Oct 312023
 


photo by Frank Ralph

(In mid-August Profound Lore Records released Distortions, a new album by British doom metallers Godthrymm, and today we present Comrade Aleks‘ interview with two members of the band, Hamish Glencross and Shaun Taylor-Steels.)

The name Godthrymm is familiar to many, and doom fans couldn’t help but hear how this UK-based band fired off one after another top-notch EPs A Grand Reclamation (2018) and Dead in the Studio (2019), and then struck with an epic full-length manifesto, Reflections (2020).

Their traditional, epic-oriented doom metal has deep roots. The singing guitarist Hamish Glencross went through the universities of My Dying Bride and Vallenfyre. The drummer Shaun Taylor-Steels played not only with the Brides, but also with Anathema. And if we dig deeper, we can easily find that both of them studied the basics of doom back in the ’90s, as part of the ever-memorable Solstice team.

Hamish and Shaun, along with bassist Sasquatch Bob and Hamish‘s wife, Catherine, who this time sings and plays keyboards, returned this August with a new album, Distortions.

(This interview was conducted shortly before the release of the album and was first published in the Spanish metal-magazine This Is Metal.) Continue reading »

Oct 312023
 


Paroxysm Unit

(Our old friend and former NCS writer Austin Weber is returning to our page today with the first part of a multi-part series of reviews that we plan to run day after day until completed.)

Despite the incredible volume of music covered here at NCS, there remains a plethora of noteworthy releases yet to be shared in this space. Chalk it up to how much damn good stuff deserves the limelight and doesn’t get it because we all know this site already covers more than most as is.

As I’ve done in the past, join me for another multi-part feature that touches on music I strongly believe you should listen to—or at the very least, stuff worth checking out at a minimum. You be the judge. Onwards! Continue reading »

Oct 302023
 

(Christopher Luedtke introduces our premiere of a track from a new concept album by Texas-based Collapsed Mainframe in advance of its release next month by Roman Numeral Records.)

Conceived in 2021, Collapsed Mainframe began with the mindset of pushing the boundaries of chaos and dissonance. Utilizing grind, death metal, and doom, the band forged its sound while steeping itself in a message of anti-government and concerns of technology, the topics of which paint the upcoming release Theatre of Tyranny.

The single we present today, “Agenda 2030”, begins with a thundering drum beat followed by a melodic, distorted guitar section; it goes on for a second before kicking up the speed and the harsh vocals hit. Collapsed Mainframe kick into a grindy section that’s jagged and tense. It persists in its aggression, then breaks up into a sludgy/noise-rock section. Things break up as the track goes on and dissolves. Continue reading »

Oct 302023
 

All trve true metalheads have only one favorite holiday, and it’s not Valentine’s Day. It’s the one bearing down on us tomorrow night. Most of us already have our own personally curated playlists of heavy music for Halloween night, but we’ve got something for you today that should lead to a revision of your list.

What we’ve got is the full streaming premiere of Utterances From Below, a new album-length split by Virginia’s Night Hag and Italy’s Burial, which will be released on November 10th by Rotted Life Records. As the label proudly previews, it is indeed “a union of death, doom, and disgust”, one that “bridges the fertile gap between quotidian horrors and supernatural dread”. Continue reading »

Oct 302023
 

(Andy Synn gives his thoughts on the new Fuming Mouth album, out Friday)

To describe Last Day of Sun simply as a “post-cancer” album would be overly-reductive.

It’s more than just that, for sure.

But there’s no question that the knowledge of Fuming Mouth frontman Mark Whelan’s battle with, and recovery from, Acute Myeloid Leukemia definitely adds some extra thematic weight to the record’s metallic meditations on mortality and the fragility of existence.

Continue reading »

Oct 302023
 

(In this review DGR revisits an old favorite, the German band Distaste and their new album, released a few weeks ago by FDA Records.)

We’ve had a long history with Austria’s Distaste, as we’ve watched them evolve their form of blast-happy grindcore, relentlessly focused on short songs and straightforward hammering, to a blackened death-inspired group with a light sludge flavoring, to the current incarnation of the band obsessed with fury, hellfire, and portmanteaus of their chosen language.

Previously, Distaste had done pretty well for themselves with albums like Of Abyss-Hearts And Falsity and Black Age Of Nihil but they really started to come into their own along about the time of the Rotten Cold/Distaste split and the Todt EP. Adopting a strong guitar-lead segment did the group well, adding another element to the otherwise whirlwind chaos and well-spoken language of grindcore circle-pit throwdowns, and Deibel was a strong culmination of that. Continue reading »

Oct 292023
 

Yesterday’s roundup was a very, very big one. With so much time on my hands this weekend, I planned to make today’s blackened roundup equally large, paying no attention to whether anyone would have the fortitude to go through a dozen entries yesterday and another dozen today.

When I woke up this morning I somewhat came to my senses and decided to cut this back from what I’d initially selected — providing seven recommendations instead of 12 — mainly because I didn’t think I’d have the time to get a dozen ready to go before I have to go. I hope to say something about the others in the near future.

PHANTOM WINTER (Germany)

I’m going to begin with a regrettably rare example of a great song presented through a great video, each one complementing the other. Continue reading »

Oct 282023
 


Autopsy – photo by Nancy Reifert

Prepare for… a lot of sentences that begin “Prepare for….”

It’s a little way for me to say very little about what you’ll hear but without me feeling like I’ve done nothing to induce listening or to thank the bands.

The shorthand is necessary because the past week produced so damn much music I’d like to recommend, and because I got lots of suggestions from other people, including my compadres Andy Synn and DGR. Their picks and mine, which produced a mix of bigger bands and more obscure bands, are arranged here in alphabetical order by band name.

Prepare for… lots of twists and turns…. Continue reading »

Oct 272023
 

The Australian band Hebephrenique chose a name that may contort the part of your brain responsible for making sense of letters and checking new words into the vocabulary library. We’ll make it easier, since we’ve already done a bit of research:

Hebephrenique seems to be the French word (without accent marks) for hebephrenic, which refers to a “disorganized” type of schizophrenia, one “typified by shallow and inappropriate emotional responses, foolish or bizarre behaviour, false beliefs (delusions), and false perceptions (hallucinations).” So says this source.

That this is what the band had in mind when they chose their name is guesswork on our part, but their debut EP Non Compos Mentis provides circumstantial evidence that we’re on the right track. Continue reading »

Oct 272023
 

(In the following review our writer DGR takes a deep dive — a very deep dive — into the strange musical worlds created by the Dutch band Autarkh on their new album Emergent, which is set for release on November 10th by Season of Mist.)

One would suspect that a band like Autarkh are going to feature on heavy metal websites more due to their ethos of being as experimental and unapproachable as possible than their particular chosen instrument configuration. The wildly artistic group were founded on blurring multiple genre lines, and that includes the world of heavy metal, with large handfuls of other things – difficult to describe as they may be.

The group’s sophomore album Emergent walks further down that pathway, metal not just because the band like themselves a distorted guitar, or their history as being a branch budded off the tree that was Dodecahedron, or the fact that they’ve done a drone/doom set at the more high-minded world of Roadburn under the name Autarkh III – as far as I know, there is no Autarkh II: Autarkh Takes Manhattan out there just yet – but the band will also likely grab ears among metal’s crowd due to their usage of it as a style to further accomplish whatever strange and haunted otherworldly goals they may have had in mind. Continue reading »