May 022023
 

(Thy Catafalque‘s latest opus Alföld will be released by Season of Mist on June 16th, and today we present a review by our old friend and ardent Thy Catafalque student Professor D. Grover the XIIIth.)

Greetings and salutations, friends. It is once again my favorite time of year (well, my favorite time of every two or three years): Thy Catafalque season. That’s right, my favorite Hungarian multi-instrumentalist and musical genius, Tamás Kátai, has maintained his reliable release schedule and graces us once more with a new Thy Catafalque album. While the core principles of the musical project remain the same (Kátai is the sole member, supported by a sizable rotation of guest musicians lending their talents in various capacities), the Thy Catafalque sound continues to evolve, aided by a significant musical development.

If you’re a fan of the band, or happened to read my top album list from last year, then you’re likely aware that Kátai took a huge step on the past year or so by taking Thy Catafalque into a live setting for the first time. The band’s first live performance was recorded and released as a live album, and there have been a handful of other live performances since, with a shifting lineup appropriate to the band’s history. While Kátai‘s involvement in the first live show was surprisingly limited (only playing bass on a handful of songs), he has in subsequent shows taken up full bass duties, and it feels as though performing live has affected the tracks on this new Thy Catafalque album Alföld. Continue reading »

May 012023
 

On May 5th Time To Kill Records will release None Shall Prevail, the third LP by the Polish death metal band Shodan. In two words, it’s absolutely stunning.

Of course we have a lot my words to spill about it, but we’ll leap ahead through them to emphasize these: The album is a genuine rarity, in the sense that it has the potential to appeal to fans from across many genres of extreme metal, from brutal death metal to technical death metal, from prog metal to melodic death metal (and more).

Moreover, the band don’t reveal these different influences in separate songs, but beautifully integrate all of them in every track through songwriting that’s elaborate, dynamic, and executed with eye-popping skill. In addition, the record is exceptionally well-produced to emphasize these signal qualities, delivering both power and clarity.

Of course, it’s still way too early to be throwing around references to year-end lists, but None Shall Prevail is so spectacular that it seems like a very safe bet we’ll see it on many of those in the waning months of 2023. Continue reading »

May 012023
 

(Encounter Truth hail from Bogotá, Colombia, and what follows is DGR‘s enthusiastic review of their debut EP Panspermia.)

Truth be told: Colombia’s Encounter Truth and their new EP Panspermia – released at the tail end of March – are kind of at a perfect cross-section of where yours truly has been positioned musically at the moment. At a little over twenty-six minutes in length, five songs, full of tech-death noodling that could challenge a ramen shop in terms of production and plenty of blue/purple colorization about science fiction topics, Encounter Truth have laid their entire formula out on the table before you even hit play.

Across those five songs Encounter Truth are showing that they’re likely never going to let off the accelerator once, and the constant hammering is going to come from all ends – whether it be a surprisingly prominent bass guitar or a never-ending drum section wherein the double-bass rolling is the foundation upon which many of the songs are built.

If this is the “proof-of-concept” release for the current incarnation of Encounter Truth, then perhaps this is a band to keep an eye on in the future, because Panspermia makes it clear that they have the fundamental nature of the genre locked down by the time they’re rocketing well into the EPs second song “La Alianza”. Continue reading »

Apr 292023
 


Balmog

Happy Saturn’s Day (and good wishes to the dead Romans who named it.). For me, paying work was all-consuming during the first part of this past week, but it was sheer laziness that kept me from compiling a roundup of new music in the closing days. Those two phenomena were connected of course. After some NCS editorial work and some premieres during the days when the paying work relented, I felt like I’d earned the right to stop scurrying and attempt a mind-meld with sloths.

With no head-start behind me, here I am with a giant slag-pile of new music and videos to go through, and great risk of cutting myself followed by infection as I try to paw through it. But paw I did (thankful for band-aids), and the results are presented below. It doesn’t include everything that grabbed me, but to include everything would have left me still writing come sundown. I don’t want that. I want time to go outside and enjoy the warmest day of the year so far here in the Pacific Northwest, or more likely just take a nap.

As if I didn’t have enough picks already, this morning brought a new installment of Renni Resmini’s starkweather substack, and as usual I hadn’t heard the majority of those selections, and as usual his writing compelled me to check out some of those, which has made this roundup even longer. Continue reading »

Apr 282023
 

Lux Nigrum‘s 2019 debut EP Burning the Eternal Return (which we reviewed and premiered here) made a striking impression. The music channeled chaos, but not in the sense of some flailing, disorganized cacophony. There was a palpable sense of fierce wildness and burning devotion in the music, but an equal devotion to the crafting of excellent riffs, which had both emotional power and magnetic musical appeal.

And so it was very welcome news to learn that this Chilean band would be returning this year with a debut album named Omnia Ab Uno, Omnia Ad Unum. The band describe it as “a conceptual album based on the Acausal Spirituality and the mysterious duality of the Tree of Life and the Tree of Death, dealing with the unification of everything as One, and its own dissolution towards Ain.”

In February we had the pleasure of premiering a lyric video for the song “Adamas Voluntatem“, and today we’re equally pleased to bring you the sounds of the entire record on the day of its release. Continue reading »

Apr 272023
 

 

(Andy Synn embraces the suffering with the upcoming new album from Nightmarer)

For some people the entire Dissonant Death Metal scene can be summed up by one band: Ulcerate.

It’s understandable. After all, not only did they effectively set the template for the style (at least in its modern incarnation) with 2011’s Destroyers of All, they then re-defined it once more with Stare Into Death… in 2020.

But I’m here to tell you that there’s far, far more to the Disso-Death movement than that, from similarly foundational records such as Flourishing‘s The Sum of All Fossils and Ageless Oblivion‘s Penthos, to genre-expanding albums from Ingurgitating Oblivion and Light Dweller, to promising debuts from potential future-leaders like Growth, Barús, and Aeviterne.

And then there’s Nightmarer, whose name should already be on your mind whenever you think about the best and brightest of the new wave of dissonant dissidents… and if they weren’t before, then they definitely will be after you hear Deformity Adrift.

Continue reading »

Apr 272023
 

(DGR unexpectedly fell into the self-titled debut album by the “insanely talented” German technical death metal band Metasphæra, released near the end of March, and as you’ll see from the following review, he’s damned glad he did.)

There are a few patterns that have developed throughout my years writing for this site. One of the main ones occurs during the bit of a lull that leads up to May’s sort of panicked backfilling of the site as we launch fully into festival season, a lull wherein we have the ability to fall down a whole lot of rabbit holes.

Much as we as a site will shovel song after song in front of you as we discover music that we think might perk a few ears, so too do we enjoy having that done to us – somewhat – and one of those main methods comes from entering the whirling vortex of metal across social media and seeing what it kicks back at us.

YouTube is often one such source, and such was the case with German tech-death group Metasphaera (typeset Metasphæra) and their self-titled album. Continue reading »

Apr 252023
 

(Andy Synn continues his streak of brilliant Black Metal bands/albums with the “new” one from Porenut)

Some of you may have noticed a trend over the last several weeks, where I’ve almost exclusively written about Black Metal (most frequently erring towards the weirder end of the spectrum too).

Looking ahead, however, I can see a lot more Death Metal and/or Sludge-related content coming down the pipeline, so it looks like I’llbe switching things up sooner, rather than later.

It would be remiss of me, however, not to take this opportunity to write something about the recently-released new album from perennial outsiders Porenut, especially since it happens to be a real dark-horse candidate for best Black Metal album of the year (so far).

Continue reading »

Apr 242023
 

(Here we have DGR‘s review of a new EP released by the Swedish band Demonical, which has been out since the end of March on Agonia Records.)

There have been a string of singles and EP releases in the past couple of months and the grouping of them has been all over the place — many consisting of bonus tracks that were on international editions or ultra-exclusive songs, others being odd experiments, and some being the more traditional “yes, we are working hard on new stuff, here’s what we’ve been up to recently”.

Demonical‘s newest EP release is along the lines of the third one, although part of the reason we’re checking in with them is due to Demonical changing vocalists, so its partly that the band are still going (which is good news, given that 2022’s Mass Destroyer was pretty strong) and partly “here’s what we’re going to sound like now” with new vocalist Charlie Fryksell at the helm.

Not to shock anyone, but the two songs present on Into Victory – the title track and a cover of The Ramones‘ “Somebody Put Something In My Drink” that plays it remarkably straight – continue Demonical‘s pattern of being particularly strong and very capable of bringing the earth-rumbling gallop that you come to this style of death metal for. Continue reading »

Apr 242023
 

(Here’s Wil Cifer‘s review of Texan outfit Portrayal of Guilt‘s new album, which is out now via via Run For Cover Records.)

Uncompromising and confrontational are two words that should be used when describing artists who use heavy music as their medium. You read that right. An artist, not a band. The best-case scenario is a band of artists, but when you are talking about a project that takes the kind of sonic risks Portrayal of Guilt does, the conversation turns to an art form.

These Texans do not play by the rules of heavy music, nor do they care. They make cathartic darkness, which is why they are one of my favorite new heavy vehicles of chaos for my ears. Their new album conforms when they feel like it. They used atmosphere and jarring dissonance to paint hellish portraits of inner pain externalized. Continue reading »