AN NCS INTERVIEW: JOHAN LANGQUIST – THE CASTLE

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Jun 032025
 

(We present Comrade Aleks‘ interview of Johan Langquist, vocalist of Candlemass and mastermind of the solo project Johan Langquist – The Castle, whose debut album, accompanied by talented allies and digitally released last year, will receive physical releases on June 27th of this year via I Hate Records.)

It’s hard to imagine what the landscape of the world doom scene would be like if the Swedish band Candlemass hadn’t recorded the legendary Epicus Doomicus Metallicus in 1986. This and the following two albums became a source of inspiration and an unattainable quality mark for many bands who worked on the doom path for a long time.

Although Johan Langqvist, who left Candlemass immediately after recording the debut, was only a guest vocalist, this did not stop fans from dreaming about his return for many years, and dreams came true in 2018 when the band reunited in almost “the same” line-up. Who would have thought that today, against the backdrop of Candlemass’s 40th anniversary and the release of their new EP, the news about the release of Johan’s first solo album would be lost? We’ll correct this omission. Continue reading »

AN NCS INTERVIEW: JONAS LINDBLOOD (PUTERAEON)

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May 282025
 

(Our French contributor Zoltar conducted the following excellent interview with Puteraeon founder and vocalist/guitarist Jonas Lindblood in advance of Emanzipation Production‘s release of this Swedish band’s newest album on May 30th — an album we will premiere-stream one hour from now.)

“Dead but dreaming.” Howard Philipps Lovecraft probably never thought while writing for the first time about what would become his most famous creation in the aptly titled The Call Of Cthulhu nearly a century ago back in 1926 that, somehow, this conception would also ring true about his never-ending influence on extreme metal.

A lot has been said about how pioneers like Black Sabbath (‘Beyond The Wall Of Sleep’) or Metallica (‘The Call Of Ktulu’) early on associated the name of the master of Providence to distorted riffing on selected tracks, but lately more than a few bands like French weirdos The Great Old Ones or German epic travelers Sulphur Aeon have gone the extra mile by entirely dedicating their lore to his writings and monstrous cosmology.

The cool thing about Puteraeon is that they never jumped on the bandwagon to start with yet made it clear from their third demo what the deal was, going as far as doing a whole set of songs (The Extraordinary Work Of Herbert West) solely dedicated to one of Lovecraft’s most-beloved novels – and the source of inspiration for what remains his best movie-adaptation, Stuart Gordon-directed 1985 cult horror flick Re-Animator. Continue reading »

A GUEST INTERVIEW: WĘDROWCY~TUŁACZE~ZBIEGI

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May 232025
 

(We are very fortunate today to present a guest interview originally conducted in Polish by The Goat Tavern and translated by them into English. It is a rare and relentlessly interesting discussion with the two members of the fascinating Polish band Wędrowcy~Tułacze~Zbiegi, a band that has now come to an end — sadly for us and many other fascinated listeners.)

The Polish metal scene is full of wonders. Sometimes, the deeper you dig the more treasure you can find. You don’t have to look far, however, to find bands like Furia, Odraza, Gruzja or Totenmesse. These bands, well-established in the underground, feature musicians who often want to express themselves in a different field.

On one sunny May afternoon, I sat down with Sars and Stawrogin and talked about their project, Wędrowcy~Tułacze~Zbiegi, into which they’ve been putting their hearts for years. Now, after they decided to call it a day, it was time to reflect a bit on the past and try to introduce this incredibly fascinating musical creation to a broader audience. Continue reading »

AN NCS INTERVIEW: SIJJIN

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May 132025
 

(Here we present Zoltar‘s interview of Malte Gericke, bassist and vocalist of the pan-national death/thrashing band Sijjin, whose new album Helljjin Combat is out now on Sepulchral Voice Records.)

“I couldn’t be happier man.” Malte Gericke, aka Mors Dalos Ra, is relieved for probably the first time since the band’s split in 2021 not to be asked about Necros Christos, the cult and highly-mystical death/doom beast he led out and back to the abyss for over two decades. And he deserved the right to, as Sijjin, the to-the-point and proudly stuck in the ’80s thrash/death new band he had put together even before NC took their final bow, has proven not to be the expectative derivative but an entity on its own, far less entrenched in occult and cryptic atmospheres and doom-laden circumvolutions, way more straight-forward and unapologetically METAL, as in denim-and-leather-patches-furious-headbanging metal.

If their 2019 demo, later reissued on LP, and their debut album Sumerian Promises were treading on early Morbid Angel territories, as he once again puts it himself, their long-awaited sophomore and very riff-oriented album Helljinn Combat goes even more “back in time”. Old-school to the bone! Continue reading »

AN NCS INTERVIEW: NIGHTFALL

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May 022025
 

(Today Season of Mist is releasing the monumental 11th album by the Greek metal band Nightfall, with cover art by Eliran Kantor, and in anticipation of that Comrade Aleks conducted an extensive interview with founder and frontman Efthimis Karadimas. It is an excellent read, and we have it for you below.)

Nightfall was always one of those charismatic Greek bands that had its own identity despite all the changes in style. Once they were neck-deep into a rebellious seething stream of death and black metal, then they entered territories of doom and gothic metal. Always on the move, always searching. It’s not a surprise that Efthimis Karadimas (vocals, bass) is the only original hand of Nightfall who has stayed with his creature since the day it was born back in 1991.

However, the band returns with its eleventh album – Children of Eve – full of power and boiling artistic intention. This epic album carries on traditions of ancient Greek metal and keeps its grim identity untouched. However, I find it stupid to tell a lot of pompous words about the band, as we have Efthimis here, and this interview turned out to be a pretty in-depth one. So enjoy Nightfall. Continue reading »

AN NCS INTERVIEW: CONSUMPTION

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Apr 102025
 

(Here we present Zoltar’s interview with the ever-busy Håkan Stuvemark, the focus being on his death metal band Consumption, whose latest album Catharsis was released in January by Dusktone.)

Hard to say when the disease started spreading but most extreme metal historians (if there’s such a thing) would probably agree that General Surgery, Dead Infection, and/or Pathologist were the first ‘official’ Carcass clones, as early as 1988. And it somehow never stopped since then: Haemorrhage, Necrony, Golem, early Exhumed, Butcher ABC, etc. The list goes on and on and never ceased to grow. Yet, from time to time and despite the heavy competition, somebody decides to pick up the gauntlet and run with it, reaching for the extra yard, today’s case pick being Consumption.

Just like the ‘fake’ band The County Medical Examiners vowed in the ’00s to record the sequel to Symphonies Of Sickness but never got the time nor the will to record, Håkan Stuvemark from Wombbath decided instead to raid that even better guarded citadel known as Necroticism. And it looks like he’s having a blast doing so, as although he’s got his fingers in so many pies at the same time, he still did find the time to record three albums of pure Necroticism-worship over the course of five albums, the latest being the just-released Catharsis on Dusktone.

Yet based on what he’s telling us, there is more here to be found than ‘just’ extremely well-made fanart. Continue reading »

AN NCS INTERVIEW: MORBIFIC

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Apr 092025
 

(On April 21st a group of labels will release a new album by the Finnish death metal band Morbific, and that induced our contributor Zoltar to reach out for an interview, which now follows.)

Samples of forgotten horror flicks, a crude-as-fuck production, distorted bass breaks one hasn’t heard since Impetigo‘s debut album back in 1990, dual vocals and lyrics about mutilating a corpse or draining into a tub various secretions of a putrefied body… You can’t really blame Finnish youngsters Morbific for beating around the (dead) bush can you?

Various splits and an EP plus three albums, including the soon-to-be-released Bloom Of The Abnormal Flesh, in, the trio stick to what they do best: old-school, primitive, and ghastly death metal, yet surprisingly catchy thanks to its underlining groove and straight-to-the-point attitude. Next to other rather ‘new’ European acts like Stockholm’s Repuked or Copenhagen’s Undergang, their undeniable faith in a certain deeply underground and untouched-by-modernism definition of what death metal stands for is undeniable.

And yes, based on their bass player and vocalist Jusa‘s not quite extensive answers, they don’t seem to give a fuck about anything, but it’s probably because at the end of the day, it’s just all about playing freakin’ death metal and celebrating gore, nothing less nothing more. Continue reading »

AN NCS INTERVIEW: CARCOLH

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Apr 042025
 

(In February we had the pleasure of premiering and reviewing the newest album by the French doom band Carcolh, which is out now on Sleeping Church Records. Today we present Comrade Aleks‘ new interview with Carcolh vocalist Sébastien Fanton, and he again proves to be a wonderful conversationist.)

Five men from Bordeaux love and know how to make smart, traditional, almost textbook doom metal. And why not! Most of them did it years before Carcolh, and, let’s face it, they are professionals in their field.

“Carcolh” is a mythical half-snake, half-snail from French folklore, but this does not mean that the guys are “barely dragging their feet.” They managed to tell six stories in the 46 minutes of their third full-length Twilight of the Mortals, revealing in their own way the nature of human tragedies in the sublunary world.

This album shows that Carcolh maybe do not progress in a global sense of the word, but confidently move forward enriching their soundscapes with a lot of new nuances and semi-colours. All the instruments sound heavy, clear, rational, and tasteful. Sébastien Fanton’s vocal lines are harmonious and noble, matching the themes performed by his colleagues. Twilight of the Mortals is far from monotonous; its pace varies from the furious gallop of “The Battle Is Lost” to the crushing dirge of “My Prayers Are for Rain” or the twelve-minute long, multifaceted, and saturated “Empty Thrones”.

This material isn’t something one could easily digest in a case you aren’t into traditional doom metal, yet we did the interview with Sébastien, and it may help you to get how cool Carcolh are. Continue reading »

AN NCS INTERVIEW: CONAN

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Mar 262025
 

(Lured by the impending release of a new Conan album on Heavy Psych Sounds, our Comrade Aleks got in touch with band leader Jon Davis, and below you’ll find their discussion — and the three singles released so far  from Violence Dimension.)

The UK’s heaviest band strikes back with all the power of the gargantuan barbarian sword. The name itself fit well for the music that Jon Davis and his companions played from the start – dirty, ugly, and damn heavy sludge-doom with a hypnotizing stoner vibe. Conan honed their skills with each new album and made a huge leap onward from the point where they started to their current firm position in the global extreme metal scene.

Conan built the legend on their own, but moreover they somehow managed to develop their sound further with the new album Violence Dimension, a masterpiece of heaviness and brutality. Somehow we caught Jon for a while during the band’s current tour and here’s what we were able to learn from him:

Continue reading »

AN NCS INTERVIEW: HOROH

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Mar 212025
 

(In February the French death metal band Horoh released their second album on Crypt of Dr. Gore — reviewed here by our contributor Zoltar — and today we have Comrade Aleks‘ interview with this horror-loving band’s two veteran members.)

French death-metal duo Horoh consists of Sébastien (vocals) and J. (all instruments). Both men live in different parts of France, so I doubt that Horoh will outgrow its status of a studio project. And yet the fresh Horde of Horror is their new album released only two years after the debut Aberration. Crypt of Dr. Gore released this 39-minute-long knot of gore, death, and unspeakable horrors in a form of quite old fashioned death metal.

Sébastien and J. spent many years performing different kinds of metal, so… an old horse doesn’t spoil a furrow… or how do you pronounce that? However, here we have a quite lively and fun conversation with both men. Hi there! Continue reading »

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