Mar 172026
 

…something in between, according to our own Andy Synn anyway!

It’s funny isn’t it, that nebulous, ill-defined dividing line that separates an EP from an album?

I’ve encountered releases longer than Reign in Blood that still feel like an EP by comparison, just as I’ve listened to records shorter than some EPs which still – in spite of this – come across like a complete and fully fleshed-out album.

Ultimately it often just comes down to a question of feel, which is why the album/EP experience is often so subjective.

Which means it’s up to you to decide whether the latest releases from Votive and Wielded Steel sit on one side of that divide or the other.

Continue reading »

Mar 172026
 

(This is DGR’s review of a new EP released earlier this month by the Australian trio Bog Mönster.)

When the collection of everything you intend to review consists of a smorgasbord of EPs and albums, tackling two songs can feel both like cheating and like mana from the heavens. The brain doesn’t have to keep track of as much but also you’re kicking yourself for daring to veer from the intended path. However, sometimes you will have a release that speaks loud enough that it compels you to spread the word about it.

Australian sludge group Bog Mönster’s newest EP Duelling Horrors is one such release, consisting of the aforementioned two songs and about ten and a half minutes of music. Bog Mönster had an EP and an album to their name prior to these Duelling Horrors, and their newest arrives close to two years after their previously mentioned album Servants Of The Necrosect back in 2024. Continue reading »

Mar 132026
 

(Here’s DGR’s enthusiastic review of a new EP released last month by Pennsylvania’s Dissentience.)

For being such a short month, February was a wildly creative time for heavy metal. Perhaps, for all our prognosticating and bullshit being pulled from a hat in regards to how the year was starting, it was time for the dam to finally burst and unleash upon us a musical flood of sorts. You can get a real sense for this when you glance around our site for instance and see multiple summary articles of music that has been unleashed throughout the month, and barring the minor occasion of a crossed wire or two, there’s barely any crossover whatsoever.

It seems like our attention was so divided in so many different directions that we could just as easily portray our focus as a scatter plot drawn by someone in the middle of an earthquake while they fell into a manhole. If there is a unifier or throughline to be found, it seems it lays not so much in where our easily distracted pack of Golden Shepherds we call the writing staff here are looking at this moment, but what we are looking forward to in the future. We’re probably going to need assistance from multiple deities if we hope to make it through the April/May pre-summer festival torrent in one piece.

February’s EPs fell upon us like rain, alongside a sizeable gathering of albums, and thankfully there was even enough spread between the tried-and-true trying new stuff out and new bands to be discovered that it didn’t feel like we were subsisting on bite-sized morsels. One band that happens to have made very good usage of the EP format this time around is Philadelphia’s Dissentience, who took four massive songs and combined them into an equally massive movement of music they have named after the EP’s final song “Kaiju“. Twenty-three-and-a-half-minutes later you will feel as if you have been placed under the footfall of a gargantuan monster as well. Continue reading »

Mar 082026
 

(written by Islander)

For reasons I explained yesterday in details verging on the tedious (if not tipping all the way over), I’ve again confined myself to music that I’ve been able to download and listen to on a music player rather than stream online. In one instance where a haunting video was available (for a Trelldom song) I came back to it often enough that I was able to see it during one of the few episodes of internet connectivity.

The first two choices were records I intended to include at the end of last week’s edition of this column, to complete a triptych of releases I was drawn to because of the cover art. I ran out of time last Sunday before I could get to them, so I’m starting with them today. And to complete a new triptych I followed them with a song where the cover art was also the first seduction.

After those first three you’ll find three others, one from a legendary name, another from a very new name, and a third from a band whose notoriety is in between.

And by the way, I forgot to set any clocks ahead last night, including the one at my bedside. Of course I did. My wife forgot too, but she’s married to me so her judgment is already suspect. Thus, this column is arriving later than I thought it would, and although there’s still a lot here, there’s not as much as I’d planned. Continue reading »

Mar 052026
 

(written by Islander)

On March 6th (a Bandcamp Friday) the Rotted Life label will release a rotten and ruinous new EP by Baltimore’s Putrisect, their third EP overall and their first new music since 2018’s Cascading Inferno. The label previews it this way:

Six tracks (including a cover of Machetazo’s “Espectro”) of crushing, malevolent, death metal, rife with darkened melodies and sinister, doomy atmospherics. With it’s tank-like tremolo passages, Putrisect no doubt work off an early ’90s template carved by heavyweights such as Bolt Thrower and Incantation but come fully equipped with a sound all their own.

We have our own more detailed preview to offer, but the main attraction is a full stream of the EP which we’re offering you below. Continue reading »

Mar 042026
 

(written by Islander)

The Eternal Death label bills the debut demo from NYC’s Absent Ritual as “outsider black metal”. But what does that mean? Isn’t all black metal “outsider” music at its core? Wasn’t that indeed what spawned it so many decades ago, as a rebellious reaction to death metal and other musical genres that were then captivating listeners?

Well, times do change, don’t they. You could make a claim that the bones of black metal have become ossified in some respects, to the point when many bands in the genre seem more conformist than they do rebellious. And so here in the current day, the description of Absent Ritual’s music as “outsider black metal” signifies that the band are following an unorthodox, idiosyncratic approach that isn’t hemmed in by strict genre boundaries, perhaps more true to the original animating spirit of the genre even though the music reveals surprising twists and embellishments.

You’ll understand what we mean when you listen to all three songs on their demo — The Cryptic Descent: A Compilation of Madness — which we’re now premiering in advance of its March 6 release date (a Bandcamp Friday, btw). Continue reading »

Mar 032026
 

(written by Islander)

Almost exactly five years ago we published an extensive interview by our Comrade Aleks of Québec musician Yves Allaire, aka evillair. The focus was on his band Nordicwinter, although the interview ranged beyond that as well. As the interview exposed, Allaire has been making metal music in a variety of different traditions since the early ’90s (Metal-Archives lists 10 current or former bands on his resume), but the atmospheric/depressive black metal of Nordicwinter clearly became his focus. Indeed, Nordicwinter has released five more albums since the time of that interview, including 2025’s Solitude.

Which makes the debut EP we’re now about to premiere from a new evillair entity quite a nasty surprise.

The name chosen for this new project — Mortopsy — points the way toward the EP’s music, as does the EP’s name: Putrefactive States of the Human Form. It is, in short, a formulation of pathological deathgrind and death metal inspired by the grisly early musical psychoses of Carcass and General Surgery, and it’s great. Continue reading »

Mar 012026
 

(written by Islander)

I hope I haven’t bitten off more than you can chew. Only four selections today, compared to eight yesterday, but two of them are albums and one of them is an EP.

I also hope I haven’t bitten off more than I can chew. As I begin writing this, I realize it will be tough for me to fully express how all this music has impacted me or how it might impact you, given the time constraints I’m under. But I’ll give it a shot.

If there’s a through-line in these recommendations, it’s that all the music is searing, in sound or mood or both, although the stylistic paths traveled by them often diverge. Continue reading »

Feb 282026
 

(written by Islander)

I did a better job than usual this past week going through NCS e-mails every day, compiling a list of what I thought might be worth checking out, and digging through that list with sharp ears. I still had to leave a lot behind, but made a voluminous 8 picks for this Saturday’s column.

And then… I went out last night to party without writing anything, and woke up very late today. I thought about cutting my planned column in half so I could get it finished before sundown, but then decided, fuck that, I’ll keep everything but cut way back on the verbiage — to the likely consternation of music scholars who will be studying my writings for decades into the future (yeah, that wasn’t serious).

If my plan for the day works out, these 8 choices (many of them with good videos) will leave you with whiplash and a scrambled brain if you manage to make it through all of them. Continue reading »

Feb 222026
 

(written by Islander)

Yesterday’s column was shorter than usual. I explained then that I was leaving home early for a day-long outing with my spouse. That happened, and what we did together was a tremendous amount of fun. But we didn’t get back to our island home until nightfall, and I didn’t spend what was left of the evening messing with NCS stuff.

As it happens, I’m leaving home again with my spouse this morning to do something else she planned. So once again, I’m having to shorten the volume of music as compared to what this column usually includes. Luckily, I had already listened to everything I picked during the past week, so I wasn’t starting from scratch. But with more time I would have included more.

The first three selections came easily — I initially paid attention to them based on my past experience with the bands’ music, and their new stuff definitely doesn’t disappoint. The fourth one was just me getting a wild hair, and the impulse paid off. Continue reading »