SHADES OF BLACK: PRISON OF MIRRORS, ERZ, MOTLJUS, LEBENSSUCHT

 Album Reviews, SHADES OF BLACK, SHORT BUT SWEET  No Responses »
Dec 142025
 

(written by Islander)

When you live with another person during “cold and flu season” there’s always the risk that one of you will get sick and then sicken the other a few days later. However, my wife and I gradually began getting sick at the same time last week and yesterday we both simultaneously had full-blown colds.

We’ve tried to figure out who we were both around outside the house when we got infected earlier this week (we’d hate to murder the wrong person). It was probably when we went to our local sports bar for drinks and dinner, but we know lots of regulars there plus the waitstaff, and we don’t remember anyone sounding sick so it’s tough to pin down the culprit. I suppose we could resort to the maxim attributed to Arnaud Amaury during the Battle of Béziers in 1209, but we’re both atheists so the faith-based solution doesn’t seem right. Oh well, guilty people often escape retribution. Continue reading »

AN NCS EP PREMIERE (AND A REVIEW): UPON THE ALTAR — “PROFANATION’S VAPOR”

 Album Reviews, Premieres, SHORT BUT SWEET  2 Responses »
Dec 102025
 

(written by Islander)

In thinking about the music from Upon the Altar’s side of a 2022 split with DeathEpoch, we wrote that it left “no doubt that Upon the Altar’s mission is to devour all light.” The music was often toxic, suffocating, granite-heavy, vicious, and vocally horrifying. They allowed very little wholesome light to shine in their second album, Descendants of Evil, which followed that split. What did shine through was the band’s talent for creating hateful musical horror — a complex of vile, malicious, oppressive, desolate, and violently furious experiences.

Those of us who’ve enthusiastically fallen beneath the previous malign assaults of this Polish band will be thrilled to learn that on December 12th Godz Ov War Productions will release a new Upon the Altar EP, a six-track manifestation of pitch-black ruin named Profanation’s Vapor — and even more thrilled to hear it today through our full streaming premiere. Continue reading »

SHADES OF BLACK: SODALITY, GORRCH, THE RUINS OF BEVERAST, SAINTE OBYANA DU FROID

 Album Reviews, SHADES OF BLACK, SHORT BUT SWEET  3 Responses »
Dec 072025
 

(written by Islander)

Greetings on another Sunday morning. As you can see, I have only four selections to recommend for today, but that’s mainly because two of them are complete albums just released on Friday, and thus it took me some time to get immersed in those and try to wrestle my thoughts about them into some kind of order. I’ve positioned those two as bookends around singles from two forthcoming albums.

I can’t say these choices were the kind that put me in a fugue state. Each one is very different from the others, and the shifts are pretty dramatic, maybe especially the changes wrought by the last one, the debut release of a band I knew nothing about before listening (unlike the first three). But I think you’ll also discover a kind of through-line that ties all four selections together, and I’ll touch on that as we go.

As always, I hope at least one of the four, if not all four, will resonate with you in some powerful way. Continue reading »

SEEN AND HEARD ON A SATURDAY: NECROFIER, CONSUMPTION, EXIMPERITUS, DER ROTE MILAN, SMEARING, MARTIRIO

 Album Reviews, Metal News, RANDOM FUCKING MUSIC, SHORT BUT SWEET  No Responses »
Dec 062025
 

(written by Islander)

For you music lovers out there who just crawled out from under a rock, yesterday was a Bandcamp Friday, the last one of 2025. During those 24 hours we received more than 300 e-mails in the NCS in-box, at least half of them Bandcamp alerts, and that’s not counting the flood of digital traffic that rolled in the day before. Many of the messages were about music that had just been released.

I figure I have about a 50/50 success rate in getting new-music roundups posted on Bandcamp Fridays, which for obvious reasons would be an ideal time for them. Yesterday goes in the failure column. Just couldn’t get it done yesterday, what with other distractions getting in the way and the desirability of allowing Andy Synn’s list-week pre-launch to be our last post of the work-week.

I do feel guilty, but would have felt guilty anyway: Even rounding up a handful of new songs yesterday wouldn’t have made a very big dent in the wall of new tracks that slammed down this past week. Today’s roundup is just a modest dent too, but hopefully sufficient to start your weekend off with a dented skull. As usual, I’ll attempt to do additional cranial denting (of a more consistently blackened variety) tomorrow. Continue reading »

AN NCS EP PREMIERE (AND A REVIEW): SOREWOUND — “ESPANTO”

 Album Reviews, Premieres, SHORT BUT SWEET  1 Response »
Dec 022025
 

(written by Islander)

Like almost all genres of metal, sludge has evolved and branched in numerous directions since origins that saw hardcore bands slowing down and delving into doom. These days, calling a band’s music “sludge metal” is still useful in some measure, but still leaves a lot un-said because the musical variations within that broad genre have become so wide-ranging.

Which brings us to Sorewound, a Costa Rican band that seems bent on turning back the clock by a couple of decades. Their music, as represented in their debut EP Espanto, is by some current measures primitive and “stripped down,” ugly and corrosive, punk-influenced and capable of creating grisly harmonies that might be abysmal in one minute and feral the next — but always seem horrifying.

Here’s how Sorewound’s label, Cursed Monk Records, introduces the EP: Continue reading »

SHADES OF BLACK: UMBRÍO, MOON WISDOM, ULTIMA NECAT

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Nov 302025
 


Valerius de Saedeleer (Belgian, 1867–1941) – “A Winter Landscape”, 1931

(written by Islander)

That painting up there popped into one of my news feeds today. I saw it on my phone this morning as I was sitting outside having a cup of joe and a few smokes before daybreak, with the outside temperature at 37°F. With about 17 hours to go at this point before December begins, that all seemed like fitting synchronicity.

Where I live in the Pacific Northwest we’re well into what everyone here calls The Big Dark. No snow (that rarely happens), but the days are short and usually beset by wet gloom even when the sun is (allegedly) above the horizon. Perfect days for chilly and gloomy music, but also good days for music that lights fires. What I’ve picked for this column today manifests in both those ways.

Of course, December brings more than The Big Dark in the earth’s northern latitudes. It will also bring a rising tide of year-end lists. Tomorrow we’ll be re-posting one from another site much larger than ours, and also asking our visitors to share their own. And then one week from tomorrow we’ll begin rolling out the lists of our own writers, beginning with Andy Synn’s usual weeklong takeover. (Actually, it will probably begin this coming Friday, if Andy does what he usually does and shares his list of the year’s best EPs in advance of his main list week.) Continue reading »

ROTTEN SOUND: “MASS EXTINCTION”

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Nov 272025
 

(Rotten Sound’s new EP Mass Extinction comes out December 12th on Season of Mist, and in a rare attempt to get ahead of the game, DGR sent in the following review.)

Rotten Sound’s cycle of album and then EP continues unabated for the third time running with the upcoming release of their eight-song auditory assault known as Mass Extinction.

In classic Rotten Sound fashion, they waste absolutely no time in getting going and also have little care for making a song that even bothers clearing the two-minute mark. Sub-ten minutes of fiery grind are on offer here, split off from the grander chaos of the group’s 2023 Apocalypse sessions and made whole as part of a package that songwriting-wise is a little more scattershot, but manages to hit just as hard as the album that preceded it.

It goes without saying that Rotten Sound have continued to be one of the more straight-shooting pillars of the grind scene over the years and any excuse to sit down with one of their bona-fide blastbeat batterings is a good one. Apocalypse stuck pretty close to the tried-and-true for the Rotten Sound crew and it will come as no surprise, then, that Mass Extinction continues that march into oblivion, just with a slight bit more taste for the two-step now that it is a little more free to stretch its wings than Apocalypse’s unrelenting assault would’ve allowed. Continue reading »

AN NCS EP PREMIERE (AND A REVIEW): LOCUSTS AND HONEY — “SHADOW OF MY END”

 Album Reviews, Premieres, SHORT BUT SWEET  No Responses »
Nov 182025
 

(written by Islander)

The London band Locusts and Honey released their 28-minute debut record in May 2024. Its title was interesting (and still is): Teach Me to Live That I Dread the Grave as Little as My Bed. It was “inspired by the bog bodies of Ireland and Denmark – people of the Iron Age who were sacrificially hanged and found extremely well-preserved in peat.” They described it as “a meditation on death and living well.”

That debut release was the work of a duo — composer and instrumentalist Tomás Robertson and vocalist/lyricist Stephen Murray. Since then the lineup has expanded to five members, and the quintet now have a new EP scheduled for release on November 21st by Toronto-based Hypaethral Records. The title of this one is Shadow of My End. Its inspiration, as described by Stephen Murray, is also interesting: Continue reading »

SHADES OF BLACK: THE STONE, ENTHRONED, BURIAL GIFT, WIJRA, MORBONOCT, REMAINING WARMTH

 Album Reviews, SHADES OF BLACK, SHORT BUT SWEET  1 Response »
Nov 162025
 

(written by Islander)

If you missed yesterday’s roundup of new music you missed some very good and very diverse tunes. You also missed my alert about a request for help I’ll be making to our readers tomorrow. Catch up on all of that if you can.

For today’s assembly of black and blackish metal I picked four songs from albums that will be released later this month or in December, plus two EPs that I caught up with in the last couple of days. Continue reading »

SEEN AND HEARD ON A SATURDAY: IRREVERSIBLE MECHANISM, NEMOROUS, SATOR, WEFT, PITTS TWYFORD & SINGH, MORAL IMPLANT

 Album Reviews, Exceptions to the Rule, Metal News, RANDOM FUCKING MUSIC, SHORT BUT SWEET  3 Responses »
Nov 152025
 

(written by Islander)

Before I get to the music I’ve picked for this Saturday’s roundup I’d like to alert our followers to something that will happen on Monday, which will involve an appeal for your help.

It’s the time of year when our traditional year-end LISTMANIA series will slowly start lurching forward, building toward a frantic rush. Broadly speaking, it includes three segments: 1) our sharing of YE lists published at certain print mags and “big platform” websites, not because we’re endorsing them but because sometimes they’re useful and sometimes they’re laughable and they provide a gaze into how the broader surface-world of metal reacted to the year’s releases, and in all those way can be entertaining; 2) our posting of year-end lists assembled by our own writers and some special guests; and 3) the one thing I contribute to the exercise — my list of the year’s Most Infectious Extreme Metal Songs.

That infectious song list is the last part of NCS LISTMANIA. I don’t usually begin rolling it out, bit by bit, until after the first of the New Year. But I start thinking about it much earlier. I keep a growing list of candidates all the way through the year based on what I’ve heard, but I don’t hear everything (who could?), and so part of what I always do to get ready for that list is to ask our visitors for their input, for their picks for the most infectious songs they heard that were released this year. Continue reading »

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