Jun 152020
 

 

Sometimes bands that begin as “side projects” are destined to live in the shadows of their members’ main bands, even when all evidence demonstrates that they have become living things in their own right, with their own personalities and strengths, and bright futures of their own. That is certainly true of the Norwegian black metal band Svart Lotus, which began as the solo project of 1349 bassist Tor R. Stavenes and has come to include Disintegration members Eivin Brye (drums) and Øyvind Kaslegard (bass), as well as guitarist Sigve Jordheim.

This isn’t to suggest that people are failing to give Svart Lotus the recognition they deserve, but it might be to suggest that not enough people are doing that. The band may have begun as a way for Tor R. Stavenes to spread his wings, picking up the guitar and using his own voice and songwriting talents, but it has blossomed into a musically compelling entity that’s both true to the spirit of Norwegian black metal but also adventurous. Continue reading »

Jun 122020
 

 

Like other genres of metal, Doom has become a big tent since its formative years, gathering beneath its large canopy a variety of stylistic formulations that are nonetheless united by an attraction to moods of longing and loss, misery and grief. But the Chilean Doom band Poema Arcanvs seem to be a big tent themselves, evolving their arcane musical poetry into an embrace of many formulations of Doom, and their new album Stardust Solitude might be their most complete and cohesive expression of that talent to date.

With their roots in the ’90s and their original inspiration drawn from the likes of Paradise Lost, Anathema, and My Dying Bride, the band have built an impressive discography that now includes six albums. This new one, their first in eight years, is their first for Transcending Obscurity Records, and it isn’t mere puffery to say, as T.O. does, that it is “a beautiful album that unravels gracefully, revealing a wealth of variations and moods”, delivering “plaintive melodies and entreating vocals that remain with you like warnings from the other side”.

The track we’re premiering today, through a video that captures the band’s performance of the song, is “Straits of Devotion“, and it is a prime example of the band’s successful amalgamation of styles and sensations. Continue reading »

Jun 122020
 

 

Romanian quartet Katharos XIII may have started out life as a DSBM band, but their sound has massively changed and evolved over the years, and their third album Palindrome, released last fall by Loud Rage Music, moved them even further into the realms of dark ambience and jazz-inflected doom.

The majority of the record is built around a sombre, shadowy soundscape of moody synths and noirish saxophone, underpinned by some brilliantly subtle and creative drum work and topped off with the hypnotic, dramatic vocals of Manuela Marchi, resulting in a sound and style that’s unusual, and unusually captivating.

There are still occasional touches that call back to the group’s early works, including some suitably nasty harsh vocals here and there, but also entire tracks (such as haunting closer “Xavernah Glory” or the mid-album masterwork that is “Caloian Voices”) which are almost entirely stripped of any metallic elements. Even when the band maneuver toward heavier sounds, it’s more in the vein of latter-day Katatonia or Portuguese Post-Metal maestros Sinistro, using looming, lambent chords and taut, restrained rhythms to cultivate a sense of ominous weight and shivering tension just waiting to be broken.

The mysteriously named “No Sun Swims Thundered” is in that latter category. It becomes an ebbing and flowing tide of intensity, gradually building, receding, and crashing against the shores of sanity and comfort with heavyweight power and mind-bending ingenuity. The movements are enthralling and often dreamlike, but persistently disturbing, and the visual interpretation of the song by director Alexandru Das that we’re presenting today channels all of those same sensations. Continue reading »

Jun 112020
 

 

On July 27th Memento Mori Records will release Victims of Spiritual Warfare, the second album by the Chilean death metal band Soulrot. Last month we came across the album’s first “single”, a song named “God Forsaken“, which prompted us to blurt out: “Crunchy, raw, and rotten Swedish-style death metal and grindcore from Chile, with hideous (in a good way) vocals, a toxic guitar tone, and a berserker spirit. Really looking forward to hearing more of this menacing mayhem….”

Well, it didn’t take long for us to dive into the rest of Victims…, and to discover just how hard these Chilean barbarians punch all the right buttons in their quest to reanimate the rotten corpse of early ’90s death metal while simultaneously blistering listeners with grindcore explosiveness. This would have been less surprising had we known that Soulrot had its earliest origins circa 1993-1994, or had we heard their Horrors from Beyond demo in 2014, their Revelations EP two years later, or their 2017 debut album, Nameless Hideous Manifestations. But better late than never!

“God Forsaken” was goddamned good, and now we get a chance to add another track for public consumption, one named “All That Remains” — and it’s a terrifically explosive and electrifying onslaught too. Continue reading »

Jun 112020
 

 

The Finnish black metal band Väki have defined themselves as “a musical act embodying the profound manifestations of death, impurity and chaos, dedicated to capture the darkests aspects of reality”, examining “aspects of our existence that revolve around suffering, depression, hate and melancholy”. In delving into those dark depths it became evident right from the band’s 2017 debut demo Kirous (reviewed here) that they were capable of taking you to many different places — there was bleak grandeur as well as crushing desolation and blinding ferocity in those compositions, as well as a high level of performance skill.

Redefining Darkness Records was so impressed with that initially self-released demo that they gave it a physical release. And now, in conjunction with Saturnal Records in Europe, the same label will be releasing Väki‘s debut album Kuolleen Maan Omaksi — a record that many of us who were captivated by Kirous have been waiting for eagerly. It will be released on July 17th, and today we’re excited to present for you “Vaisto” (The Instinct), the song that opens the album. Continue reading »

Jun 102020
 

 

The Edmonton-based death metal band Tales of the Tomb made a hell of an impression with the release last fall of their second EP, Volume Two: Mendacium. Taking their cues from the likes of Macabre, At the Gates, Cannibal Corpse, Dying Fetus, and Blood Red Throne, they assembled a sextet of murderous tracks organized around themes of government cover-ups, national lies, and heinous crimes committed within the shadows. We seized the chance to premiere a slice of that marauding butchery, and now we’re seizing the chance to do it again.

When the EP was recorded, Tales of the Tomb was the work of guitarists/vocalists Trez Thomas and Corey Skerlak, but today we’re announcing that Tales of the Tomb has been joined by bassist Jonii Guns (pictured above) — and we’re premiering a video of his playthrough for a song off the EP named “Sinful Messiah“. Continue reading »

Jun 092020
 

 

On their new album Effigy of Nightmares the Cincinnati band Valdrin have used their music to illustrate an epic narrative, and as the title suggests, it’s a nightmarish one. Like their previous album, 2018’s Two Carrion Talismans, the new record focuses on the antagonist of the band’s self-created Ausadjur mythos, a being named Nex Animus. As the band explain: “The story chronicles the tour of a nameless narrator through the halls of Hosptium Mortis, the nightmare hospital below the Orcus underworld itself, where Nex tortures and lobotomizes the dissident gods of his domain.”

Even that brief verbal synopsis has a chilling effect. But the ways in which Valdrin‘s harrowing new music guides us through this frightening netherworld are even more chilling, more threatening to a listener’s sanity, and much more likely to haunt listeners’ dreams for a long time to come. Set aside half an hour and prepare yourself for an experience in electrifying audio terror as we present a full stream of the album in advance of its June 12 release by Blood Harvest Records. Continue reading »

Jun 092020
 

 

In this unusual year of 2020 the Finnish “borgarcore” band Bob Malmström are celebrating their tenth anniversary. In addition to popping champagne and blowing out candles they chose to commemorate the occasion by releasing a series of three split 7″ vinyl records.

In the first of those, Sälj Åland, they teamed up with the long-running Finnish melodic hardcore band The Enchained (whose history extends back to 1997). Bob Malmström‘s side of the split included two tracks, and in January we premiered the band’s video for the title song.

Two months after that first split, the band released the second one with Tvärnitad from Sweden (which we’ll comment on below, since we failed to do so in April), and now the time has come for the third split to be revealed, on the eve of its June 10 release. This latest split includes the music of the Finnish black ‘n’ crust band Dispyt (whose ranks include Mathias Lillmåns of Finntroll and …and Oceans fame), in addition to Bob Malmström‘s own contributions. Continue reading »

Jun 082020
 

 

Four years ago we premiered a song from At the Onset of Extinction, the eye-opening second EP of the inventive Finnish death metal band Sepulchral Curse (which includes members of Solothus and Yawning Void). We must not have screwed that up too badly because we’ve been invited again to host a Sepulchral Curse song premiere, this time from their debut album Only Ashes Remain, which is set for a July 31 release by Transcending Obscurity Records.

This is an album we’ve been eagerly awaiting, given the striking impression created by that previous EP, which was the band’s second release. If you’ve had your eyes and ears open, you’ve already discovered some of the fascinations in this band’s unusual amalgamation of stylistic ingredients, through track premieres at Decibel and T.O.‘s YouTube channel. And the one we’re presenting today, “Church of Loss“, is no less viscerally electrifying, mentally engrossing, and emotionally powerful. Continue reading »

Jun 082020
 

 

How does a band who are devoted to the most ruinous amalgamations of death and black metal stand out from the underground hordes who profess the same kind of devotion? Where the sonic expression of hell on earth is the dominant aesthetic, how does one advance beyond the orthodoxy of extreme audio annihilation? Diabolic Oath has an answer — actually, many answers, as revealed on their debut album Profane Death Exodus.

This Portland, Oregon band seized the attention of Sentient Ruin Laboratories, who are poised to release the album on June 26th. The alliance of that label alone is a sign that Diabolic Oath have concocted something unusual, something that builds upon the influence of such bands as Teitanblood, Immolation, and Bestial Warlust. And as a further sign, today we present the album’s fifth track, “Apocryphal Manifestations”. Continue reading »