(This is Andy Synn’s review of the performance by Norway’s Ulver at the Islington Assembly Hall in London on November 15, 2017.)
Despite the fact that Ulver are definitely not a Metal band by any measure (in fact they’ve not been a Metal band for so long that even stating that they’re “not a Metal band” seems utterly redundant at this point), I’m always happy to cover them here at NCS, whether on record, or in the live setting.
When people ask me “why” I keep covering them, particularly in the light of their most recent, shamelessly electro-pop turn, I always answer them in two ways:
Firstly, it’s entirely possible to make “Pop” friendly music which has both depth and substance. Yes, the majority of today’s big sellers may, in general, be the most vapid, soulless examples of “popular” music, but there’s still a rich legacy of acts and artists who have made a very successful career out of twisting and subverting the expectations of their audience in a variety of surprisingly clever ways.
Secondly… well, it’s Ulver, isn’t it? And if any band has earned my trust over the years, it’s them.
Which is why I recently found myself in Islington Assembly Hall watching the band perform material from their latest album, The Assassination of Julius Caesar. Continue reading »










