Islander

AN NCS EP PREMIERE (AND A REVIEW): DREAMING DEATH — “SINISTER MINISTER”

 Album Reviews, Premieres, SHORT BUT SWEET  No Responses »
Dec 172024
 

(written by Islander)

Band name: Dreaming Death. Record title: Sinister Minister. That lovely queasy-green cover art festooned with tentacles and claws. That should be enough to lure you into the music on the debut EP we’re streaming in this post. If it isn’t, you’ll soon see a photo of the band ready and eager to beat you to death with a shovel. That ought to seal the deal.

But just in case, we’ll add that Dreaming Death‘s lineup incudes Pahl Hodgson (guitars, vocals) and Ross Duncan (bass, vocals), known for their work with Beyond Mortal Dreams and Oath Of Damnation, plus drummer Matt “Skitz” Sanders, and further add that their EP lured Lavadome Productions into releasing it this coming Friday — the label’s only release in 2024.

You need any more reasons to listen? Nah, you probably don’t, but providing reasons is the reason for my existence, so you’re going to get some more whether you need it or not. Continue reading »

NIGRUM: “BLOOD WORSHIP EXTREMISM”

 Album Reviews  No Responses »
Dec 172024
 

(Our Oslo-based contributor Chile prepared the following review of a new album by the now-Sweden-based black metal band Nigrum. The album was just released last month by Iron Bonehead Productions.)

Multiculturalism, what a concept. Joining two (or more) different cultures in a fusion of varying elements of traditions, customs, and human existences to achieve a new state of equilibrium and a richer tapestry of life for everyone to enjoy. Anyway, where else would that be more true and visible than in that melting pot of postmodern lunacy, namely metal. 

Such is the story of Nigrum, originally hailing from Mexico, but settling in Sweden, thus bringing some of the southern madness into the insanity of the darker parts of the world. Coming off their well-received debut album Elevenfold Tail, which was a fantastic accomplishment in itself, Nigrum have wasted no time in recording a follow-up to keep the momentum going. Two years have passed, and with some minor personnel changes, Blood Worship Extremism is now before us, courtesy of Iron Bonehead Productions. Continue reading »

BECAUSE WITTY YEAR-END LIST TITLES ABOUT RUINING THE HOLIDAYS ARE FOR SUCKERS — THE DGR YEAR ENDSTAVAGANZA PART TWO: 40-31

 LISTMANIA 2024  3 Responses »
Dec 172024
 

(Here we have the second installment of DGR‘s year-end Top 50 list, counting down the second group of 10, with the next three groups slated for the next three days ahead.)

While we have not achieved critical mass yet in terms of writing for the year-end list, we’re definitely making progress down the line. This is still an area of the list where I often tell people that rankings – useless as they may be since this could be best viewed as ’50 albums DGR liked’ – don’t really start to crystalize in any sense until you start reaching the mid-30’s. So you’re reading the last vestiges of the albums I felt must be spoken about just so I can feel good about saying something about them and also starting to see the ones that I really sunk my teeth into.

They’re not a perfect representation by any means and I guarantee that come January 1st I’ll likely be kicking myself for leaving something off – especially with a late December drop of Frontierer‘s new EP looking like a contender to really fuck things up for me – but at least there’s some confidence in the ten collected before you today.

Tomorrow’s genre-spread will likely be just as silly but you’ll definitely start to see some old favorites popping up there since, much like one of the groups that appears in this collection, I too am a hallmark of consistency. I’m just not nearly as attractive. Continue reading »

LISTMANIA 2024: WIL CIFER’S TOP 20 YEAR-END LIST

 LISTMANIA 2024  5 Responses »
Dec 162024
 

(This is Wil Cifer‘s presentation of his Top 20 list for 2024.)

The world did not end in 2024, but unless inter-dimensional beings intervene, humanity might find ourselves reaping the consequences of our actions in the year to come. This is the tone of music I was drawn to this year. My taste in sonic darkness showed a dark shift in sounds that held at least a sardonic slant, more often than not a celebration of misanthropy.

I care less about how fast a band play or how low they tune, and more about what an album has to say. As a teenager, I didn’t mind lyrics composed of pseudo-occult garbage. Live and learn, after all, occult means hidden, and subtly goes a long way. If they were serious about the Left-Hand Path the music would make you feel it. I want to hear the inner darkness and ugliness you have inside come out in your music, not a pantomime of what darkness looks like in movies.

Granted with death metal, a little “Texas Chainsaw Massacre” is fine if it’s just empty calories, but I expect more from black metal in this regard. Continue reading »

AN NCS PREMIERE: PUTRED — “ERA MORBIDITAȚII”

 Premieres  No Responses »
Dec 162024
 

(written by Islander)

In this feature we’re helping spread the word that the Romanian death metal band Putred have their second album Megalit al Putrefacției set for release by Memento Mori on January 20th, just in time to scare the New Year to death in its crib.

By way of introduction for the song premiere we’re now hosting, here’s part of how Memento Mori‘s press release evokes the sensations of the music:

“Sonic references across Megalit al Putrefacției are many – Mortician at half-speed, Cianide at their world-eating best, early Necrophagia‘s weird textures, Apparition / Sorrow with a shot of energy, and of course the unholy trifecta of Bolt Thrower, Asphyx, and Grave.”

The same write-up refers to the riffing as “slamming” and “slithering,” and the atmosphere as “slimy,” “rancid,” and “foul-smelling,” and both brutalizing and eldritch. But of course we have some thoughts of our own, spawned by this new song, “Era Morbiditații.” Continue reading »

AN NCS PREMIERE: SCHAVOT — “DE LANTAARN SPREEKT DE WEG”

 Premieres  No Responses »
Dec 162024
 

(written by Islander)

With just a couple of weeks left in the year we still have time to make 2024 the third year in a row when we’ve premiered a song for the Dutch black metal band Schavot, the solo project work of multi-instrumentalist Floris Velthuis, who is also a member of Asgrauw, Meslamtaea, and Sagenland.

It’s fair to say, as Floris has himself acknowledged, that nostalgia is a significant inspiration for Schavot‘s music. He has been active in black metal since the ’90s, and a nostalgia for the Scandinavian black metal he grew up with gave birth to the Schavot project. Beyond that, his lyrics have been inspired by “the twilight world of the past” — by old Dutch folk tales and history.

And so, in both respects, Schavot‘s music could be considered a journey into the past. Yet as people know who’ve already encountered Schavot‘s previous releases, including the first two albums (Galgenbrok and Kronieken uit de nevel) and the excellent 2023 split Verloren vertellingen, the music is far from the kind of dull wistfulness that nostalgia can sometimes produce.

Today’s premiere underscores that point. The name of the song is “De lantaarn spreekt de weg,” and it’s from a new Schavot album named Verstrikt in halflicht that we’re happily helping announce today in advance of its February 27 release by Void Wanderer Productions and War Productions. Continue reading »

BECAUSE WITTY YEAR-END LIST TITLES ABOUT RUINING THE HOLIDAYS ARE FOR SUCKERS — THE DGR YEAR ENDSTAVAGANZA PART ONE: 50-41

 LISTMANIA 2024  4 Responses »
Dec 162024
 

(This is the first part of a five-part countdown by DGR of his 2024 year-end list, with each selection accompanied by his very extensive thoughts about the releases. Our plan is to roll out the rest of the installments on successive days until this week ends or falls into a sinkhole under the weight of his words.)

It feels like I blinked and suddenly a whole year had passed. Maybe it’s just the flow of life finally catching back up to me but this year moved in extreme fits and extreme starts and somewhere along the way I lost track of it among the deluge and wreckage that seems to be a daily existence. Among the piles of charred wood and still yet burning cars is another three hundred and sixty-five days of existence slowly signing its final paperwork and preparing itself to move on from the mortal coil.

At the very least, there was some sort of notification that this was coming. It feels like every year I open with some variation of ‘hey, this previous year sucked shit,’ and I’m pretty sure I’ve taken a similar tack to open up a few of the previous year-end posts – if only some sort of dipshit had done an anniversary post whereby he might have easy access to all his previous years’ transgressions upon the internet and the collective heavy metal world at large –  so I’ll dispense with the usual landfill avalanche of thoughts pertaining to world events and the previous days gone by because, shock of all shocks, this year sucked.

Next year is likely going to suck too and the year after that will probably suck even worse. We’ll make the word ‘suck’ mundane through repetition, as if an ever-present shadow haunting our lives, by the time we’re done with this. Eventually, we will all lose all sense of what the word actually means and we will be permanently trapped in some sort of constant suck-vortex powerful enough that we’ll get dragged into court for infringement by Dyson and we’ll be numb to the common sense of suck surrounding us. We’ll have finally ascended into the boring dystopia I’ve bitched about that is coming for years. Just my luck I can’t even get one with decent Blade Runner lighting. Continue reading »

SHADES OF BLACK: YOVEL, EEUWIG, BOLG

 Album Reviews, Exceptions to the Rule, SHADES OF BLACK  No Responses »
Dec 152024
 

(written by Islander)

As predicted in the intro to yesterday’s roundup, the high winds in our area finally did murder the power at our house. Amazingly, it didn’t happen until overnight, and more amazingly, the internet is still working this morning even though the power’s dead, so here we are.

But I’m getting a late start today for a different reason: I went to a holiday party in Seattle for my job last night. It was fun, and somehow three Sazerac cocktails didn’t leave me crawling, but by the time our royally fucked-up ferry system got me home the wee hours of Sunday were already in progress. So I’ve shortened my plans about what to do in this column; otherwise it will arrive very late in the day. Continue reading »

SEEN AND HEARD ON A SATURDAY: AN EVENING WITH KNIVES, ARKAIST, HAVUKRUUNU, NOVARUPTA, SADIST, GOJIRA, THY CATAFALQUE

 Metal News, RANDOM FUCKING MUSIC  2 Responses »
Dec 142024
 

(written by Islander)

If you’ve been visiting us recently it’s obvious that we’ve dived into year-end LISTMANIA. Andy Synn just finished his week-long series, which always starts us off, and we’ve re-posted a few lists from sites much bigger than our own. But if that was the dive, we’re about to sink way deeper into lists, like someone who offended a crime lord and are now being pulled into a watery abyss with concrete blocks chained to our thrashing body.

To preview what’s coming, next week we’ll roll out DGR‘s week-long Top 50 list, a three-part list series from Neill Jameson, and a couple of year-end lists from other NCS writers, with a lot more to come in the weeks after that. Continue reading »

AN NCS VIDEO PREMIERE: CELESTIAL DEATH — “ANTI-PREACHER”

 Premieres  No Responses »
Dec 132024
 

(written by Islander)

In our daily discharge of premieres we often find ourselves spreading the word about new music from bands who’ve already established some kind of track record through previous releases, or debuting a second or third single from a record after people already have an idea what’s in store for them. That makes today’s premiere something of a novelty, because it’s the first song publicly released by a brand new band.

The band is Celestial Death, a black metal quartet from Atlanta headed up by Jay Crash, who’s also the owner of Terminus Hate City Records. He’s joined by other experienced performers from the Atlanta scene — guitarist Ryan Buck (perhaps best known for his bass playing, as a member of Coletta, and having toured with Hail the Sun); drummer Matthew Carmichael (who has recently filled in on drums for Tómarúm, has toured with Cyborg Octopus and Archeologist, and is also a member of the Atlanta tech-death band, Nihilect); and bassist Hellstorm.

The song we’re premiering through a video, on the day of the song’s release across streaming platforms, functions as a mission statement, not only in the formulation of black metal that Celestial Death has concocted but also of their philosophy. Here’s their statement about “Anti-Preacher“: Continue reading »

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