(Andy Synn presents three more artful examples of the Best of British)
There are three things which the three bands featured in today’s article all share:
One… they’re all British (though I suppose that’s obvious).
Two… they’ve all got eye-catching, instantly memorable, double-barrelled names.
And three… they’re all really fucking good.
(A festival, a move between towns, and a hurricane have slowed but not stalled Daniel Barkasi‘s preparation of monthly album reviews, and today he rejoins us with a selection of eight recommended albums that saw the light of day in August.)
This is the summer that doesn’t end. Yes, it goes on and on, my friend. Yeah, I’m making my own version of the song from Lamb Chop. If you don’t know the one, I weep for your childhood, but also give a nod to your sanity. The song doesn’t end, after all. Here in the swamp that is Florida, Summer doesn’t really end a whole lot. Maybe that’s why I listen to The Midnight so much – their album Endless Summer is where the title of this column is coming from, after all. We’re not here to speak about synthwave – though that’s a subject that this guy could go on about in perpetuity. Continue reading »
And now, for something completely different.
What we’re about to present is a video for a song from a forthcoming album that’s the soundtrack to a dark fantasy first-person retro-shooter game developed for PCs. The name of the game, and of the album, is Hands of Necromancy II.
The project responsible for the music is Asciimov, and though you may not be familiar with that name, many of you will be familiar with the person behind it, the Spanish musical shapeshifter NHT (Oscar Martin), whose other creative endeavors (in the realms of metal) include As Light Dies, Garth Arum, and Deemtee (among others).
But what’s really different, especially in the context of our site, is the music. As a hint, here’s how the label that’s releasing the album (Darkwoods) describes it: Continue reading »
(Andy Synn presents a collection of four six killer cuts from last month you may have overlooked)
Today’s edition of “Things You May Have Missed (But Shouldn’t)” is a little larger than usual – six artists/albums rather than the normal four – because it was utterly impossible to keep up with the overwhelming torrent of new records that came out in September (and I’m not just talking about all the “big” releases).
Hell, just to get it down to just six bands I had to leave the likes of Ars Veneficium, Convictive, Glare of the Sun, Servant, Ubiquity, and more on the proverbial cutting room floor… so if you’re still looking for stuff to check out after listening to all the albums in this article then there’s a few more names to lend your ear to!
(NCS contributor Gonzo usually helps us close the end of months with a collection of reviews, and he does so again today, but this time focusing on just two albums, both of them created by bands from Denver.)
This won’t be news to most of you, so I’ll get right to it –
The rolling thunder of the Denver metal scene cannot be denied. It’s been on a powerful sort of kick in the 2020s, and few American cities can rival the raw talent and creativity that constantly comes pouring out of it. I know this because I live here. Between the crushing ubiquity of heavy music and craft beer, this place is a veritable haven for people who wear battle jackets to bars.
And as the metal gods would have it, two new albums from two rising stars in the Denver scene have been released within a week of each other – Glacial Tomb’s Lightless Expanse and Nightwraith’s Divergence – and if you haven’t heard of either band, buckle up motherfuckers – these albums are poised to change that. Continue reading »
When Everlasting Spew Records refers to the Italian death metal band Feral Forms as “one of the most vicious and ferocious bands we have ever released”, that gets our attention very fast, because this label has an extensive roster of vicious and ferocious bands. And it turns out not to be an exaggeration.
This quartet from Trieste, which features current and former members of Grime, The Secret, Claustrum, and Fierce, already made their ruthlessness plain for all to hear, through their 2023 debut EP Premalignant, but they were only warming up. If the EP was “premalignant”, their new album Through Demonic Spell is fully malignant — as you’ll discover today through our premiere of a song from the new record: “Sadistic Inner Hate“. Continue reading »
More than seven years and seven months ago we hosted the premiere of a video for a song off In the Mouth of the Devil, the then-forthcoming second album by the punishing Swiss band Conjonctive. At that time the band were building upon both their debut album Until The Whole World Dies and their experiences in touring Switzerland and opening for the likes of Crowbar, Biohazard, and Aborted, among others. And now we’re hosting another Conjonctive video premiere in support of another album, a new one named Misère de Poussièr.
Seven years and seven months is obviously a long break. In Conjonctive‘s case, the interval was the result of a hiatus in 2019-2020 and significant lineup changes, including the addition of drummer Guido Wyss (formerly of Near Death Condition). But the band are ferociously making up for lost time, as you’ll find out when you listen to “Dying Melody“, because it’s nothing if not ferocious.
And the video you’re about to see? It’s a ferocious and brutal horror, so explicit in its blood-letting that it doesn’t leave much to the imagination. Continue reading »
Recommended for fans of: Earth Crisis, All Out War, Living Sacrifice
If you’re not aware – though it’s been well-documented here over the years – Hardcore was the first genre of “alternative”, non-mainstream music that really spoke to me as a kid.
And although I’ve grown apart from “the scene” over the years – I’m sure there’s still good parts of it still, but trying to navigate all the different cliques and their increasing obsession with “mosh style” just isn’t for me any more – I’m still always keen to find and feature new albums and new bands (perhaps you’ve even read about some of them here?) that I think best represent the sort of Hardcore that I want to hear more of.
At the same time, however, I’ve also still got a lot of love for the bands who first got me into the genre back when I was just a dumb kid (as opposed to an equally dumb adult), which is why today I want to (re)introduce you to the thuggishly thrashy Metallic Hardcore of British bruisers Stampin’ Ground.
(written by Islander)
As I did in yesterday’s weekend roundup, for today’s column I’ve chosen a mix of complete new releases and advance tracks from forthcoming records. I’ve also consciously mixed up the musical styles, all of which use black metal as a touchstone but throw other stones at us as well. At the end I’ve also embedded three new videos without commentary; they’re all worth seeing and hearing, even though I haven’t tried to explain why.
P.S. In certain parts of the Christian world today is Michaelmas, feast day of the archangel Michael, who is celebrated for casting the Devil from Heaven. The Devil has had a celebrated career on Earth since then, as today’s music helps prove. Today is also probably the birthday of Miguel de Cervantes Saavedra, the author of Don Quixote, which will always inspire its readers to continue tilting at windmills, which thankfully all of today’s bands are doing. Continue reading »
Last week I filled up this column with 16 songs from 15 bands, all but two of those tracks from forthcoming records. This week I’ve taken a different tack, recommending some complete new records and singles, and fewer advance songs.
With a smaller number of bands I also decided not to arrange things in alphabetical order, other than three in a row at the start for groups whose names share a couple of opening consonants. And to break things up I stuck a curveball in the middle instead of at the end. Continue reading »