Islander

AN NCS VIDEO PREMIERE: HEXENBRETT — “WOZU DIE ANGST?”

 Premieres  No Responses »
Nov 122024
 

(written by Islander)

The Hexenbrett duo of Josto Feratu and Scarlettina Bolétt are returning with a second album entitled Dritte Beschwörung: Dem Teufel eine Tochter. According to Google Translate, this means “Third Summoning: A Daughter to the Devil”.

In the PR materials for the album, it’s described as a “devilish and drama-filled rollercoaster ride through cult metal and cult cinema alike,” and as “a wide panoply of sounds and sensations [that] swarm the listener, wrapping them in a wild and bewildering but above all kaleidoscopic headspace that easily avoids simple categorization.”

That all proved to be a good preview of the video for the album’s first single, “Um Mitternacht” (which translates to “At Midnight“). You’ll see the basis for the cult (horror) cinema references in the film excerpts. As for the music, it’s a wild hybrid, or maybe I should say hydra, pulling together ingredients of black metal, gothic horror, psychedelia, and classic heavy metal and rock. Continue reading »

AN NCS INTERVIEW: ANTE-INFERNO

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Nov 122024
 

(On November 22nd Vendetta Records will release a new album by the UK black metal band Ante-Inferno. Probably intrigued by certain Lovecraftian imagery hovering around the album, our interviewer Comrade Aleks reached out to the band’s lyricist, vocalist, and guitarist Kai, and that led to an excellent discussion, which we now present below.)

Founded in Scarborough, 2017, Ante-Inferno have performed their black metal almost without stop, and there’s just a normal two-year-long break between their second album Antediluvian Dreamscapes and the new one – Death’s Soliloquy.

This is a sort of concept album based on traditional black metal sound with atmospheric touches and a depressive message of self-destruction. Vendetta Records has scheduled Death’s Soliloquy for release on November 22nd, and the interview we’ve done with Kai (vocals, guitars) should shed some light on this grim dramatic work. Continue reading »

AN NCS INTERVIEW: GÖDEN

 Interviews  1 Response »
Nov 112024
 

(Delayed by both external events and our editor’s foot-dragging, we finally present our Comrade Aleks‘ interview of Stephen Flam, an original member of the seminal NYC band Winter and a founder of Göden, whose second album Vale of the Fallen (the main subject of the interview) was released by Svart Records last May.)

About thirty-five years ago, the heavy, rusty, clanking Winter thundered through the New York City underground. Over time, the young trio, making sloppy death-doom, entered the pantheon of genre pioneers whose names are known mostly to doom-heads, but then the band simply fell apart after their first album Into Darkness (1990).

Winter’s guitarist Stephen Flam returned with two confederates as Göden in 2020: Betty (“Vas”) Lakkas aka Nxyta (Goddess of Night) on vocals and Tony Pinnisi aka The Prophet of Goden on keyboards. With the new album Vale of the Fallen, Göden continued this year the direction they took on their debut, Beyond Darkness (2020): unusual, but uncomfortable and categorically gloomy post-apocalyptic doom with hoarse female vocals. Continue reading »

AN NCS PREMIERE: LURING — “BORN WITH THE DEVIL’S MARKING”

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Nov 112024
 

(written by Islander)

Today we happily help spread the word about Malevolent Lycanthrophic Heresy, the forthcoming third album by the Pennsylvania-based black metal band Luring.

For those listeners who haven’t yet encountered Luring‘s previous releases, the album’s name and cover art may point you in one direction of expectations, perhaps envisioning raw and racing lo-fi viciousness, perhaps laced with sounds of ancient horror that cause the skin to crawl.

Such expectations aren’t completely off-base, but the song we’re premiering today is proof that there’s a lot more to Luring‘s new album than those facets.

What “Born With the Devil’s Markings” reveals is a band capable not only of launching malevolent full-bore assaults, but also creating captivating melody, muscle-moving punch, and mood-moving atmosphere of an unearthly origin. Perhaps unexpectedly, there is (dare we say it) an elegance and refinement in key components of this song — as well as indomitable thrust and lycanthropic savagery. Continue reading »

SHADES OF BLACK: KILDONAN, ATRA HAERESIS, DEWFALL, HORNWOOD FELL, THULCANDRA, SAMMATH

 Album Reviews, SHADES OF BLACK  No Responses »
Nov 102024
 

(written by Islander)

This column comes later in the day than usual, just like yesterday’s did. Yesterday’s was late because I went overboard with how much I tried to cover. Today’s is late because I spent a bunch of time this morning reading things that have nothing to do with music, still trying to process “current events”.

It’s also late because I still tried to cover as much as I could, though not quite as overboard as yesterday. Like yesterday I’ve alternated between recent singles and complete new records, and at the end I’ve added a couple of new videos for songs that aren’t new, though in different ways they’ve been made new again. Continue reading »

SEEN AND HEARD ON A SATURDAY: EZOV, DIZZINESS, [4672], THE SUN’S JOURNEY THROUGH THE NIGHT, SLUG SALT LAVA, SAHG, DAEDRIC SHRINE, KTANA

 Album Reviews, Metal News, RANDOM FUCKING MUSIC  No Responses »
Nov 092024
 

(written by Islander)

I was going to begin by sharing some thoughts about “current events”. I started writing them. Then it dawned on me that if you wanted to read some dude’s thoughts about current events right at this moment, you wouldn’t be here. You might even be trying to forget about current events, to put off thinking about them until another hour, another day, another month.

And anyway, trashing what I started writing rather than finishing it provided more time for thoughts about another couple of songs. You might not want to read those either, but you might listen, and that’s good enough.

Once again, there’s a lot here. I’ve alternated between complete albums and preview tracks from forthcoming records, followed by a couple of clean-singing head-knockers and something quite out of the ordinary at the end. Continue reading »

AN NCS ALBUM PREMIERE (AND A REVIEW): FIASKO — “AMOK ꓘOMA”

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Nov 082024
 

(written by Islander)

The Polish blackened sludge metal band Fiasko gave the world the first tastes of their new album AMOK ꓘOMA through videos for two of the album tracks, “Wniwecz” (“Into Naught”) and “Sztuczne kwiaty” (“Fake Flowers).

In the first of those, Fiasko showed their current colors in a slow-moving display of miserably moaning and wailing melody, backed by gut-punching percussive blows — and then they shock the listener with a sudden detonation of blasting drums, frantically swarming riffage (which still sounds dismal but vastly more deranged), and furious screams.

In that typhoon surge of sound you can still detect the grim opening melody, but it has been spun up into something substantially more frightening, and as the riffing evolves, it becomes both more feverishly unhinged and more disturbingly agonized. Even the sudden singing sounds emotionally shattered, elevating into screams again. Continue reading »

GONZO’S HEAVY ROUNDUP, OCTOBER 2024

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Nov 082024
 

(Denver-based NCS writer Gonzo brings us reviews of the following three albums released in October, just in time for gray days ahead.)

Call me a downer if you must, but I really hate theme parties.

Come to think of it, I don’t like “themed” anything. I once was dragged to an office party with a “The Office” theme (I shit you not) and it was one of the most excruciating hours of my life. This was the same job that occasionally held “ice cream socials” that consisted of nonverbal weirdos quietly grabbing a small cup, wordlessly putting a scoop of Breyer’s into it, and scampering back to their desks. (“Ice cream antisocial” might be the Anthrax and Weird Al collab we never knew we needed.)

That job, fortunately, was a long time ago, but my stance on themes remains. There’s a caveat now, though: after assembling this column, I realized that all three of the albums I used are all similarly dreary, doomy, and full of despair.

So, with this month’s roundup being perfect music to slit your wrists to, perhaps I’m not as averse to themes as I thought I was.

On that gloriously uplifting note, let’s get right into it.

Continue reading »

CANIS DIRUS: “BY THE GRACE OF DEATH”

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Nov 082024
 

(Here is Todd Manning‘s review of the latest album by Minnesota-based Canis Dirus, which will be unleashed December 21st on LP by Bindrune Recordings and on CD by Alte Seelen.)

Bindrune Recordings have long been one of the most trusted yet still thoroughly underground labels of the 21st century, specializing in all things atmospheric metal. Their latest release from Canis Dirus, By the Grace of Death, keeps the label’s excellent standard of quality alive with their folk-infused take on black metal.

Album opener, “Once Cursed Path Glistens in the Sun”, is an epic black metal piece constructed from a minimal number of parts. The primary riff is mid-paced and heavy, yet also meditative and melancholy. They eventually find a blast beat and display their ability to conjure violence as well. Yet a synth line underneath the maelstrom keeps the atmosphere intact. Continue reading »

AN NCS ALBUM PREMIERE (AND A REVIEW): AURIFEROUS FLAME — “THE INSURRECTIONISTS AND THE CARETAKERS”

 Album Reviews, Premieres  No Responses »
Nov 072024
 

(written by Islander)

The last time I attempted to find words for the music of Auriferous Flame I deployed adjectives such as “dire and deleterious,” “hypnotic” and “mystifying,” “deranged and dervish-like,” “molten” and “exotic.” The occasion then was an album named The Great Mist Within, released by True Cult Records in the summer of 2022. Now we have a new occasion because of a new album by this Greek black metal entity, which is one of the several guises assumed by the masterful Ayloss (with Spectral Lore being the best-known of those).

The new album, The Insurrectionists And The Caretakers, will be released tomorrow by the same True Cult Records. It is three songs long, and its overarching subject is revolution. Continue reading »

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