Jun 272021
 

 

Reporting to you today from the hellish Pacific Northwest heat dome, where the second highest temperature ever recorded in Seattle at any time of the year happened yesterday and new records will be set today and tomorrow, I bring you  Part 2 of today’s expanded column devoted to black-ish metal. I decided to include three new EPs of very different styles, and to bookend them with one advance track from a forthcoming record and one song that opens a recently released album.

ONDFØDT (Finland)

Part 1 of today’s column was entirely devoted to videos, and I thought I’d begin Part 2 with another one. This one is for a song named “Mörkri” from Ondfødt’s new album Norden (their third full-length), which is set for release by Immortal Frost Productions on July 30th.

The heaviness of the bass and the hammering of the drums give the song visceral punch and power, but the mood of the music is severely desolate and distraught, with a haunting feeling of isolation and abandonment that’s matched by the frozen vistas in the video. But the song is a multi-faceted one. A militaristic drum pattern announces a change, with swinging, swaggering, and swirling riffs and scorching blasts of vocal ferocity giving the song a healthy dose of feral, carnal energy — though it becomes cold and cruel before the end. Continue reading »

Apr 232020
 


The Path of Memory

 

On we go with today’s three-part mega-roundup, though it’s already late enough in our posting day that Part 3 will slip over into tomorrow.

As explained in Part 1, I alphabetized what I picked by band name, so we’re rolling on into the Ps and Rs in this segment (and in case you’re confused, I’m following the Chicago Manual of Style rules for alphabetization, in which introductory articles such as “a”, “an”, and “the” are disregarded).

THE PATH OF MEMORY (Switzerland)

The shimmering melodies in “Rancid Song” sound despairing, but that effect may also have something to do with the deep gothic vocals and the moody bass notes. The music is also haunting in its atmosphere, but don’t be misled — the slow-rocking, hard-hitting rhythms and that big bass tone will get you moving. A soundtrack for wandering alone, lost in gloomy memories, through vacant city streets lined with tall cold steel…. Continue reading »

Oct 232014
 

 

Here’s the second part of a round-up of new things that I began earlier today, collecting some of the news and music I discovered over the last 24 hours that I thought would be worth your time, because they were worth mine.

PRIMORDIAL

Where Greater Men Have Fallen is the name of the new Primordial album, due for release by Metal Blade on November 25. The title track premiered previously, and a couple of days ago Stereogum premiered another song, “Come the Flood”.  It’s powerfully heart-wrenching and melancholy in its atmosphere, driven at first by heavy, thumping drumbeats and a flowing curtain wall of guitars, and later by percussion that sounds like gunshots and a vital lead guitar melody. But at the center of the song is its most arresting feature — Nemtheanga’s  high, soul-stirring, dramatic voice. Amazing.

Listen here (Primordial’s FB page is at this location):

http://www.stereogum.com/1713126/primordial-come-the-flood-stereogum-premiere/mp3s/ Continue reading »