Dec 212024
 

(written by Islander)

We’re again including Rolling Stone‘s list of the year’s best metal albums because it has become a tradition, a largely comical tradition at this point which dates back to the halcyon days of 2013 when a commenter somehow just skipped past all our introductory text, looked at Rolling Stone‘s list, and chastised us for not naming Gorguts as AOTY instead of Deafheaven.

Of course, Rolling Stone hands-down qualifies as the kind of “big platform” site or zine that we pull from as part of our LISTMANIA orgy, as a way of getting a glimpse into what the top-side world perceives as great metal.

This year, Rolling Stone compiled a Top 20 list (the number seems to vary from year to year). As it often has in the past, it displays a lot of scatter, for want of a better term. There’s albums on the list (quite a few of them) you wouldn’t be surprised to see on one of the lists assembled by our own writers, and there’s others that will make you cringe, just like the ranking will. Continue reading »

Dec 202024
 


photo by Alyssa Lorenzon

(Below is the third installment of Neill Jameson‘s year-end list for NCS, and we thank him again for sharing it with us and you.)

I could have spread this out a little more this year by posting a whole bunch of ambient I’ve been enjoying from various Youtube channels or maybe going into some of the great reissues that 2024 included, like the first three Blood records so nicely done through Nuclear War Now!. I could have even written about the “Schizophrenia” rerecording the Cavalera brothers released (which I did enjoy quite a bit). But, as I get older, I’m striving to figure out how to say more with less, to be more impactful. 

That made my head hurt just typing it. I’ve been having to lead a lot of corporate training and that kind of phrasing just sticks with you like some obscure STD you probably got sitting on a toilet at work, ironically enough. Everything connects, it’s fucking spiritual

So, what have I been up to recently? Glad you asked. I’ve undertaken a new project, Fuck Music, which is initially just going to be a Substack where I write about, you guessed it, music. What a fucking shocking reveal. I’ve considered podcasting but it’s a lot easier on the ears to just read my inane shit without listening to me trail off, searching for ghosts. Plus I’m shit with followthrough, so let’s just see if I stick with this one, ok?

So, this is the end. [Editor’s note: It actually isn’t… tune in again next Monday.] These are the truly special releases in a year that was shockingly packed full of them. I said before I had a really difficult time figuring out a top ten elsewhere and, especially from my second list, any of the releases I wrote about could have ended up here. For a year that felt like an unenthusiastic handjob, given with no love, it was a truly stellar year for music. Here’s my favorites: Continue reading »

Dec 202024
 

(written by Islander)

For the first time we introduce our visitors to the soul-slaughtering Mexican death metal band Manifestum Darkness. Founded in 2016 in the city of León, Guanajuato, they released a first demo named Initiation at the end of 2018, which was later re-released on cassette tape by the Dark Recollections label. And now they’re primed for the release of their debut album Desecration Rotten Corpse in February of the New Year via the Death in Pieces Records label.

Manifestum Darkness have dedicated their album “to blasphemy, dark and rotten sound towards the abysses.” As a sign of what this means, today we’re premiering a foul and ferocious song from the album named “Hossana In the Abyss.” Continue reading »

Dec 202024
 

(written by Islander)

Broken Smile“, the name of the Danish band Nonrestraint‘s new single, has a dual meaning, at least as I interpret it. Lyrically, it refers to its narrator emotionally and mentally falling apart — “dead inside,” hating “everything inside,” dwelling in “thoughts of malice.” He says, “All I’m left with is a broken smile.”

But then there’s the other meaning: The song itself will knock your teeth out, leaving you with a different kind of broken smile. Continue reading »

Dec 202024
 

 

(We’ve arrived at the final installment of DGR‘s Top 50 list for 2024, which has been unfolding day by day since Monday of this week. Now it’s time for the Top 10.)

Well this is it folks: the big kahuna, the final ten, the end of all ends, the great sandwich in the sky, the pothole to end all potholes, the grandest exercise in feet dragging you have ever seen, the golden egg, the sponsored award, the singularity of all fifty albums that we’ve been talking about over the course of the week, the grand conjuration, the comically oversized rabbit, the final ten…again.

I wish I had prepard a slightly bigger fanfare than this but it is really hard to explain to your local high school that you would like to borrow their marching band for an hour so you can film them playing as they walk by a camera for each album announcement. What I’m getting at here is this is it. After a week long rollout of the fifty albums I’ve enjoyed jamming the hell out of over the course of the year, we’ve accomplished reaching the end.

It’s been a hell of a thrill ride getting up to this point after all the mountains we’ve climbed, epic journeys we have undertaken, the critic-proofing we’ve had to participate in, the general explanations and explorations of gore, the occasional horror show, yet it never occurs to you just how much these things take out of you until you watch Part One of your list run on the website while you’re in the midst of writing up your final few albums for the last part. Needless to say, this fucker is probably coming in hot, so if these final summations (proclamations, conflagrations) of the albums that made my year-end list read like I was in the midst of being eaten alive, it’s probably because they’re a little more panicked than usual. Continue reading »

Dec 192024
 

(written by Islander)

It’s not enough that a particularly dismal and disgusting year on Earth will soon gasp its last rotten and rattling breath — Horse Butcher have arisen to murder it with one of the most vicious and mind-mauling releases of the last 12 months. It’s as if they decided this bastard year didn’t deserve to live even another two weeks.

Given how often our putrid glorious site throws emotionally and aurally assaulting sounds at visitors, it may seem like an exaggeration to say that about Horse Butcher‘s self-titled EP. Trust me, it’s no exaggeration.

Sentient Ruin Laboratories, which will release the EP on December 20th, also isn’t exaggerating when they call the record “a disfigured onslaught of gore-fucked bestial deathgrind worshipping directly at the altar of Carcass, Archgoat, Disgorge, Impetigo and Pissgrave” — “six tracks and twenty minutes of neanderthalian carnage and slaughterhouse madness.”

But you’ll see this for yourselves right quick because today we’re hosting the EP’s premiere. Continue reading »

Dec 192024
 


photo by Hillarie Jason

(Here’s the second installment of year-end lists compiled for NCS by Neill Jameson (Krieg), with a couple more yet to come.)

Remember how I said things weren’t in any kind of order, until the end, in our last get together? I wasn’t entirely truthful. That list was really more the warm-up because this year I had incredible difficulty putting together a top ten list for my yearly what-have-you with Invisible Oranges, where I had to solidify it just so I could walk away without constantly wanting to move things around. We’ll start seeing those records I left out of the top in here.

I realize there’s several releases that I’m including in these lists that just came out within the last few weeks, which seems to happen every year. Does that mean I had enough time to truly sit with them? I’d like to think so, but it doesn’t seem likely. So I went back to years prior to see if I still felt strongly about late year releases I’d written about before, with a nearly perfect success rate, which was all scientifically calculated. So, in short, fuck off – they’re worth shedding light on.

I doubt anyone truly cares but that seemed like a good internal conversation. Continue reading »

Dec 192024
 

Throughout the history of death metal some bands have been very successful in choosing names for themselves which tell you what they’re up to with a bullhorn. Bands like Autopsy, Death, and Possessed. Of course, we’d still have forgotten about names such as those if their music hadn’t taken deep root in the harrowed and fertilized fields of our minds.

Shrieking Demons is another name that uses a bullhorn to tell you what’s coming. Not coincidentally, we chose those other reference points above not just because they help make the point about evocative band-name choices, but also because they’ve influenced the music of Shrieking Demons.

But if you think about those other, now-legendary names, you’ll also guess that these Italian demons do more than shriek, and a further clue to what else they do can be found in the name of their forthcoming debut album: The Festering Dwellers. Or even more vividly, from the name of the album track we’re about to premiere: “Perennial Dirge.” Continue reading »

Dec 192024
 

(We’ve made it to the fourth installment of DGR‘s Top 50 year-end list, with another block of 10 releases being ranked, and one more section slated for arrival tomorrow.)

You ever do something constantly even though you’ve known for a while that it is taking a lot out of you and driving other people insane? I have habits that I can’t break and sometimes think that long ago we evolved past yearly ‘tradition’ and into something in the warehouse of yearly ‘ritual’ instead.

This YE list series is my closing act in a way, the final signing off, tying of the bow and boot out rifling out the door of my writing for 2024. The final summation in many ways of everything up to this point even though it’s the one time I allow my writing to really veer off the officious sounding mark and into casual territory, as if we’re sitting across the table from one another, and I – in my incredulously drunk state – have achieved inebriated Buddha status and am ready to guide along my vision of the eight-fold path of heavy metal and wild-eyed lunacy.

The realer reason of course is that it helps break up the daily routine and gives me reason to sit cross-legged in front of the computer and just type endlessly, laughing about how I’ve never learned how to type properly and am of the school of ‘whatever finger is closest, thumb is for space bar and I use my pinky if I’m feeling fancy’ yet am still somehow in the one-hundred words per minute range. It’s stupid, but it helps break up the end of the year when I feel like I’m just running in endless loops. Continue reading »

Dec 182024
 

(Our South Africa-born but Vietnam-resident NCS contributor Vizzah Harri decided to wade into a batch of seriously ear-worming music that generally isn’t as harsh on the ears as much of what we, and he, typically traffic in. We hope you’ll still enjoy what he presents here, as well as the enthusiastic presentation.)

If you follow this page diligently and try keeping up with each post and release, you’ll have more diotic islands of dreams at your disposal than the hours you delude yourself of having woken. Here are 6 new(ish) offerings of divergent persuasions.

I’ve got an authentically fiendish cornucopia of un-listened content in my meta saved folder as well as other bits I haven’t gotten even a second’s worth of ear-time towards because for a long time the only solace I had was the receding sound of foam expanding in the acoustic meatus neighboring my eardrums. Earplugs to drown out the near-constant barrage of construction, horns from flower delivery drivers, and the steel factory next door that works odd hours of the night. I moved recently though, and plugging in the external hard drive full of ‘golden oldies’ has really helped. As well as an insane YouTube wormhole researching a highly acclaimed album from them retrogressive prog ‘upstarts’ of death that I’m yet to finish writing. Continue reading »