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GONZO’S HEAVY ROUNDUP, JULY 2024

Aug 012024

(With July now in the rearview mirror, Gonzo has brought us another monthly collection of recommended albums.)

As a reasonably respectable writer who can form coherent sentences, I’d sooner die than kick off this column with some banal trope like “Summer’s heating up, and so are these new releases!”

Fuck that nonsense. But I suppose it’s worth mentioning that I’m sitting here in my air-conditioned apartment while temperatures outside flirt with triple digits, and that means staying inside and listening to music is a much more preferable option than sweating it out in that godforsaken heat.

And….sigh. Yes, these new releases are pretty goddamn spicy, so feel free to form any heat-related tropes at your own discretion. Just listen to these albums first.

BLACKER THAN THE BLACKEST BLACK

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Jul 312024

(Andy Synn catches up on some of last month’s bumper crop of Black Metal)

Despite what some people might believe, we’re big fans of the ol’ Black Metal genre here at NCS.

Sure, there’s certain artists we don’t fuck with, for reasons which are entirely our own, but considering how rich and fertile the field is right now (as today’s article so adamantly demonstrates – right down to the fact that I didn’t have time to also include the likes of Coldcell, Limbes, and Unholy Altar) there’s more than enough great options out there to keep us busy until the inevitable heat death of the universe.

So – since I didn’t want the next edition of “Things You May Have Missed” to be all Black Metal – here’s four short-but-sweet write-ups of some recent albums I thought would put a smile (although I guess it’s more of a grimace) on your corpse-painted faces.

SHADES OF BLACK: RAAT, PAYDRETZ, STARER, GEISTERFAUST, HAND OF OMEGA, SALQIU, MANṢŪR, MORK

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Jul 302024

Hopefully you noticed that we began the last NCS Sunday with a premiere. That song and video by Weald & Woe were well worth the time required to prepare the write-up, and it would have fit well into the usual Sunday roundup of new black and black-ish metal, but it did leave me with less time than I needed to pull together the usual Shades of Black column.

So, I’ve taken an extra two days to finish gathering together what I wanted to recommend this week. I’m very happy with these eight selections and hope you’ll also find all of them well worth your time. (Yeah, there’s a lot here — bookmark it, try a little here and a little there, in between trying to make a living, drinking yourself silly, washing your cat and your clothes, bathroom breaks, sleeping, etc.)

RAAT (India)

As steadfast visitors to our site are well aware, I’ve been enthusiastically following the progression of Raat‘s music since early days, and thus was eager to delve into the band’s fourth album, Enchantment, which was released about 10 days ago. Continue reading »

EYE EATER – ALIENATE

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Jul 292024

(Andy Synn finds himself far from alienated by the new album from Eye Eater)

It’s always been fascinating to me how different ears, on different people, can hear something different – whether subtly or strikingly – when listening to the same thing.

Case in point, a quick peruse of the listener reviews on the Bandcamp page for enigmatic New Zealand extremists Eye Eater will reveal a number of different descriptions of the band’s music, from “Progressive Death Metal” to “Blackened Death Metal” to “Dissonant Death Doom”.

And while, to a greater or lesser extent, I can understand where these listeners are coming from, what’s really interesting to me is what they’re not saying… which is that it would be just as valid to make references to “Deathcore” and “Tech Death” when it comes to the band’s gloom-heavy, crushingly claustrophobic, and hauntingly atmospheric blend of styles and genres.

CANOPY: “EMPTY LIGHT”

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Jul 292024

(Wil Cifer wrote the following review of a new EP by Canopy from Georgia (U.S.), which was independently released earlier this month.)

Sludge has reached its peak, with a few bands still carrying that torch while others move toward the other sub-genres rising in popularity. Canopy is an Atlanta band that has persevered for over a decade and their new EP finds the band going above and beyond by reaching a balance of sonic intensity and eerie melancholy.

What keeps me listening to these songs is not screamed vocals or weighty accents they chug into, but how the chords ring out with emotion. Just being heavy for the sake of being heavy is an easy task, but pouring your pain and depression into your instruments and tangibly conveying them is more nuanced. The band has a penchant for post-rock phrasings balancing out their monolithic crunch. This allows for plenty of breathing room for the songs to flourish. Continue reading »

SEEN AND HEARD ON A SATURDAY: GOJIRA, MALAMORTE, GLACIAL TOMB, MORCAINT

Album Reviews, Metal News, RANDOM FUCKING MUSIC, SHORT BUT SWEET 5 Responses »

Jul 272024

photo by Weiyi Cai/The New York Times

Yesterday was a day of firsts. Among other things, it was the first time a heavy metal band performed in the opening ceremony of the Olympic games. And the first time memes took off about a U.S. vice-president candidate fucking a couch. Less exciting, I’m also pretty sure it was the first day since I started this blog 14 1/2 years ago that we failed to post anything on a weekday.

I made a whirlwind driving trip with a friend to Vancouver, heading north on Thursday and coming back to Seattle yesterday. In between, we attended a blowout celebration related to our day jobs that left me not enough clear-headed time yesterday morning to do anything before beginning the trip home, even though I had a couple of interviews ready to publish.

I’m getting a late start today, and that whirlwind trip didn’t give me any time for listening to the kind of music we focus on here (my road-trip companion isn’t into that kind of music, and anyway, I didn’t bring with me my list of new stuff I wanted to check out). So I did some whirlwind catching up today, and here’s what I hurriedly picked to share with you. Continue reading »

GORGONCHRIST – AND JUSTICE FOR BALLS

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Jul 252024

(Our Denver-based writer Gonzo prepared the following review. And with that, we’ll get out of the way and let him explain what’s going on here.)

Before I get too far into this, a few answers to questions you likely already have:

No, the UK’s Gorgonchrist is not a goregrind or pornogrind band.

No, this album isn’t a Metallica cover album.

Yes, those are disembodied human testicles on the cover art.

I think that should cover it for now. But brace yourselves, because this review is probably gonna get fucking weird.

AN NCS EP PREMIERE (AND A REVIEW): INCESSANT — “ENTROPIC AEONS”

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Jul 242024

I’ve already stomped my feet and banged on the table in a loud display of enthusiasm about “Of Disillusion and Doctrine,” the first single off Incessant‘s new EP Entropic Aeons:

Prepare for a roiling and ravishing typhoon of danger and destruction, replete with harrowing howls and unchained sky-high wails, but the mix also includes rocking grooves, feral chords, and glittering melodies with an exotic Eastern air. It’s a hell of a thrill-ride….

Less loudly, I hoped the rest of the EP by this Dublin blackened-death trio would be as good as that song. I’m here to tell you that it is, and to give you an immediate chance to appreciate it for yourselves as we premiere a full stream in advance of the EP’s imminent release by Repose Records. Continue reading »

DEFACEMENT – DUALITY

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Jul 242024

(Andy Synn shares some words of wisdom, and warning, about the duplicitous, dichotomous, and devastating new album from Defacement)

Everyone knows that the common trajectory for bands is for them to get mellower and more melodic – maybe a little proggier, here and there, but still more accessible overall – as their career goes on.

But what the hell would such a transition even sound like in the context of a band like Defacement?

AN NCS EP PREMIERE (AND A REVIEW): DEMON SACRIFICE — “UNDER THE BLACKLIGHT OF DIVINE”

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Jul 232024

Today we’re fiendishly pleased to premiere Under the Blacklight of Divine, the debut EP from the Indonesian band Demon Sacrifice, which will officially be released tomorrow by the Indonesian label Ironbound Records.

We are “fiendishly pleased” because Demon Sacrifice‘s music is indeed fiendish, and fiendishly clever. They bring to the table a mixture of visceral punk beats, howling vocal terrors, and the kind of black metal that gets its hooks in the head but also sounds thoroughly supernatural.

They claim “indirect” influence from the likes of Bathory, Darkthrone, Devil Master, Spectral Wound, and Tribulation, and you’ll understand the use of the word “indirect” when you hear the music, because it’s not a blatant copy any of those bands. Continue reading »

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