(On May 24th Willowtip Records released a new album by the U.S. metal band Veil of Pnath. As is usually the case, DGR didn’t rush to prepare an early review but allowed the music to linger a while. Now his review is finished and available below.)
Vale Of Pnath are of a class of tech-death groups that never seemed to fully get their due. The Denver-based crew made themselves known at the right time, had the right scratchy logo, and had the right high-speed playing style to prominently place themselves in the world of the initial tech-death explosion as it quickly codified into its own subgenre rather than just a way to describe a much more complicated style of death metal that is more well-known for caveman slamming into the ground repeatedly.
Guitarist Vance Valenzuela is the only long-time member of the group still standing at this point, having been surrounded by a legion of incredibly talented musicians over the years. Maybe it was the ever-shifting nature of the group that was to blame? Maybe the revolving-door list of who would be in the lineup at any album? Maybe it was the sense that Vale Of Pnath was a machine, not just in the precision of their playing but in ‘parts’ changing themselves out, or maybe it was just the tad too long gaps between releases?
Regardless, it never seemed like Vale Of Pnath were fully able to achieve the relentless touring and constant social media renown as well as many of their fellow classmates did, despite having the body of material to back that up. Continue reading »
