Feb 122024
 

(Moon Healer is out on 23 February on Metal Blade Records)

2024 looks set to be an interesting year for comebacks, and few of those, I’d imagine, will attract as much interest – or generate as much divisive discussion – as the long-awaited new album from resurrected Death Metal revenants Job For A Cowboy.

That’s right, I said “Death Metal” rather than “Deathcore”, because it’s high time we all acknowledged that, whether you like them or not (and I’m sure there are many who don’t) the band haven’t been “Deathcore” since the release of Genesis way back in 2007.

Not only that, but in the years preceding their hiatus – culminating in the challenging technicality and churning intensity of the career-defining Sun Eater – it became clear that the band were more interested in pushing their sound in an increasingly unorthodox and unpredictable direction, rather than giving in to any outside pressures to conform to anyone else’s ideas of who they should be.

And although it’s now been almost (but not quite) a full decade since they last saddled up, there’s no question that on Moon Healer these cowboys have continued to ride even further down the proggy path laid out by its predecessor.

Continue reading »

Feb 092024
 

(Here’s DGR‘s review of a new EP by Creepsylvanian splatterthrashers Ghoul, out now on the Tankcrimes label.)

If you’ve been trawling around the underground long enough, you’ve likely crossed paths with the crazed crossover thrash and death metal hybrid that is Ghoul; they’re a name that probably needs little introduction at this point – having battled out a career for years that is combination tongue-in-cheek shock horror, community theater, public-access TV, pirate radio, and puppet show.

The band, in all their murderous muppety glory, seem to appear out of the ether at shows and crank out crazed sets before vanishing into the night. You’d never know that they’ve been subsisting on a series of splits and singles since 2016’s Dungeon Bastards and prior to that had been on a slightly more sollid rotating albums/eps collection every three or four years.

The upshot of this is that Ghoul have five full-lengths to their name already, but their most recent EP Noxious Concoctions is the most substantial collection of material – four originals songs, one cover, for a grand total of eighteen and a half minutes of music – that the masked madmen have cranked out in almost eight years. Continue reading »

Feb 082024
 

(Andy Synn praises the new album from this German quintet, out Feb 16 on Lifeforce Records)

So far this week I’ve covered a moody “Doom-gaze” album and an ostentatiously melodic piece of bombastic Prog Rock by an ex-Death Metal band… and I’m worried people might be starting to think I’ve gone soft.

Well, to make up for it, here’s a few thoughts about the bleak ‘n’ blistering new album from German Blackened Sludge crew Praise the Plague.

Are you happy now?

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Feb 072024
 

(This is Todd Manning‘s enthusiastic review of the new album by Hulder, which will be released on February 9th by 20 Buck Spin.)

 It is the critics’ temptation to always glorify the radical and experimental, but sometimes it’s important to realize genius when it is executed within a genre’s traditional confines.  Such is the brilliance of Hulder. Their latest full-length, Verses In Oath, is an exercise in everything that has made black metal such an addictive sound. The embrace of ancient violence and forest mysticism is strong here and they don’t radically deviate from the template, they are just doing it better than almost anyone else right now. Continue reading »

Feb 062024
 

(Daniel Barkasi returns today with the second of his monthly NCS columns devoted to spreading the word about musical obscurities. What you’ll find below are reviews and streams of 8 records released from around the globe in January.)

To begin, thank you to all who read the first edition of this monthly column. I’m glad folks seemed to enjoy the musical expeditions of my often wacky brain. May you discover something to your liking that’ll (hopefully) give you plenty of enjoyment and respite from the madness of the everyday hustle.

This edition covers records that were released in January, which is how we’ll be covering things month-to-month. This time, we have a cornucopia of flavors to indulge; from atmospheric, epic, and relaxing, to the downright filthy. True that the first month of the calendar is typically a relatively slow month in terms of memorable releases, but this year has started off quite favorably. Plenty of under the surface delights to tear into, so let us begin faster than Jerry Seinfeld’s supposed claim of being quite fleet of foot. We choose to run! Continue reading »

Feb 062024
 

(We present Wil Cifer‘s intriguing review of an album by the Chicago band meth. that was released last Friday by Prosthetic Records.)

Imagine a band that does not feel the need to adhere to any of the conventions we have heard a thousand times over from all the other bands that push the limits of heavy. Chicago’s meth. is such a band.

Less unsettling evil haunts their new album Shame than say a band like Portrayal of Guilt, who are not far removed from their sonic zip code. You can pinpoint the sub-genres they touch upon, such as the deliberate pound of dense distortion that could be called sludge. Most of their vocalist’s screams carry an anguish that is similar to what we hear from black metal vocalists. Yet unlike those bands, they do not just relegate themselves to doing it throughout the entirety of a song much less the entire album. Continue reading »

Feb 062024
 

(Andy Synn tries his best to embrace the new album from Chapel of Disease, out this Friday)

A lot of people, including yours truly, will tell you that Chapel of Disease‘s 2018 album, …And as We Have Seen the Storm, We Have Embraced the Eye, is one of the best Death Metal albums of the last decade.

And even those who don’t agree with that statement generally have to concede that it’s definitely one of the most unique Death Metal albums they’ve heard in a long, long time.

But the band’s upcoming fourth album (the final recording of the group’s original line-up) is neither of these things.

Because it’s not really a Death Metal album at all.

Continue reading »

Feb 052024
 

(Andy Synn finds himself enchanted by the debut release from Ohio’s Modern Witchcraft)

As I’ve mentioned several times, it’s difficult (read: impossible) for us to keep up with every new band that comes out and every new release they come out with.

Heck, it’s not exactly easy, either, keeping track of all the bands we already know about, especially when they decide to change their names – which is the case with Modern Witchcraft.

Previously known as Close the Hatch (whose 2020 album, also entitled Modern Witchcraft, was a low-key favourite of mine that year) I had pretty much given up hope of ever hearing anything from these guys again until, out of the blue, I stumbled across the video for “Corpse Painter” a little over a week ago.

Some part of me immediately recognised that particular mix of moody percussion, brooding bass, and reverberating guitars… and when those instantly identifiable vocals kicked in I knew exactly who this must be, regardless of what they were calling themselves now.

And I also knew, as soon as the song finished, that I’d be writing about this record as soon as I could.

Continue reading »

Feb 042024
 


Ash

Sometimes we must confront grim tasks head-on and grapple with them, rather than shying away. And so I forced myself to calculate how much time has passed since the last time I did one of these columns. The answer is, six weeks ago, the day before Christmas.

Countless creatures making up thousands of species are born, live, and die within a six-week span. Hell, males among the American sand-burrowing mayflies live less than one hour after reaching adulthood, and females have just five minutes to breed before they die. Let’s have a moment of silence for them, please.

Thank you.

Even thinking about what has happened to me over the last six weeks to produce such a void in this Sunday column is a grim contemplation. Knowing what I have ahead of me next weekend, there will likely be another void next Sunday. But for now let’s contemplate more pleasurable grimness. Continue reading »

Feb 022024
 

(Andy Synn has a few words to share about four albums from last month you may have overlooked)

Here we are… one month into the new year… and we’ve already fallen behind.

Of course, that’s nothing new. As I’ve said before (several times, in fact) it’s impossible for any site, let alone any individual writer, to keep up with everything that’s released week after week (which is one reason I don’t trust anyone who claims that they’ve somehow listened to literally hundreds of albums every month – they may have heard them, but I doubt they really listened to them the way they deserve), so even at this early stage it’s no surprise that there’s so many artists and albums we haven’t been able to write about.

To be quite honest though, this is less and less of an issues these days – simply by accepting the fact that there’s always going to be stuff we’re not going to be able to cover, while also acknowledging that we’re definitely going to be featuring some stuff here that other places, and other people, won’t cover, we’ve gotten over our fear of missing out and embraced the idea that our value comes not from covering everything but from providing an interesting and distinct perspective of our own on what we do write about.

So, with that in mind, here’s four artists/albums from January – some of which you may already have been aware of, some of which you may not – that we (or, at least, I) felt compelled to pen a few extra words about so that they didn’t get overlooked following what was, after all, a very packed month of new releases!

Continue reading »