THINGS YOU MAY HAVE MISSED (BUT SHOULDN’T)

 Album Reviews  1 Response »
Feb 052026
 

(Andy Synn offers up 4 more albums from last month which you may have overlooked)

As I may have mentioned in yesterday’s article, it feels like I missed more than the usual number of albums in January… and while I know that it’s impossible for anyone to properly listen to, let alone review, everything that comes out each month (despite some hyperbolic claims to the contrary by certain online clout-chasers) this has still bothered me quite a bit.

After all, we’re only a month into the year and we’ve already managed to overlook the likes of Blackwater Holylight and Pâro, Ultima and Stabbing, Dagger Threat, Gavran and Juodvarnis (the latter two possibly being lined up for a future edition of The Synn Report each)… and countless others I’ve probably forgotten about already.

At the very least, however, the four vibrant and varied and (in their own way) visceral artists and albums I’ve selected to talk about today should keep you all busy while I work out what I’m going to write about this month!

Continue reading »

AN NCS ALBUM PREMIERE (AND A REVIEW): HEIR CORPSE ONE — “DESTINATION: DOMINATION”

 Album Reviews, Premieres  No Responses »
Feb 042026
 

(written by Islander)

The Swedish heavy metal luminaries who formed Heir Corpse One in 2020 obviously had their tongues in their cheeks when they picked the name, twisting the call-sign of the U.S. president’s official plane to suit the twisted tale they wished to tell.

That tale, which began to unfold in the band’s 2021 debut album Fly the Fiendish Skies, envisioned a group of wealthy passengers fleeing the pandemic in a private jet (like that ever happened!), only to crash, descend into cannibalism, and trigger a zombie outbreak.

The narrative was so tailor-made for the manifold awfulness of the covid pandemic that it wouldn’t have been surprising if Heir Corpse One had been a “one and done” project. But no, these people obviously had so much fun making that first album that they forged on, not just with the music but with the gruesome concept story.

And so now we’re on the verge of getting the second Heir Corpse One album, Destination: Domination. And by “verge”, we mean the brink of February 6th, which is when Emanzipation Productions will disgorge the record. As you’re about to discover first-hand, it’s a ghastly delight. Continue reading »

STRANGULIATORIUS: “FLIES DON’T LIE”

 Album Reviews  No Responses »
Feb 042026
 

(In January Horror Pain Gore Death Productions released a new album from the Lithuanian death metal savages Stranguliatorius, and below we present our Norway-based contributor Chile’s review of this new full-length atrocity.)

It is not surprising that metal, one of the shining lights of postmodern art, that paragon of human creativity, has made a foothold in many different places around the world, and is luckily not limited anymore geographically or in any other way.

Hailing from Vilnius, the capital of Lithuania, Stranguliatorius is another one of those worthy entries in our everlasting, world-encompassing quest for all things filthy and deadly. No strangers on these pages, we have been visited by these death dealers before.

One of their previous albums got plenty of love here back in 2018, and deservedly so, with our editor calling the band “damned clever songwriters,” managing to concoct “a toxic brew of old school death metal, grindcore, doom, and d-beat crust”. Sounds good to me.

Now, I’ve been to Vilnius some years back and it really is a nice place, but there’s obviously something in the water, as they say, judging by the savage intensity on display. 

While some death metal bands have that distinctive stench arising from the decaying, rotten flesh with the imagery and riffs that go with it, some acquire a different perspective and put themselves in the role of the cold-blooded, flesh-cutting pathologist himself.

Sister, pass the scalpel, please.

Continue reading »

AN NCS PREMIERE: DISGUSTINGEST — “DIGITAL CYST”

 Album Reviews, Premieres, SHORT BUT SWEET  No Responses »
Feb 032026
 

(written by Islander)

Look around and you can find forms of entertainment (as well as real-world events) that are disgusting. Keep looking and you can find things that are more disgusting. And then there is Disgustingest.

Dictionaries and grammarians would frown on that word, but as metal band-names go, it works a lot better than MOST DISGUSTING.

But what were these Coloradans thinking when they picked that name? After all, the history of death metal is filled with big rotting piles of maggot-ridden, stomach-churning musical foulness. It’s a high bar to surmount (or if you prefer, a really low one to crawl under) to hold yourself out as Disgustingest. But these people do their damnedest to live up to the challenge, as you’re about to find out.

Today we’re helping announce that on February 20th Paper Wings Records will release Disgustingest’s second EP, aptly named Coagulating Putrescence, and we’re also premiering its first single, “Digital Cyst“. Continue reading »

THINGS YOU MAY HAVE MISSED (BUT SHOULDN’T)

 Album Reviews  1 Response »
Feb 032026
 

(Andy Synn selects 4 albums from last month that may have flown under your radar)

January of 2026 was a very busy month… not just in terms of the number of albums being released but on a personal level as well (did I mention I’ve got a brand new song out this Friday from my own band, being released as part of a massive charity compilation?).

As a result it feels like I missed out on covering more releases than usual last month, meaning that this is going to be the first of two separate “Things You May Have Missed” columns this week, as there’s simply too many albums (and I still won’t be covering everything I’d have liked to) requiring your (and my) attention to fit into just one article.

Continue reading »

WORM: “NECROPALACE”

 Album Reviews  2 Responses »
Feb 022026
 

(Here’s Wil Cifer’s first NCS review of the new year, and he has chosen to focus on the new album by the Floridian necromantic black doom band Worm, which is set for release on February 13th by Century Media.)

Be the change you want to see in the world. I want to hear more of doom’s despair injected into black metal, so I am going to write about blackened doom. In particular, the band Worm.

Two songs into the new album Necropalace and it’s clear that they have grown as songwriters. Refining what they do with a larger-than-life dynamic range to the dramatic swells of guitars, it pretty much sounds the way the album cover looks, music for vampires ruling a cosmic portal in Dungeons and Dragons. Continue reading »

CARRION VAEL: “SLAY UTTERLY”

 Album Reviews  No Responses »
Feb 022026
 

(Today we present DGR’s first review of 2026, a full-throttle rush through the full-throttle rush that is Carrion Vael’s new album, which was released two weeks ago by Unique Leader Records.)

The first few reviews of every year lately have felt like an exercise in madness, an attempt to conjure spirits out of thin air while dressed in the most ritualistic way possible. Me, seated with my skirt of bone and three-times-too-big mask in front of a fire and various runes and sigils that may or may not just be permutations on the Pepsi logo – we can’t all be as creative as The Infernal Sea with their logo or draw inversions of an Asmodeus sigil ala Gaerea – and you wait for the year to speak to you. Last year’s end-list was an exercise in scrying to see what the future holds and now we are waiting for the first spirit to reach across the void and grab us by the throat to compel us into 2026.

So far, in spite of all the varied exhortations and exultations, that has no happened yet to this writer. 2026 remains frustratingly silent and has instead gifted us chances to catch up with late-2025 releases that were absorbed into year-end festivities alongside the initial wave of those brave enough to be the vanguard of a new year. It is the amorphous and fungible time that has us attempting to neatly can one horror only to open up the next can of worms to be unleashed.

It’s similar to how decades never end culturally right when a year turns over; it’s more like there is a two-to-three year hangover period before one finally shuffles out the door and the next dumbass thing the kids repeat ad-nauseum can rule the roost. Eventually life becomes a series of checkpoints where you’re counting decades by being thankful one particular bit of bullshit is done with and you don’t have to hear about it anymore. Continue reading »

SHADES OF BLACK: GOUR, BERGTAGEN, VAULDERIE

 Album Reviews, SHADES OF BLACK, SHORT BUT SWEET  2 Responses »
Feb 012026
 

(written by Islander)

January is a schizophrenic month for the release of new music. Labels and bands seem to recognize that people aren’t focusing as much as usual on new music, because they’re diverted by things happening during the “holiday season” and then by the turbulence of returning to work and school, and so the pace of new releases in the early part of January is slower than usual. But after a week or two, the dam bursts, and new stuff starts flooding out in a fury. At least that’s how I see it from where I sit.

I had SO MANY new songs and records I was interested in checking out for purposes of this column, too many for me to realistically investigate, especially since our terribly unreliable internet service has been down since mid-day on Saturday. My phone has worked reasonably well as a hot-spot for some things, like typing what you’re reading now, but it doesn’t provide a very good platform for streaming music.

The result is that I defaulted to music I had already acquired for myself before our net service collapsed. Which is not a bad way to proceed, because there’s a reason why I had acquired all this music for myself — it’s all very good! Each selection is also very different from the other two. Continue reading »

AN NCS EP PREMIERE (AND A REVIEW): WSTRĘT — “ENLIGHTENED MISANTHROPY”

 Album Reviews, Premieres, SHORT BUT SWEET  No Responses »
Jan 292026
 

(written by Islander)

Near the end of last summer I came across a two-song debut EP named Subhuman Eschatology by the Polish band Wstręt. As I wrote at the time, it floored me. It was like someone spun the intensity dial until it wouldn’t go any further.

Those two songs warped together ingredients of black and death metal to create body-bruising blows and to inflict mind-shredding, needle-sharp riffing that dug in deep. The songs generated moods that were wrecking and wracked, terrorizing and tormented, exhilarating and oppressive, coupled with ragged, reverberating roars were heartless and harrowing.

Given the nature of that introduction to Wstręt, I found myself simultaneously frightened and thrilled to discover that Godz Ov War Productions would be releasing a second EP from them, this new one a 20-minute affair named Enlightened Misanthropy.

Now you’ll have a chance to form your own impressions about it through our full stream of these five new tracks in advance of the EP’s release tomorrow — though of course we have some impressions of our own to share first. Continue reading »

THIS IS NOT THE FINAL THING YOU’LL READ ABOUT LAST YEAR (meta lists, sub-radar sounds, immaculate conceptions, and a few records of critical acclaim)

 Album Reviews, LISTMANIA 2025  No Responses »
Jan 292026
 

(Our South African contributor Vizzah Harri decided to follow up our 2025 LISTMANIA series with a monumental listmania of his own, which includes various list-assembling calculations and his abundantly illustrated thoughts about three groups of albums he chose to highlight in his own inimitable fashion, respectively anchored in each section by discursive reviews of releases by Demonic Death Judge, Melpomene, and Imperial Triumphant.)

Hi, it’s your non-resident alien. Can someone please remind us of what the time is, last year is over already? Well, I’ve spent too much time as my second favorite spirit animal, the ostrich. You know, sticking my head in the sand and grubbing around for shiny rocks cos the job market is absolutely grade A dogshit.

Yes, year-end mania is over. The train has left the station and all that’s left are the weeds creeping up the platform and the announcement notice is stuck on loop. So, while we’re waiting for that next train and everyone else is racing ahead into the future, here are some uselessly vital statistix for those of us who aren’t quite ready for the new year. NCS doesn’t have a single authoritative take like other ‘happy camper’ sites that deal in the underground, though the Listmania roundup does a good job of covering a lot of bases.

I’m not a threat to anyone’s job dragging cells, I do however excel at stupidly focusing on mindless chores. Before we get into some things from last year that are still worth your time, a quick diversion into; what a meta list of readers’ lists would produce and what a meta list of NCS lists would produce. I tried compiling a meta list of the mind-numbing data of all the other lists including these, but it ended up being futile. There already is a To the Teeth list of lists, which is careful to account for bias. I’m not a data scientist and I’m biased as fvck, I was however able to gather that across the board, there are two albums that got way more votes on way more sites than any others. Therefore a meta meta list, in the Greek sense, of all the motherfuckin lists weighted and scaled together (the link is to Brazilian avant-jazz band Metá Metá’s pandemic album MetaL MetaL) would mean 2025’s Absolute Elsewheres are: Continue reading »

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