NO CLEAN SINGING

AN NCS INTERVIEW: PUTRID TORSO

Mar 112024

(Belatedly, we are still catching up with interviews conducted by Comrade Aleks at a time when our editor was too incapacitated by work to publish them in a timely manner, and today we catch up to his discussion with Ion Santos from the Basque Country brutal death metal band Putrid Torso.)

About a year ago we did the interview with Hopelessness, a melodic death metal band from Basque Country. And somewhere around November 2023 I got the message from their guitar player Ion Santos. He said that he’s also involved in the brutal death act Putrid Torso and that Trails of Hypnotized Human Veins had just been released by Pathologically Explicit Recordings.

And, honestly, brutal death isn’t my cup of tea (even Lovecraftian brutal death), but we’re just mere puppets in the hands of Ruinous Powers. So here’s the interview with Ion for those who are into extreme and misanthropic metal. Continue reading »

ECCLESIA – ECCLESIA MILITANS

Album Reviews No Responses »

Mar 112024

(Andy Synn steps up to take communion with the new album from Ecclesia, out now)

While our site’s name may be a little tongue-in-cheek (even if some people seem to take it way too seriously) it’s true that we don’t write about the clean-sung variants of Metal – Trad, Power, “classic” Doom, etc – very often.

But there are certainly exceptions to this “rule”, and today’s exception goes by the name Ecclesia Militans.

AN NCS PREMIERE: VORGA — “THE CATACLYSM”

Premieres 1 Response »

Mar 112024

It’s a public relations cliché, and too often a misrepresentation, to say that a band’s new album is their best work yet. It’s as common to see regression as it is to witness true progress. But in the case of Vorga‘s new album Beyond the Palest Star, the cliché really does hold true — it represents a thrilling advance beyond what this German black metal band have done before (and what they’ve done before has been very good).

As proof of that claim we have for you the premiere of a song from the album appropriately named “The Cataclysm“. Continue reading »

SHADES OF BLACK: AUSTERE, DARKESTRAH, DØDSFERD, GIVRE, HORN, NIGHT SHALL DRAPE US, MERRIMACK

Album Reviews, SHADES OF BLACK No Responses »

Mar 102024

What the hell happened? This collection of new black metal is appearing an hour later than it should have. I finished it at 10:00 and then I looked at an electronic clock and suddenly it was 11:00, without anything happening during that hour.

My first thought was that the music I picked had skewed space-time. The music, as you will see (or rather, hear), is certainly epic enough to cause such an upheaval. But then I discovered the reason was much more stupidly mundane. I gather that on a Sunday next November this column will appear an hour earlier than when I finish it. I look forward to being surprised again. Incipient dementia has its rewards.

AUSTERE (Australia)

Yes, “epic” is an overused and often poorly used word, but even worn-out words still mean something and sometimes are still better than the less-abused alternatives. And yes, “Cold Cerecloth” is epic. It’s also epically infectious. Continue reading »

SEEN AND HEARD ON A SATURDAY: ACOD, ISCHEMIC, LOCKTENDER, LOKA, NECROT, NEVER THE DEAD, PAIN, POPIOŁY, SHADOHM

Album Reviews, Metal News, RANDOM FUCKING MUSIC, SHORT BUT SWEET 2 Responses »

Mar 092024

Like yesterday, I had enough time to compile a very big roundup of new music for this Saturday. It includes two full EPs and seven individual songs, most of them from forthcoming releases, presented in alphabetical order by band name.

Like yesterday, there’s so much to hear here that I’ve attempted to cut back on the usual volume of impressionistic words so I can finish this before I turn into a pumpkin. Also like yesterday, I think there’s a lot of variety in the music I picked.

Unlike yesterday, I decided to focus on more obscure names from different corners of the metalverse.(P.S. For newcomers here, there will be yet another roundup tomorrow, focusing on black metal and its kindred.) Continue reading »

SEEN AND HEARD: ULCERATE, ANAAL NATHRAKH, BEFORE THE DAWN, BENIGHTED, DARK TRANQUILLITY, DISENTOMB, FLESHGOD APOCALYPSE, ISENORDAL, NIGHTRAGE, SINISTRO, WASTEWALKER

Exceptions to the Rule, Metal News, RANDOM FUCKING MUSIC 1 Response »

Mar 082024

No long-winded introduction today, nor any long-winded impressions of the songs and videos either, because… there are so many of them!

Most of these choices (though not all of them) are from bigger names in the extreme metalverse. Most of them were also suggested by my NCS compatriots, because I didn’t do a great job of keeping up with new releases this week. I do plan to have another roundup on Saturday, as usual, and will dig deeper into obscurities, of my own choosing.

ULCERATE (New Zealand)

This first item is a rarity, just a news item without any music to go along with it. But it’s exciting news, and so I couldn’t resist. Continue reading »

GOST: “PROPHECY”

Album Reviews No Responses »

Mar 082024

(Yesterday we presented Daniel Barkasi‘s interview of Texas-based Gost, and today we deliver his review of Gost‘s new album Prophecy on the day of its release by Metal Blade Records.)

The connection between metal and electronic music is an alluring one; both have existed side-by-side for decades. There’s always been some similarities in the aesthetic and structure of specific forms of each. One of the latest phenomena is the synthwave genre, and more specifically for this review, it’s where a sub-genre known as darksynth emerged. A caustic and menacing method of synth music, many have been gripped by its extremely heavy sounds and dark themes.

One of the most heralded innovators of that style is Gost, who has carved a large following through the last 11 years, never producing the same album twice. Early works centered around more Satanic subjects and vigorous sounds, while more recent albums such as Rights of Love and Reverence portray more on the personal side with gothic/industrial conventions. New album Prophecy is a merging of both subjects and nearly all sonic inclinations of Gost’s career, resulting in a familiar-yet-fresh album that continues to position the project further into its own air. Continue reading »

AN NCS INTERVIEW: STUPOROUS

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Mar 082024

(With agonized apologies to Comrade Aleks and the members of the Netherlands-based group Stuporous for our lamentable delay, today we present an excellent discussion among them, with a focus on the band’s debut album released in January by Void Wanderer Productions and War Productions.)

You should know Stuporous, as there was already a track premiere last fall at NCS, don’t you? It’s a killer band performing a mix of black and doom metal with jazz elements. Its members play different styles of extreme (and not so extreme) metal in Belgian and Dutch bands, some of which are members of the Zwotte Kring artistic collective.

Their first full-length album is Asylum’s Lament, so named after the experiences of the band’s vocalist Devi, who works in psychiatry, and you can easily imagine what kind of crazy stuff you can find here.

And here we have all members of this highly artistic outfit answering my questions with patience and passion. Or something like that. Continue reading »

AN NCS INTERVIEW: GOST

Interviews No Responses »

Mar 072024

(We’re grateful to Daniel Barkasi for reaching out to Gost, and to Gost for participating in the discussion with Dan that we now present, on the eve of release of Gost‘s new album on Metal Blade. We’ll present Dan‘s review tomorrow.)

To those familiar with the darker side of synthwave, no doubt Gost has crossed your listening pathways. Also known as James Lollar, the Texas native exploded onto the burgeoning synthwave scene with a highly unique take on the genre with debut EP Radio Macabre in 2013, soon followed by Skull. Since then, Gost has – along with the likes of Carpenter Brut, Perturbator, and Dance with the Dead, among others – spearheaded the darksynth style into existence, and ultimately, the prominence it has ascended to today.

Always on the creative forefront and never stale, Gost has amassed an impressively eclectic discography. The worlds of electronic music and metal also merge with Gost, who has dabbled in metal projects in the past, and has toured with the likes of Mayhem and Katatonia. Even a heralded performance at Maryland Deathfest in 2017. Gost stretches the boundaries of what’s possible between the two genres.

Now, with a brand new album in the form of Prophecy, Gost has returned to his bombastic early days, while not losing the industrial and gothic influences that have been integral components of his more recent work. He was gracious enough to have a chat about how the new record came to be, the contentious climate of the world today, his connection with metal music, and a variety of other interesting topics. Continue reading »

HECATONCHEIR – NIGHTMARE UTOPIA

Album Reviews No Responses »

Mar 072024

(Nightmare Utopia, the debut album from Hecatoncheir, is out now on Total Dissonance Worship)

As we’ve said several times, one of the reasons we keep doing this is because we love discovering new music, and we love sharing our discoveries with people.

Hell, if we didn’t have this blog we’d probably just be running up to people in the streets and screaming at them about how good the latest Blackened Post-Progressive Doom-core release is… and, according to the authorities, we’re not supposed to do that any more.

So when I first stumbled across Nightmare Utopia, the debut album from talented Slovakian Dissonant Death Metal trio Hecatoncheir, last week I knew immediately that I wanted to write about it and spread the word.

And while it took me a little longer than I’d hoped to find space in my schedule, I’m hoping you’ll agree that the wait was more than worth it, as this is one of the most promising debuts I’ve heard so far this year.

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