Feb 202025
 

(written by Islander)

“If I have seen further, it is by standing on the shoulders of giants.”

(Isaac Newton, in a letter to Robert Hooke, 5 Feb 1675)

We begin with that famous quotation because it is likely the source of the name that the unconventional international band Seventh Station gave their forthcoming new EP, On Shoulders Of Giants. They chose that name because the five songs on the record honor five great musical artists of the 20th century, many of them classical composers. Standing on those shoulders, Seventh Station have given the compositions their own distinctive twists, transforming the original works into expressions of contemporary metal that are as unorthodox, indeed mind-bending, as Newton’s theories must have seemed when he envisioned them from the shoulders of the giants in his own fields.

At the very end of this admittedly very long feature we’ve included a track-by-track commentary (a fun-loving one) by Seventh Station vocalist Davidavi (“Vidi”) Dolev that sheds light on what inspired each song on the EP and what the band sought to accomplish with each one. Although it’s at the end, you should really read it first if you want want a deeper understanding of what you’re about to hear. Just reading it, without listening, is also kind of a dazzling experience, and undoubtedly will leave adventurous listeners intensely curious about what’s coming. (That was certainly the effect it had on us before we started listening).

But Vidi Dolev‘s comments only hint at what the songs are going to sound like, leaving the door open for someone rash like me to offer up some descriptive verbiage, while humbly acknowledging that there’s really no substitute for listening first-hand. Continue reading »

Feb 202025
 

(written by Islander)

The Russian band Into The Fray released their self-titled first full-length in 2021. They think of it as a foundation, as “a collective image of a decade-long history,” but not the complete achievement of their ambitions. They view their second album Deofolist, which will be released in May of this year, as an evolution, and as a more well-formed demonstration of the path they have now found and intend to continue following.

In a nutshell, Into the Fray have been inspired by groove metal, and they mention Pantera, Lamb Of God, and Hatebreed among their inspirations. Lyrically, they have focused (particularly in Deofolist) on military history, on tales of warfare across the centuries, pointing to the thematic influence of bands like Bolt Thrower and Just before Dawn. As you’ll see, their music sounds like warfare too. Continue reading »

Feb 192025
 

(written by Islander)

A new progressive death metal band featuring members of Persefone and Wormed.” Say no more! Whatever they’re doing, with those pedigrees it must be worth checking out, right?

Digging a bit deeper into the back-story of Dissocia reveals that it unites the talents of multi-instrumentalist Daniel R. Flys from Persefone (and Eternal Storm) and drummer Gabriel Valcázar from Wormed (and Cancer), with additional contributions on their debut album To Lift The Veil from violinist Paul R. Flys.

At first blush, this would seem to be a head-scratching union. On the one hand, the other bands in which Dani Flys and Gabriel Valcázar are involved are exceptionally good, but on the other hand the music of those bands tends to be dramatically different from each other, and so guessing what Dissocia is all about might not be something you’d want to bet money on.

The other reason why it would be foolish to guess is that Dissocia‘s music really doesn’t sound like any of those other bands — but it too is exceptionally good, as you’ll discover for yourselves through our premiere of a visualizer for “Samsara,” a song from the debut album in advance of its release by Willowtip Records on March 21st. Continue reading »

Feb 192025
 

(written by Islander)

At least on the global stage, our sense is that the Armenian extreme metal scene has gone relatively unnoticed. And that includes our own site: We try hard to look beyond the usual landscapes of North American and Western European extremity, but a search of our posts reveals that in our 15+ years of existence we’ve only written about seven Armenian metal bands — ARTE-X, Eternally Scarred, Ildaruni, Basturma, Garhelenth, Temple of Demigod, and Dogma. That’s probably more often than many sites devoted in whole or in part to extreme metal, but it’s still a number dwarfed by our coverage of music from many other locales.

In the case of Armenian metal, ignorance is not bliss, because even the relatively small sampling across our own pages reveals a lot of talent. And today we have another case in point — the eighth time we’ve written about an Armenian band, and this time it’s the gnarly and galvanizing death metal quartet Exileth. Continue reading »

Feb 192025
 

(Andy Synn has a busy week, but had just enough time to write about Cross Bringer‘s new album)

It’s funny how things sometimes line up, isn’t it?

Case in point, just as last week I had no prior intention of writing about three killer Death Metal albums in a row – it just happened that way – this week I’ve ended up writing about not just one, but two Black Metal/Hardcore crossover outfits.

But although the Blackened Metalcore of Bleeding Through and the crustier, punkier sound of Cross Bringer certainly possess a few superficially similar features those similarities are rarely more than skin deep, with the former obviously opting for a more polished (these days, anyway) and cinematic sound while the latter keeps things that little bit rougher and gnarlier, and derives its darkness not from sinister symphonics but from layers of rough-textured distortion and ragged, raw-boned emotion.

Anyway, seeing as how this will probably be the last thing I write/publish this week (I’ve got a short run of shows with my own band I need to focus on) let’s not waste any more time and dive right in to see what Healismus Aeternus has to offer, shall we?

Continue reading »

Feb 182025
 

(written by Islander)

This year I was able to pick up my tradition of gathering a list of the last year’s Most Infectious Extreme Metal Songs, having been unable to do that last year (though Vizzah Harri picked up the baton I dropped for songs from 2023). In compiling my list of infectious songs from 2024, I wound up with 69 songs before forcing myself to stop at the end of January. (Yuck it up, but I promise that number was coincidental.) That was just a tad more than the 66 songs on my list for 2022.

Of course, I really wasn’t finished when I stopped. A lot of candidates just as worthy as those 69 were left by the wayside when I hit the wall — as witnessed by a couple of posts that got added the week after. For the first time that I can recall, both DGR and Andy Synn created their own addenda to my list. In one fell swoop, DGR added 70 songs, though there was a small overlap with my own list. Andy added 10 that weren’t on my list or DGR‘s.

Knowing that those addenda were coming, I delayed putting together a wrap-up post with links to all the songs I picked. And then after we published those addenda I forgot about the wrap-up — until yesterday. And so now you have it. Continue reading »

Feb 182025
 

(written by Islander)

The Norwegian one-man band Felgrave has created a new album that could be superficially represented as the raising of three monuments. Entitled Otherlike Darknesses, it consists of three songs of towering dimensions, two of them at 18 minutes or slightly above and the third at 12 1/2.

That’s a prospect that may be daunting to consider. It boldly tests the attention spans of most listeners, and it’s a test for Felgrave as well. Although the project’s 2020 debut album A Waning Light also included much longer-than-average songs, and did so successfully, these new monuments are even bigger. The test is whether they can succeed in drawing listeners into their environs and creating enough wonders and thrills to keep those listeners from wandering away.

Some of you have already begun grading the test, because the band’s new label Transcending Obscurity Records has already debuted “Pale Flowers Under An Empty Sky,” the song that’s 12 1/2 minutes long. Today we’re premiering one of those even longer two songs, and it’s the title track — “Otherlike Darknesses” — which comes last in the running order. Continue reading »

Feb 182025
 

(written by Islander)

In 2020, the Ukrainian musician Artem “Voidger” founded U Kronakh as a studio one-man band, drawing upon veins of atmospheric black metal and death metal as the elements for his intended alchemy. Since then U Kronakh has released two albums in which Voidger has brought along session performers to assist him, with a third album — Archaic Dance of Winds (Архаїчний Танець Вітрів) — due for arrival on March 21st.

In their lyrics and their inspiration, we’re told that all of the albums draw upon the mistiness and mysticism of Carpathian mountain forests, ancient events, and never-ending reflections about the nature of the cosmos and our place within it.

What we have for you today is a lyric video for the first song to be disclosed from U Kronakh‘s new album. Its English name is “Night Visions Fade“. Continue reading »

Feb 182025
 

(Daniel Barkasi is back, with another monthly selection of new albums and reviews, this time focusing on what January provided.)

It’s been a bit! My last musings at NCS was my overly indulgent 25 For 24! year-end debacle, and since the turn of the new year, unless you’ve been living in a cave (you have my envy if you have – any room for two people and a shitload of animals?), the world has further descended into the toilet. I could write a thesis on all of the wild things that have happened since the turn of the calendar, and most are no doubt aware of these happenings.

Admittedly, I’m a well-established pessimist. I like to say that I’m a realist, but that often leans toward looking at the dire side of things rather than the hopeful. I see chaos, injustice, greed, and sheer stupidity, but struggle to see any light trying to crack through the toxic dump of slime that often gets spewed upon us at the speed and power of a high-pressure hose.

Like we’ve spoken about previously, what we do here is a wonderful distraction from the nightmare that society can be (and often is). I also like getting a little personal in this space. Maybe it’s selfishly therapeutic; a hope that maybe my own struggles can help someone, humanize my monthly musings – who knows? Continue reading »

Feb 172025
 

(written by Islander)

At the end of this week Time To Kill Records will release a new album by the powerhouse Italian death metal band Across the Swarm. Entitled Invisible Threads, it follows up the band’s 2020 record Projections, and we’re bring all of it to you today.

Thematically, the album is about as dark as you could imagine. In the band’s words, it “explores human degradation, unspoken fears, and wars that ravage not only bodies but also minds” — depredations and agonies reflected in the album’s cover art. The music is intended to be a raw and unflinching musical exploration of those terrible themes.

But it must be said right away that the music is the opposite of gloomy and grief-stricken. Instead, it’s absolutely exhilarating – though equally cold-blooded. The album delivers pulverizing, pavement-fracturing thuggery and technically impressive high-speed ferocity, all of it accompanied by monster-show vocals that add to the music’s many spine-tingling (and bone-smashing) effects. It’s a top-shelf example of explosive and rampaging musical malice that’s exceedingly well-constructed, expertly executed, and very addictive. Continue reading »