Dec 192023
 

The last time we premiered a song by Dipygus (here) we resorted to the word “macabre” not once but twice. Feeling somewhat nauseated, we also shared the results of our researches into the meaning of the band’s name and a particularly disgusting bodily infiltration referred to in the title of the song we shared.

We shared other info about this California band’s wide-ranging but thoroughly bizarre thematic interests, but not nearly enough. A more complete listing of those unusual interests would swell to extravagant proportions, but this time we’re going to provide the more complete exegesis… eventually… after we’ve dealt with the meat of the matter today, which is another Dipygus premiere.

But don’t overlook that historical record at the end of this article, because it’s highly entertaining Continue reading »

Dec 192023
 

(As we continue rolling out the year-end lists of our writers, today we move to selections from Todd Manning.)

I think I found the formula for my year-end list last year. Every year, once my own list is finished, I pour over every other list I can find and I am reminded I am a fan first, musician and writer after. So I will keep it brief and give you a bunch of records I loved and I hope you find something new and exciting to check out. Continue reading »

Dec 192023
 

This isn’t DGR‘s annual year-end list. That might yet come. This is the second Part of a four-Part collection of reviews that we started rolling out yesterday, focusing on 2023 albums we hadn’t managed to review before. You’ll find his full explanation for what he’s doing here at the beginning of Part I. Continue reading »

Dec 192023
 

(We’re extremely pleased to present a great discussion between our Comrade Aleks and Malokarpatan‘s Adam Sičák, an interview that delves into the band’s past, present, and possible futures.)

The Slovakian band Malokarpatan is well-known to those who appreciate authentic old-fashioned metal. They combined proto-black and heavy metal with avant-garde themes and told grim stories taken from native folklore and history.

The first nine years of Malokarpatan‘s career were full of recordings and gigs, but now with the release of the fourth album Vertumnus Caesar, they’re going to focus only on the composition of the new material.

We interviewed the band’s mastermind Adam Sičák about two years ago (here) and covered the band’s entire discography which consists of three albums at the moment. Now it’s time to discuss Vertumnus Caesar, and Adam always has a few good ideas to share. Continue reading »

Dec 182023
 

Here, we’re doing something we almost never do — premiering brief excerpts from songs off a forthcoming release. Such things are mere teasers, even more teasing than the premiere of a complete song from an album or EP that you can’t yet hear in full.

So why did we cave in and sweep away our usual reticence to brutally tease our visitors? You’re about to find out. Continue reading »

Dec 182023
 

(This week we begin presenting year-end lists from NCS writers other than Andy Synn, who finished his NCS list week last Friday. To begin this week, here’s a year-end Top 20 list from Wil Cifer.)

Given the world’s present apocalyptic trajectory this year’s Top 20 Metal Albums list might be the last of these lists I make. The tone of my listening this year shifted in a more nihilistic direction. I listened to more death metal this year, which might have less to do with becoming acclimated to living in Tampa and more to do with celebrating death as an inevitable end to this cycle of life. Metal has always been my therapeutic outlet. Even before I was formally diagnosed with Bipolar disorder, I used Doom metal to lean into my depressive episodes. Now I am more intentional with this ritual, so there might be a decent dose of doom ahead. Continue reading »

Dec 182023
 

(This isn’t DGR‘s annual year-end list. That might yet come. This is the first Part of a four-Part collection of reviews, focusing on 2023 albums we hadn’t managed to review before.)

Every year we do this; the final clearing of the slate before the annual list-making season begins. This year will be no different, because like every other year, I’m also opening this with an apology to the bands included.

Normally my reviews tend to be long-winded and wordy as can get because I enjoy the long-form dissection of an album – no matter how repetitive in my choice of phrases as I may get – and the final clearing tends to be shorter. It was my intent not to do so this year but life happened.

Not only that, life happened hard and life happened in such a way that I’m going to have a very, very difficult time talking about it for a long time and I’m not entirely convinced that we’ll ever be any definition of ‘okay’ again around here, so much as we are just getting by and in a permanent state of ‘recovering’. It’s been tough.

But, I haven’t forgotten about this because as much as we’ve spoken about how life and work kick our asses and the website takes a backseat, this is one of my few outlets. As a result, I’m not sure if I have it in me to do my usual end of the year clusterfuck – though I will try – but I do want to at least get some words out about the last remaining groups of releases that have haunted my ‘to review’ notes over the year. Continue reading »

Dec 182023
 

Here’s the final entry in the part of our annual LISTMANIA orgy where we share lists of metal from “big platform” web sites and print zines — the kind of places that get a lot more eyeballs on them than filthy little metal-only hovels like ours — as a way of getting a view about what “normal” people are being told is the year’s best metal.

Rolling Stone magazine should need no introduction, so I’m not going to provide one. Three years ago we didn’t include a Rolling Stone metal list in our year-end LISTMANIA series — because they didn’t publish one. Although we surmised that they had jettisoned the idea permanently, their Top 10 metal list made a return in 2021, and in 2022 they expanded the list to 15 names. This year it’s 11 (so of course they made a Spinal Tap joke). Continue reading »

Dec 152023
 

We’re at an inhospitable time of year for the release of new music. Ardent metal fans tend to be looking backward in reflection rather than keeping their eyes on what’s coming from the near horizon or noticing what just dropped in front of them, and of course everyone is immersed, whether in joy or misery, in the distractions and chores of the inescapable “holiday season”.

And yet, as always, the end of the year brings musical gems, even if they sadly may go unnoticed, and The Sept‘s new EP MMXXIII is one of those.

But let’s be clear up-front: This isn’t a pretty, sparkly gem. It has many facets, but their edges are jagged and may leave you bleeding if you’re not careful, and the colors are obsidian. Staring too long may also bring about madness. Continue reading »

Dec 152023
 

(Andy Synn finishes off “List Week” with his ten favourite albums of the year)

For whatever reason, this time around much of my “personal” list – which features the ten albums which I’m not claiming to be the “best” of the year, but are definitely amongst my favourites – is made up of new albums by new discoveries, either because the band themselves are fresh onto the scene or because this is simply my first time encountering them.

On the one hand this perhaps reflects my general dissatisfaction with a lot of the more hyped up and/or famous names (not that they were bad, just that they really didn’t do anything for me this year), but I prefer to see it as a good thing, because it means that I am (hopefully) guaranteed even more great stuff from a bunch of fresh new faces with a bright future ahead of them!

Slimming this list down to just 10 albums wasn’t an easy task by any means, but while some well-deserved “honourable mentions” should go to the likes of Downfall of GaiaDying Wish, Morokh, Mercenary, and Miserere Luminis (all of whom were in strong contention), in the end… well, there can be only ten!

Continue reading »