May 132024
 

Over the course of a quarter-century career the Swedish musician and vocalist Jonny Pettersson has been involved in an enormous number of bands and personal projects — 30 of them by the count at Metal-Archives, including Wombbath, Heads for the Dead, Just Before Dawn, Berzerker Legion, and Ashcloud. But of all of them, Henry Kane seems to have become the vehicle most adaptable to Pettersson‘s changing inspirations and interests.

That opinion is based on observing the evolutions that have occurred across Henry Kane‘s three albums so far, and the fact that it’s a solo project in which Pettersson writes everything and performs everything. Indeed, he started the project to celebrate the twentieth anniversary of his first demo, naming it for the soul-devouring supernatural antagonist in the Poltergeist film series.

In contemplating a genre label for Henry Kane‘s debut album Den förstörda människans rike, you might consider crusty death/grind, or deathly grind/crust, or grinding death/crust, infused with horror and tuned to maximum slaughtering insanity. If anything, the second album Age of the Idiot was an even more ruinous sonic wrecking machine but also more variable, with a greater number of musical twists and turns.

The new Henry Kane album Circle of Pain (coming out on May 17th via Selfmadegod Records) twists even more from the project’s deathly crust and grind roots. As Jonny Pettersson has told us in advance of today’s album premiere:

“The best thing about Henry Kane for me, is that there are no boundaries to adhere to. So, with this album, I wanted to take what I have done on the previous albums and push the sound even further, and then wrap it all up in blastbeats, anger, and hate.” Continue reading »

May 102024
 

(We present DGR‘s review of Pro Xristou, a new album by the Greek legends Rotting Christ that will be released by Season of Mist on May 24th.)

If you’ve been following Rotting Christ for some time now you’re likely well aware the in spite of some decent-sized gaps in time between albums the group are notoriously prolific; always with a song on hand for a small EP, the occasional one-off, sometimes even a book. They are a font of music, and one glance at an overall collected works reveals just how much has been created by the group over the course of a decades-spanning career.

Much of this is due to project mainman Sakis Tolis – the voice and guitar of the group – who has been one of, if not the, primary songwriter of the Greek black metal heathens for most of its existence. Since the release of 2010’s AEALO, Sakis has shown that he knows his way around a melodic and folk-leaning guitar riff. It had long been a part of Rotting Christ‘s sound and often is referenced as being part of a particular ‘era’ of the band – imagine having a group that has eras – but they really came to the forefront on AEALO, an album whereby Rotting Christ not only defined a sound but also became defined by it. Continue reading »

May 092024
 

(We present Christopher Luedtke‘s review of a new release from the Canadian noise grinders Holy Grinder, which is set for release tomorrow.)

The fourth full-length from Toronto, Ontario’s Holy Grinder is an ugly, mangled, heavy, spattering of noise, grind, sludge, and chaos packed into thirteen minutes. Though one lucky person is gonna get all that on cassette in a vat of piss. See their Instagram for further details, but that’s beside the point for the rest of us.

Holy Grinder has been at it for the better part of eight years and has a fair few releases under their belts since their 2016 inception. They have done splits with the likes of Christian Lovers, Agathocles, Sete Star Sept, Fetus Deletus, and more in addition to singles. Now almost four years to the day after Divine Extinction, the band is unleashing their latest full-length, 10 Desecrations. Continue reading »

May 092024
 

(Andy Synn beats the drum for the upcoming new album from Tzompantli, out next week)

A great many people have spent a lot of time arguing, both online and off, about the answer to one of life’s most fundamental questions.

Namely, “what is heavy?”

Some people say it’s chunky chugginess or pounding, pneumatic rhythms, while others will point to chordal density, or claustrophobic atmosphere, or even pure emotion, as the true source of “heaviness”.

But, as it turns out, the answer is far, far simpler than that – the answer is Tzompantli.

Tzompantli are heavy.

Continue reading »

May 082024
 

(Today we present the second part of an interview by Hanoi-based NCS contributor Vizzah Harri with Nguyễn Tấn Đạt, aka Nattsvärd, from the Vietnamese black metal band Imperatus. You can find Part 1 of the interview here, and Harri‘s review of the debut Imperatus album At the Mercy of the Wind here.)

This is the second instalment of an interview with Nattsvärd from Imperatus. Part 1 focused on their origins, inspiration for their sound, as well as the technical facets of recording, whereas Part 2 focuses more on lyrics, writing/composition, as well as some thoughts on the scene and what the future holds.

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You used a quote from Anthony Burgess — “When a man cannot choose, he ceases to be a man.” Which reminded me a lot of the Avenged Sevenfold song Bat Country (I was today years old when I realized this is a quote from none other than Dr. Seuss haha): “He who makes a beast out of himself, gets rid of the pain of being a man”. Together with the cover art and the sound clips, what was the feel you were going for conceptually?

Great insight and connection! I will never shy away from the fact that Avenged Sevenfold was my gateway band to metal music haha. And the said quotes do share a resemblance. Continue reading »

May 082024
 

(Our Denver-based friend Gonzo has turned in the following review of the debut album from the French metallic hardcore band Sorceror, which is out now on Delivrance Records.)

Don’t look now, but something big is happening in France.

And no, this time it’s not protesters burning down half of Paris after the government tried to raise the retirement age, but the big thing I’m referencing might as well be the soundtrack to exactly that. Continue reading »

May 082024
 

(DGR has detoured off most of our well-beaten paths to bring us his review of the latest offering from the Norwegian band Gothminister, which was released late last week by AFM Records.)

I recently crossed the twenty-year mark of following Norway’s Gothminister, the result of an initial missing of the musical bus years ago and then a hurricane-force tour through their specific music scene way back in 2004 – courtesy of a gentleman I used to play Twisted Metal 2 PC online with. Having been sent “The Holy One”, it was difficult to not get hooked on Gothminister‘s hybrid of dancy-electronics and industrial metal.

It’s a hybrid that has held on strong too, even throughout a good-sized handful of lineup shifts over the course of the band’s career. They’ve become a comfort-food band for me, the music not overwhelmingly challenging and metal enough to scare the ‘normies’ among us but otherwise digestible near-pop in its assault. Sing-song worthy with a march to them, Gothminister have been a group that – for me anyway – are a tremendous amount of fun in their embrace of camp and caricature.

Since we have a little bit of free space in the release calender there was a goblin-esque part of me that declared ‘what if you did manage to get them on to the front of the site?’, knowing full well they’d likely be spaced in between death metal heavy enough to collapse buildings or black metal sharp enough to scrape concrete smooth. “What if…,” said goblin proclaimed, “we just reviewed the group’s most recent release even though there’s been little to no mention of them before on the site?”

“But it’s a sequel album,” I said. “We’ve never even covered the first Pandemonium“. “Even more funny,” stated goblin-DGR, “because now people have to wrap their heads around the idea of Pandemonium II: Battle Of The Underworlds with little to no explanation or context of what preeeded it”

And alas, here we are. Continue reading »

May 072024
 

(Today we present Part 1 of an interview by our Hanoi-based contributor Vizzah Harri with Nattsvärd from the Vietnamese black metal band Imperatus. Part 2 will follow tomorrow.)

Imperatus is the latest black metal act hailing from Hanoi, Vietnam. Their debut album that we reviewed here can be described as nothing other than a piece of music that commanded my attention from the moment the first chords struck.

I had the privilege of meeting with Nguyễn Tấn Đạt, aka Nattsvärd, to discuss their album, At the Mercy of the Wind, and this first part of the interview lights upon their beginnings, influences and the technical aspects of the recording project. Continue reading »

May 072024
 

“Not all black metal must be about Satan. There’s plenty of bands who can be obscure and straight-to-the-point with a peculiar image and, of course, very powerful music.”

That is how the Dusktone label announced the debut album from the Swiss black metal band Vígljós, and indeed, it is not about Satan. As signified by the album’s title itself — Tome I: apidæ — it’s about… bees.  But there aren’t many bands who could have made an album like this one. Continue reading »

May 072024
 

Today we renew our admiration for the Swiss duo Ernte, whose music we’ve previously described as “black metal that’s atmospheric and immersive, creating nightside experiences of mysticism and old magic”, but also simultaneously delivering “visceral punch and mind-scarring intensity”. Ernte’s music, we’ve written, “can be disorienting, depressive, unsettling, and even deranged, but it’s still very easy to fall prey to the music’s unearthly sorcery”.

What we’ve fallen prey to this time is a song named “The Witch (Was Born In Flames)” from Ernte‘s forthcoming third album Weltenzerstörer (“world destroyer”), which will be released by the esteemed Vendetta Records on June 7th.

Before providing the premiere of this song stream, we should put it in the context of the album as a whole, which Ernte describe as follows: Continue reading »