Feb 232024
 

Born in Massachusetts in the year 2022, Compress released a debut demo that same year that got tagged most prominently with black metal, crust punk, and hardcore. It’s well worth tracking down (you’ll find it here), as long as you’re ready to be pounded into jelly and scared out of your mind.

That demo was and still is a ruinously intense experience, viscerally slaughtering and mentally combustive, accented by doses of apocalyptic harsh noise in case your brain hadn’t already been sufficiently sliced and seared.

Anyone who ran into that demo, and got run over by it, will experience fearful thrills from the news that Compress are now back, with a debut EP entitled The Final Level of Consciousness that’s set for a March 15th release by Eternal Death. And it’s that pulverizing and petrifying album that’s the source of the song named “Formosus” we’re now premiering. Continue reading »

Feb 232024
 

We have a pair of treats for you today, with our only regret being that we’re not offering them on Samhain Night, when they would more naturally aid in opening the portal between worlds of the living and the dead. On the other hand, as you’ll see, they’re capable of making every night feel like Samhain beneath a full moon.

Those two treats are the first songs revealed from Hymns to the Moon, the debut album from the German duo Moon Incarnate. These two, Christian Kolf (Valborg) and Matin Vasari (Beyondition), joined forces under the influence of the early works of the Peaceville Three – Paradise Lost, My Dying Bride, and Anathema – as well as early Amorphis, Tiamat, Katatonia, Samael, and Moonspell.

They may also have been under the influence of demonic possession, because this is blood-freezing and blood-pumping doom/death of a very high order. Continue reading »

Feb 232024
 


Photo Credit: Christian Martin Weiss

(Delays of various kinds make this interview of Hannes Grossmann by Comrade Aleks later in coming than we would have liked, but it’s better late than never, as we hope you will agree!)

This interview was started by email in October 2023 or so, and why do we publish it now? Because things happen not as planned, and it took too much time to finish it, though even that didn’t help much, so I feel it is incomplete. And I bet that you already heard Alkaloid’s third album Numen, which was released by Season of Mist last September, so what else to add?

However, it was good to get a response from Hannes Grossmann, Alkaloid’s drummer and a super-busy musician who’s involved in a few more bands and projects. You can listen to some of Numen’s songs while you read the text. I think that it won’t take much time. Continue reading »

Feb 222024
 

With paying work still leaving me alone, at least for the time being, I’ve found time to compile another roundup of new songs and videos. I can’t remember the last time I was able to do this on back-to-back weekdays. I have high hopes for three in a row tomorrow, though I did see that a refrigerator-sized satellite is supposed to fall to earth soon.

Like yesterday, we’ll go in alphabetical order.

DISRUPTION (SWEDEN)

To kick things off I’ve picked something that will kick you in the teeth but get your sluggish motor running hot too. Continue reading »

Feb 222024
 

As described by The Font of All Human Knowledge: “Homo homini lupus, or in its unabridged form Homo homini lupus est, is a Latin proverb meaning ‘A man is a wolf to another man,’ or more tersely ‘Man is wolf to man.’ It is used to refer to situations where a person has behaved comparably to a wolf. In this case, the wolf represents predatory, cruel, and generally inhuman qualities; in essence, the person is held to be uncivilized.”

The Italian black/death metal band Keres took that proverb as the name for their debut album which is due for release on February 23rd via Gruesome Records. It is, for them, a truth about the human condition that provokes disgust and rage. They define humanity as “the biggest plague on earth”:

“Over the centuries we killed each other for the most trivial reasons, hiding behind religion, political ideologies, false respectability and many other bullshit with the purpose of justifying what we have done and are still doing. But the truth is that our nature will always lead us to crave what we don’t have, bringing endless conflicts for this thirst of power, which will bring upon us our own demise. In the end, only ruins and dust of what we are will remain, this is our true legacy. We deserve extinction.”

Keres obviously don’t mince words. They don’t pull any punches in their music either, as you will discover for yourselves through our complete premiere stream of their new album today, on the eve of its release. Continue reading »

Feb 222024
 

(Anyone who has followed Comrade Aleks lo these many years knows that if any metal band is inspired by the works of HP Lovecraft he will eventually talk with them. As he did with Joseph Curwen from the Chilean death metal band Unaussprechlichen Kulten, and a good conversation it was.)

Chilean death metal band Unaussprechlichen Kulten was named after the fictional occult grimoire invented by H.P Lovecraft and R. E. Howard. And, according to its name, the band have continued to channel the will of ancient malign entities through their ferocious and macabre songs since 1999.

Their six album Häxan Sabaoth was released by Iron Bonehead Productions on the 2nd of February, and we made this interview with Unaussprechlichen Kulten founder Joseph Curwen (vocals, guitars) in the lead-up to its release. And, in my opinion, we had a pretty smart, even witty conversation thanks to Joseph. Continue reading »

Feb 212024
 

At one time or another almost everyone has found themselves in this situation: You’re starving but too broke or incapacitated to go out and buy food so you throw together shit from your fridge or pantry that no one in their right mind would think belong together but you’re not in your right mind because you’re starving and broke or incapacitated and you devour what you made, consequences be damned.

At the moment I’m not starving, broke, or incapacitated, but the remembered scenario above might still fit the stew of sounds I compiled today, consequences be damned. At least none of this stuff is past its “sell by” date. Continue reading »

Feb 212024
 

No matter where; of comfort no man speak:
Let’s talk of graves, of worms, and epitaphs;
Make dust our paper and with rainy eyes
Write sorrow on the bosom of the earth

That’s not the last time we’ll quote Shakespeare in this article, but we begin with that excerpt from Richard II for a reason, which you may understand when you hear Counting Hours‘ The Wishing Tomb, which will be released on February 23rd by Ardua Music.

These Finnish dark metal torchbearers have a way with words too. Here’s how they introduce this new album:

“The Wishing Tomb represents a cathartic journey. It’s an exploration of human frailty, dreams, and the unspoken. The tomb symbolizes both longing and release—the place where wishes crystallize and fade away. Counting Hours invites listeners to step into this cryptic space, where emotions resonate and time loses its grip.” Continue reading »

Feb 212024
 

(Ihsahn‘s self-titled album was released last week, and Andy Synn has a few thoughts about it)

Vegard Sverre Tveitan, better known as Ihsahn, is undeniably one of the most recognisable names/faces/voices in our little, parallel Metal universe.

And while he initially earned his infamy as part of a little band called Emperor (maybe you’ve heard of them?) he has now spent almost twenty years pursuing a solo career under the Ihsahn moniker, meaning that there’s a good chance that at least some of his fanbase probably knows him more for that than for his seminal role in the early days of Black Metal.

As a vehicle for his proggier predilections, his collective catalogue under the Ihsahn banner has run the gamut from modern classics to experimental oddities, and everything in between, but there’s certainly an argument to be made that – as a self-titled summation of his career so far – on his eighth album, the eponymous Ihsahn, we’re truly seeing Ihsahn being the most Ihsahn he can be.

Which leaves just two question which need answering – what exactly is it about Ihsahn which makes the album so special, and how many more times am I going to write the word “Ihsahn” over the course of this review?

Continue reading »

Feb 212024
 

(The Argentinian funeral doom band Fungoid Stream has four albums to their name dating back to 2004, but not much news in the last 4+ years, so Comrade Aleks decided to reach out and see what’s happening. The following conversation with vocalist Simon O. was the result.)

We interview bands when something important happens in their careers: a release of a new album, a reunion, or a big tour. But sometimes just nothing happens! No reports from the studio, nothing about reissues of the back-catalogue or anniversary shows. And that too is a good reason to try to get in contact, to see if they’re still alive there in their underground.

Lovecraftian funeral doom duo Fungoid Stream are based in Buenos Aires. Joseph C. (all instruments) and Simon O. (vocals) released four albums since the band’s origin in 2003: Celaenus Fragments (2004), Oceanus (2010), Prehuman Shapes (2014), and The Winds Among the Stars (2019).

As you see, it’s too early to worry, because the pause after the most up-to-date release isn’t critical yet. But I worry anyway, that’s why we organized this interview with Simon O., Fungoid Stream’s vocalist, and it’s a right time for you to check the band if you haven’t met it before. Continue reading »