Islander

Dec 142023
 

(Denver-based NCS writer Gonzo didn’t miss the Decibel Metal & Beer Fest in Denver on December 1st and 2nd. We’ve already published his report on the fest’s first day (here), and today we present his report on Day 2.)

Festivals are always full of surprises. Most of the time, these surprises are new bands I discover or friends I meet for the first time, but when I woke up in the morning after day 1 of Decibel Metal & Beer Fest, the true surprise was that I didn’t have a crippling fucking hangover.

Ah, but there was still time. Tonight would be a glorious second installment of the festivities orchestrated by the Philly-based Decibel crew. And if last night was any indicator of what I could expect this evening, there was much reason for excitement. Continue reading »

Dec 142023
 

Beginning in the spring of 2017 we’ve premiered music and videos by MRTVI six times. Today makes the seventh time — but it may be the last.

We’ve been consistently fixated on the music of this solo project of Serbian artist Damjan Stefanović because it has been so consistently interesting, and so difficult to pigeonhole in genre terms (though “experimental black metal” might come closest, simply because the music has been unconventional).

The music has always been personal, and often autobiographical. For that same reason, it may have run its course with the EP we’re now premiering in full on the even of its release. Here is what Damjan has told us about Great Cleansing Come Upon Us: Continue reading »

Dec 132023
 

The rise of Cognizance has been near-meteoric, thanks to the impact of their 2019 debut album Malignant Dominion and especially their second full-length Upheaval in 2021. We spilled our own fair share of words about both of those here, embracing their storming, head-spinning technicality but also appreciating the nuance revealed within their turbocharged yet precise shredding and blasting, and thus their ability to create songs worth dissecting in addition to experiencing the sheer thrill of being overwhelmed.

And speaking of thrills, it has been thrilling news indeed to see that these UK tech-death maestros will have a third album coming our way in January of the impending New Year. Entitled Phantazein, it’s a concept album picked for release by the band’s new label Willowtip Records, and today we’re thrilled to premiere an official video for a new album track named “Shadowgraph“. Continue reading »

Dec 132023
 

In this feature we’re premiering a debut demo by Cavern, a band about whom we don’t have much info to share, which is rare. We know that one member who writes the music and performs the instrumentation is in Portugal and the vocalist is in France, and that’s all we can say. But of course we have the music.

The name of the demo, which will be released on Bandcamp through the Primitive Archive label on December 15th, is Amalgamation of Abnormalities. It includes five tracks, and of course we’ll give you our preview of the music in addition to the opportunity to hear them and form your own impressions. Continue reading »

Dec 132023
 

(Erstwhile NCS contributor Ben Manzella attended the performances of Katatonia, Gost, and Thrown into Exile at the Echoplex in Los Angeles on November 30, 2023, and he has given us the following concert review along with lots of the photos he made during the show.)

Until last night, it had been six years since my last opportunity to see Katatonia live. I wasn’t sure what to expect with what I saw as a confusing three-band lineup on a Thursday night. Even Jonas of Katatonia mentioned as he greeted the audience that he doesn’t often go to gigs on Thursday nights but he and the band greatly appreciated all of us making time to see them. The collective cheer at the Echoplex made it clear the appreciation was mutual. Continue reading »

Dec 122023
 

Before the first notes are heard, Feral Forms‘ debut EP Premalignant ought to grab attention quickly among gnarly denizens of the metal underground. There’s the “for fans of” recommendation by the labels who are releasing it: Angelcorpse, Teitanblood, Diocletian, Black Curse.

And then there’s the fact that this Italian quartet features current and former members of The Secret, Grime, Claustrum, and Fierce.

And then there’s that cover art, staring you in the face with those bulging eyes, dissolving face, and strange forehead cavities.

Now that they (and we) have your attention, it’s time to launch the music, though we must say that the EP’s title is either misleading or just plain scary: If this EP’s music is “premalignant”, it’s frightening to think what Feral Forms might do if they decided to channel fully emergent malignancy. Continue reading »

Dec 122023
 

(Today we present Comrade Aleks‘ interview of Jason Köhnen, one of the two main members of the Hungarian/Dutch “transcendental doom” band The Answer Lies in the Black Void, whose new album was released in October by Burning World Records.)

The Answer Lies In The Black Void is the duo of Martina Horváth (vocals) from Thy Catafalque and Jason Köhnen (all instruments) from Celestial Season, The Lovecraft Sextet, Bong-Ra, and ex-The Kilimanjaro Darkjazz Ensemble. Their first atmospheric doom metal album Forlorn was released in 2021 and got very enthusiastic feedback.

Horváth and Köhnen have continued their mysterious searches of an avant-garde vision and the result of this work is the second full-length piece Thou Shalt. Inspired by Carl Jung’s “shadow work” this new album was scheduled for release on October 13th via Burning World Records and I caught the band awkwardly right during their tour. That led to a few delays, and the interview turned out to be shorter than I expected. And yet, here is The Answer. Continue reading »

Dec 112023
 

(Here’s Wil Cifer‘s review of the new album by L.A.-based HEALTH, which was released last week by Loma Vista Recordings.)

The industrial trio HEALTH continues to make artistic noise, with a haunting melody as the focal point of even their most confrontational moments. I have been a fan of this project for some time, but this is the first time I have felt compelled to review these guys here. Rat Wars finds the band to be sonically more appropriate. They have always been metal adjacent, but this time, though they might not be flashing devil horns with their foot on the monitor, it is their heaviest work to date.

As I searched for this album online earlier in the week, I found a comment on Reddit that gave me a chuckle as it referred to this album as ‘The Downward Spiral” for people with two monitors. It’s a pretty fair assessment. The band’s full vision unfolds on this album, opening the doors for the larger metal community to embrace them. Continue reading »

Dec 112023
 

Ixian is the prolific solo project of Daniel Shroyer from Athens, Georgia. This year alone Ixian has released two splits, an EP, and four albums. The most recent album, Vines In Time Will Coat The Gray, came out in September, and was co-released by Owlripper Recordings.

Ixian‘s releases move around quite a lot in their stylistic ingredients. Metal-Archives classifies Ixian as “Post-Black Metal”, but that’s probably because they couldn’t think of anything else for music and noise that’s so difficult to pin down.

Some of the conceptual themes of the newest album were captured in the poetry of the title track’s words: Continue reading »

Dec 092023
 

Happy Saturday, or whatever other day you’re in when you come across this collection of new music.

I’m taking a lazy way out here — mainly just spewing a bunch of new metal songs and videos at you without much, or any, of the usual commentary. It’s actually not because I’m feeling lazy, it’s because I’m getting crushed by my fucking day job. Sadly (very sadly for me), it’s going to get worse as we approach the end of the year, and even worser in January.

I’ve never given any details about my job, but it’s not 9-5. Some days it might be Noon-3, but other days it might be 5 (a.m.) to midnight, and I have no control over the schedule. Mostly it leaves me plenty of time for NCS. Now, and increasingly until mid-January, it’s going to choke me.

At some point soon I’ll explain what that’s likely to do to some portions of our annual LISTMANIA extravaganza and the usual schedule of daily premieres, but not now. Now I only have time enough to start the spewing of this new stuff I’ve enjoyed, presented in alphabetical order by band name. Continue reading »