SEEN AND HEARD ON A SATURDAY: PESTILENGTH, HYPERDONTIA, RIBSPREADER, MALEVICH, SARNATH ETERNAL

 Album Reviews, Metal News, RANDOM FUCKING MUSIC, SHORT BUT SWEET  No Responses »
Aug 022025
 

(written by Islander)

I’m going to get right to the music today and dispense with the usual personal anecdotes that no one really wants to read, like whether I had to clean up cat vomit this morning (I did), if I’ve learned to make washing dishes by hand a Zen-like experience since the dishwasher broke (nope), the best thing I’ve seen and heard outside the house this week (the pair of hawks that have re-located into the forest and apparently scared all the other fowl into silence), how much I’ve enjoyed beautiful mild PNW days while reading about much of the country getting brutally microwaved (a lot), the only new item I read this morning that didn’t make me furious and/or nauseated (about an anti-poaching campaign in South Africa that involves injecting the horns of rhinos with radioactive isotopes), and my opinion on the rendition of “Paranoid” by the Kings’ Guards at Buckingham Palace (meh).

So yeah, none of that irrelevant personal stuff, getting right to the music, right away, no delays: Continue reading »

THE ABCs OF REPRESSION — TWO SINGLES AND AN EP BY ZNOUS AND TRANSGRESSIVE

 Album Reviews, RANDOM FUCKING MUSIC, SHORT BUT SWEET  No Responses »
Jul 312025
 

(The following essay and its Appendix were written by our South Africa-born and Vietnam-located contributor Vizzah Harri.)

This is not going to be an easy read. If you are triggered by words that end in -isms, especially abstract concepts that have real-world consequences on the life and liquidation of innocents, you know, the ignorant kind, then you won’t get further than the next paragraph.

Abusive, brainwashed, callous.

Archaic bellicose construct.

Avaricious bloodsucking cowards.

Abhorrently bootlicking chauvinists.

The ABCs of Repression Fascism

“كانت يديه تضفر أحشاء الكاهن

، إذا لم يكن لديه حبل ، لخنق الملوك”

“וידיו היו קולעות את מעי הכהן,

בהיעדר חבל, לחנוק מלכים”

“And his hands would plait the priest’s entrails,

For want of a rope, to strangle kings.”

 – alternative translations of the infamous Denis Diderot quote. Continue reading »

SEEN AND HEARD ON A SATURDAY: ESOCTRILIHUM, KAMRA, HUYA GENUS, YOTUMA, VICTIM OF FIRE, ESSES

 Album Reviews, Exceptions to the Rule, Metal News, RANDOM FUCKING MUSIC, SHORT BUT SWEET  No Responses »
Jul 262025
 

(written by Islander)

I got a late start on this Saturday’s roundup of recommended new music, and I feel the need to rush in order to keep it from appearing too late in the day. So my review-ish commentary will be somewhat briefer than usual (please hold your applause) and I’ll cut the rest of the introduction to just this:

I would suggest that this collection is a mix of brain-scramblers, bone-smashing punishers, muscle-twitching groovers, headlong racers, and seductive clean-sung sorcery, more or less in that order. Continue reading »

SEEN AND HEARD ON A FRIDAY: TOMBS, HORNWOOD FELL, ACEPHALIC VOID, DEF/LIGHT

 Album Reviews, Metal News, RANDOM FUCKING MUSIC, SHORT BUT SWEET  No Responses »
Jul 252025
 

(written by Islander)

With only one premiere to handle today and nothing else waiting in the queue for our site, I had a combination of opportunity and need, anxiety about us not posting the usual amount of stuff in recent days and the time (barely enough time) to do something about it. So, as a head-start on Saturday’s roundup, I got this four-band collection done, focusing on two old favorites and two brand new discoveries. The cover art for all four was part of the initial attraction.

TOMBS (U.S.)

The first of the old favorites is Tombs. Earlier this week we got the news that they have a new album named Feral Darkness now set for release on October 17th by their new label Redefining Darkness Records. The “FFO” references for Tombs have changed over time. As a clue about this new full-length, which follows 2020’s Under Sullen Skies, it includes Fields of the Nephilim, Samhain, Mayhem, and Goatwhore. The lineup also includes new guitarist Dan Higgins. Sera Timms also provides guest vocals on one song.

And then there’s this from the press release: Continue reading »

SHORT BUT SWEET: ABSOLUTISM / CAR BOMB / NEFAS

 SHORT BUT SWEET  2 Responses »
Jul 232025
 

(Andy Synn presents three mind-warping metallic morsels to bruise and bludgeon your brains)

Some of you may have noticed (or maybe you didn’t?) that I didn’t post anything here last week, mostly because I was snowed under with work/life/band stuff and just couldn’t find the time (or the mental energy) to put my thoughts (as scrambled as they were) down in any coherent order.

To rectify that, however, I spent some time over the weekend putting together a bunch of reviews… although, wouldn’t you know it, pretty much all the bands I’ve ended up writing about have been so dizzyingly, discombobulatingly technical and intense that they’ve ended up scrambling my brain all over again.

So if you enjoyed Monday’s dissection of the upcoming new album from Sallow Moth and are looking for a few more meaty morsels to satisfy your cravings for chaotic complexity, then you’ll want to give all three of these EPs a listen too.

Continue reading »

GRAND CADAVER: “THE ROT BENEATH”

 Album Reviews, SHORT BUT SWEET  No Responses »
Jul 222025
 

(Today we present DGR‘s review of Grand Cadaver‘s new EP The Rot Beneath, which will be out on August 15th via Majestic Mountain Records.)

When you’re spread among many projects in the way Dark Tranquillity‘s Mikael Stanne has been over the past few years, there is a chance of one of them going consistently underrated in the face of all the other material being put out. The throwback riffwork of swede-death project Grand Cadaver has flown under the radar among many in metal fandom, and it has reached a point where you can’t help but wonder if people are unintentionally robbing themselves of an awesome time by just breezing past the group and chalking them up as another band pining for older days.

Grand Cadaver have proven to be a rock-solid foundation of music since their founding in 2020; the five years since have seen the group chalking up an array of singles, EPs, and two full albums to their name, all of which, yes, look backward in order to progress forward, and have either been stealthily melodic or pushed at the boundaries of floor-stomping death metal enough to keep the events interesting. Continue reading »

SHADES OF BLACK: PESTILENTIAL SHADOWS, SEA MOSQUITO, PROFANE ELEGY, CRUENTATION, BEANNACHD LEIBH, MORTE TRIUNFANTE, ROUGAROU

 Album Reviews, SHADES OF BLACK, SHORT BUT SWEET  No Responses »
Jul 062025
 


Pestilential Shadows

(written by Islander)

I’ve been distracted by the tragic flooding in Central Texas, where I grew up. I still have a brother and sister-in-law in that area. Their property has been hit hard, but they are alive and whole, unlike a lot of other people. The rains continue, and so will the death count.

Nothing much I can do about this up here in the Pacific Northwest other than worry and grieve. The music provides a temporary distraction, and even some moments of catharsis. I hope what I picked today will do you some good too. The collection includes five individual songs, an EP, and an album. Continue reading »

SEEN AND HEARD ON A SATURDAY: JUDAS PRIEST, AMPHISBAENA, FAUNA, SUNKEN MONOLITH, MALPHAS, ABRAHAM

 Album Reviews, Metal News, RANDOM FUCKING MUSIC, SHORT BUT SWEET  1 Response »
Jul 052025
 


Black Sabbath, 1970, photo by Chris Walter

(written by Islander)

Post Fourth of July, I hope you all still have 10 fingers and are non-concussed. Way up here on the northern rim where the day takes its sweet time slipping away, I didn’t stay awake long enough for the sky to turn and finally become a black backdrop for fireworks. But I did do a modest amount of carousing with friends and family before punching out, so it’s another late start for this Saturday roundup.

I’m beginning with a big dose of nostalgia and then shifting into more current generational directions. In thinking about how I’m beginning and what follows that, the words of Isaac Newton come to mind: “If I have seen further [than others], it is by standing on the shoulders of giants.” (Though in this context what the successors are seeing is in further darkness.) Continue reading »

UPON STONE: “END TIME LIGHTNING”

 Album Reviews, SHORT BUT SWEET  No Responses »
Jul 042025
 

(Here we have DGR‘s review of a new EP by California’s Upon Stone, which saw release in June of this year via Century Media.)

Southern California’s Upon Stone continue to remain an interesting proposition in the world of melodeath. A newer upstart project in a world in which melodeath is starting to see acts of varying throwback styles – it seems right now we have groups specializing in particular ‘eras’ of the genre as a whole – Upon Stone could’ve easily gone the route of being a complete influence-worship act.

Considering that the band’s first full-length arrived early last year by way of Century Media after a single EP in 2021, you could’ve imagined the Upon Stone crew arriving with a gloss and sheen that might’ve blinded people from space. Instead, the band hewed pretty close to the late ’90s, early ’00s melodeath roots and combined it with a lot of gravel and grit that would’ve otherwise been associated with more thrash and trad-metal leaning counter parts. The result was a surprisingly fiery if not equally straight-shooting full-length in Dead Mother Moon and one whose bloody-knuckled scrappiness at least could not be denied.

Upon Stone still had some gas left in the tank though, as late June saw the arrival of a new three-song EP from the band entitled End Time Lightning. Armed with two new songs and a cover of the Manowar song “Outlaw”, it would seem as if Upon Stone felt they needed to resume right where they left off last time, just with a little bit more focus on the double-bass roll because you don’t get to entitle your new EP End Time Lightning without at least one of the songs sounding as if you were riding into a world-ending battle. Continue reading »

AN NCS EP PREMIERE (AND A REVIEW): I PROÉLEFSI — SELF-TITLED

 Album Reviews, Premieres, SHORT BUT SWEET  No Responses »
Jul 032025
 

(written by Islander)

The Scream!

Despite the fact that black metal has warped in ways that never would have been foreseen by its young first-wave and second-wave progenitors, certain tropes still tend to define the genre in the minds of many bands and listeners. One of those is the screaming — the harsh, high-pitched, rasp-edged vocal volatility that has contributed to both the raw aggression and the supernatural aura of the genre.

What happens when there are no screams? And not just no screams, but reputedly no vocals of any kind, not even the kind of deathly gutturals and possessed wails (among many other vociferous manifestations) that have found their way into the genre?

Well, the answers vary among the small range of black metal projects, usually one-person formations, whose music is entirely instrumental. In the case of the Chilean project I Proélefsi, what happens is a range of experiences that include both atmospheric and avant-garde elements, drawing inspiration from, the likes of Emperor, Setherial, Abigor, and Limbonic Art, as well as Dark Ambient music.

You’ll discover the initial results of I Proélefsi‘s creative visions (near wordless but not entirely so) in the band’s self-titled demo that we’re about to premiere. But before getting to the music, we’d like to share what the band’s solo creator M. has to say about it: Continue reading »

 Older Entries  Newer Entries