway, with all that preamble now out of the way here’s a collection of what I thought were the “Great” albums of 2021… and if you don’t see it here, that’s probably because I didn’t hear it (or I forgot about it).

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Dec 142021
 

(Andy Synn continues his annual round-up of the year in Metal)

Now that all the furore over yesterday’s debacle of disappointments has (hopefully) blown over, it’s time to get into the good stuff.

And I do mean the “Good” stuff, as while the wide variety of albums featured in this article (some 200+ by last count) run the gamut from just “pretty good” to “almost great”, they all have different things to recommend about them, some more so than others, obviously, and my hope is that this list will help at least some of you discover – or even rediscover – a bunch of new bands you’d otherwise overlooked.

Because, let’s face it, the real purpose of this particular piece – which, to be clear, is in no way comprehensive, as there’s lots of things I didn’t get chance to hear (and probably several things I did but have forgotten to include) – is simply to provide a useful round-up for our readers to pick and choose from at their leisure so they can, hopefully, catch up on some of what they might have missed!

In that spirit I’ve made some slight tweaks to the formatting this year, both to make things easier on myself and to make it easier for our audience, so – without further ado – here’s all the new releases from 2021 that I think didn’t quite make the cut for the “Great” list (although some of them came very, very close).

And, bear in mind if you don’t see something you’re looking for here there’s always a chance it will make an appearance in tomorrow’s list!

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Dec 132021
 

(Andy Synn officially begins “List Week” with a round up of the year’s most “Disappointing” releases)

As has become my custom I’m kicking off List Week with what is always the most controversial entry, my list of the most “disappointing” albums of the year.

Now, to be clear, this article isn’t about just attacking bands you don’t like. So if you’re coming here to performatively shit on someone else’s work just to make yourself look big and clever… jog on.

No, the point is simply to acknowledge that the artists we love sometimes let us down – whether that’s because they simply fail to live up to their own potential, or because their latest release is more hype than substance – and to give readers a place to communicate, and commiserate, and come to terms with the fact that even our favourite bands aren’t perfect.

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Dec 102021
 

(Next week Andy Synn begins his annual roll-out of year-end lists as part of his ongoing attempt to cover as many different albums from the last twelve months as possible – but, before then, he’d like to draw your attention to some of the shorter, but no less sweet, releases from 2021) 

Well, well, well… it’s been a whole year since we last did this little dance hasn’t it?

Sure, it might seem like it’s been longer than that, for a number of different reasons that we really don’t have time or space to go into here, but it’s actually only been twelve months.

Those twelve months have been absolutely packed with music though, and today we’re going to be taking a look, and a listen, to some – not all, of course, just as many as I managed to actually hear, so don’t get too upset when you realise that this isn’t totally comprehensive – of the EPs that were released this year, beginning with a general round-up of everything that I can remember and recommend, and closing with a countdown of my ten favourite short-form releases of the year.

So let us begin… Continue reading »

Dec 082021
 

(Andy Synn introduces a new song from the upcoming EP by French “Atmospheric Death Metal” maestros Barús)

Necessity, or so they say, is the mother of invention.

As such, we have the exigencies and restrictions of the last few years to thank – or blame – for Fanges, the upcoming new EP by Barús, which is scheduled to come out on December 31st via Aesthetic Death and Breathe Plastic.

And to prepare you for this highly-anticipated (by those in the know, at least) new release we have a premiere of the EP’s second song, “Châssis de Chair“, to share with you all. Continue reading »

Dec 062021
 

(Andy Synn is a busy man but he still found time to craft some short reviews and recommendations)

It won’t be long now until I’m fully immersed in “List Season”.

As a matter of fact, I plan to have my “Top Ten EPs” article published by Friday as a little taster of what sort of thing to expect throughout the whole of next week.

Until then, however, I’ve got just enough time to sneak in a few short, succinct reviews (we’re talking 100-200 words max.) about a few more albums that I really think more of our readers need to know about.

So let’s get to it, shall we?
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Dec 032021
 

(Andy Synn presents three albums from last month which he thinks you may have overlooked)

You know what times it is… well, what time it almost is… it’s almost time for my annual week-long round-up of the year in Metal.

But, before that, there’s still time for a few more reviews of things which you may have overlooked last month (and, don’t worry, I’ll also be doing some more of my “unsung heroes” posts later this month in order to catch you up on some of those albums you may have missed earlier in the year too).

Until then, however, enjoy these three succulent morsels of Progressive Death Metal.

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Dec 012021
 

(Andy Synn has a long history with Redemptor, so we knew he was the only man for the job when it came to writing about their new album, Agonia, which comes out Friday on SelfMadeGod Records)

I love Death Metal. And, if you’re reading this, there’s a good chance you do too.

But, as someone who loves Death Metal I do find myself wondering sometimes… where is the genre going?

Let’s face it, there’s only so far, and so fast, that the more “Technical” and/or “Brutal” strains can push things before giving themselves whiplash, crippling arthritis, or an aneurysm, and only so many times that the corpse of “Old School” Death Metal can be dug up for yet another revival before it starts to smell, well, a little off.

What I’m really looking for, then, what I’m hoping for, is a new generation to step up and refine/define a form of Death Metal that’s actually new – call it “Post-Death Metal”, if you’re so inclined – rather than simply presenting something that’s just a flashier or more “extreme” variant of what we already know.

We’re not quite there yet – not as far as I can tell anyway – but it seems to me that there’s several bands already moving in this direction, capturing both the vibe and atmosphere of the genre without precisely fitting in with any one particular sub-style, and Redemptor are clearly right at the forefront of this movement, if the evidence presented on Agonia has anything to say about it.

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Nov 302021
 

Recommended for fans of: Wake, Fawn Limbs, Ion Dissonance

Italian quintet Noise Trail Immersion are a perfect example of how the words we use to describe artists can have a big impact on how they’re perceived by potential listeners.

Case in point, you’ll often see them described as a Mathcore band – that’s apparently why Metal Archives won’t feature them – but that overly-simplistic designation fully fails to capture the totality of their sound, which is just as much an amalgam of chaotic Black Metal, Blackened Grind, and Dissonant Death Metal (and more).

But however you choose to describe them, with four albums under their belt – the most recent of which was released just last week – Noise Trail Immersion are long past due a major feature here at NCS, which is why I’ve chosen them for this edition of The Synn Report.

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