Aug 032025
 

(written by Islander)

I have bit off more than I can chew. All five of today’s picks are complete albums or EPs. I have listened to a couple of them a couple of times and others only once. A good reviewer would only write about one or two of them, and do so thoroughly and after considered reflection. You’ll have to go elsewhere for that kind of coherent professionalism. Here, you’ll just find a dude jumping up and down, waving his arms and yelling “Listen to this!

I put them in alphabetical order by band name because I couldn’t figure out a better way to arrange them as step-wise progressions of sound, and because my brain was already overloaded by what I bit off. Continue reading »

Aug 022025
 

(written by Islander)

I’m going to get right to the music today and dispense with the usual personal anecdotes that no one really wants to read, like whether I had to clean up cat vomit this morning (I did), if I’ve learned to make washing dishes by hand a Zen-like experience since the dishwasher broke (nope), the best thing I’ve seen and heard outside the house this week (the pair of hawks that have re-located into the forest and apparently scared all the other fowl into silence), how much I’ve enjoyed beautiful mild PNW days while reading about much of the country getting brutally microwaved (a lot), the only new item I read this morning that didn’t make me furious and/or nauseated (about an anti-poaching campaign in South Africa that involves injecting the horns of rhinos with radioactive isotopes), and my opinion on the rendition of “Paranoid” by the Kings’ Guards at Buckingham Palace (meh).

So yeah, none of that irrelevant personal stuff, getting right to the music, right away, no delays: Continue reading »

Aug 012025
 

(written by Islander)

Today is another Bandcamp Friday, a good time to buy or pre-order music because a greater percentage of the proceeds will reach bands and labels. I had a few hours to myself yesterday afternoon and this morning that I spent surveying new music that’s come out over the last week or so. From that, I picked music from six bands to recommend today.

With one exception, all these songs are advance tracks from albums that will be released either later this month or in September or October. The one exception is the first single from an album that’s being released in full today. There’s a hell of a lot of great cover art in today’s collection too.

If things go as planned, I’ll have more recommendations in the usual space for these roundups tomorrow. Continue reading »

Aug 012025
 

(written by Islander)

The Barcelona-based extreme metal band Gjallarhorn’s Wrath trace their roots to the Spanish atmospheric black metal band Oblivion, which was founded in 2001. After making a strong mark, that earlier group disbanded, but in time the core members reunited. With the addition of vocalist Alex, Lord Ashler moved to bass, Javi Iron returned to handle drums, keys, and composition, and Arash continued as lead guitarist.

Under the name Gjallarhorn’s Wrath, they have recorded a debut album entitled The Silver Key that’s set for release by Non Serviam Records on September 5th. As the label explains, the album blends “the raw aggression of blackened death metal with the grandeur of orchestral and cinematic elements”.

Last month we hosted the premiere of a transfixing video for a sonic spectacle from The Silver Key named “Wiccan Wyrd“, and today we follow that with another riveting video. This one presents the album’s second single, “A Silent Scream“. Continue reading »

Aug 012025
 

Recommended for fans of: The Monolith Deathcult, Sigh, The Project Hate

Some people get a little mad when you make too many (or, in some cases, any) references to other bands when writing an article like this.

But when you’re dealing with a group whose creative palette is as wide as this one – the band themselves cite, in addition to the artists mentioned above, the likes of Arcturus, Atheist, Edge of Sanity, Thy Catafalque, and many more, as influences – it’s pretty much unavoidable.

So, without further ado, allow me to introduce you to the Avant-Garde/Progressive “Death Metal” of Azure Emote, a band whose main songwriter is actually their vocalist/keyboardist (Mike Hrubovcak, ex-Monstrosity) which perhaps goes some way towards explaining their more unusual and unorthodox approach to extremity!

Continue reading »

Jul 312025
 

(written by Islander)

This coming Bandcamp Friday will bring the release by Fiadh Productions of the debut album from an unusual musical collaboration that has taken the name Rintrah. That album, The Torrid Clime, pays tribute to Romantic period art, poetry, and music (circa 1798-1837). It does that in part by drawing the songs’ lyrics from classical pieces by Romantic era poets, presented unaltered and unabridged. The themes include “finding the true God in nature, the sense of the primordial as channeled through the self, nostalgia for the past, and using fantasy as a tool to reshape dissatisfactions with reality”.

The participants in Rintrah include Otrebor (Botanist, ex-Lotus Thief) on drums and vocals, Arsenio Santos (Howling Sycamore) on bass, and William DuPlain (aka Cynoxylon, ex-Botanist) on lead vocals — and guitars were composed and recorded by classical musician Justin Collins.

Yesterday we published an interview with Justin about how Rintrah and the music became a reality. We’ll use parts of that interview as reference points again today, but the main subject now is the music itself, a genre-bending and time-traveling experience that you’ll now be able to enjoy in its entirety. Continue reading »

Jul 312025
 

(The following essay and its Appendix were written by our South Africa-born and Vietnam-located contributor Vizzah Harri.)

This is not going to be an easy read. If you are triggered by words that end in -isms, especially abstract concepts that have real-world consequences on the life and liquidation of innocents, you know, the ignorant kind, then you won’t get further than the next paragraph.

Abusive, brainwashed, callous.

Archaic bellicose construct.

Avaricious bloodsucking cowards.

Abhorrently bootlicking chauvinists.

The ABCs of Repression Fascism

“كانت يديه تضفر أحشاء الكاهن

، إذا لم يكن لديه حبل ، لخنق الملوك”

“וידיו היו קולעות את מעי הכהן,

בהיעדר חבל, לחנוק מלכים”

“And his hands would plait the priest’s entrails,

For want of a rope, to strangle kings.”

 – alternative translations of the infamous Denis Diderot quote. Continue reading »

Jul 312025
 

(In March of this year the Dutch avant-garde metal band Cthuluminati released Tentacula, a Faustian concept album about Thomas, an illusionist who was granted his power through a most nefarious deal with the ancient deity Tentacula, and Thomas’ subsequent (and unsuccessful) efforts to expose the truth and make amends. Our writer DGR developed a “weird fascination” for the record, and he attempts to explain why in the following review.)

Waste Of Space Orchestra‘s one full-length album Syntheosis came out six years ago, yet I think about it constantly. Syntheosis is an album that I think serves as a prime personal example of being fascinating while at the same time it is so far either ahead of me or just off the beaten path of my musical sphere that I just don’t fully get it. It challenges me on a listening level but at the same time I’m not sure after listening to it that I’ve ever enjoyed myself – yet I am happy that it exists as a reflection of heavy metal’s ambition as well as its mark on the overall art of the genre.

For every painting of recognizable pop art and soup cans, we need our avant-garde weirdos whose ambition far outstrips either the listener’s abilities or the musicians’ own. With no one willing to poke and prod at musical boundaries we’re left with nothing but an already well-laid-out playground and recognizable throughways. Eventually, everything becomes musical suburbia with the same nuclear family and picket fence, with nothing left for us to discuss other than who is fucking who.

The Netherlands gifted us an album of a similar vein a few months back in the form of Cthuluminati and their newest release Tentacula. While far less meditative, psychedelics-obsessed, and psychosis-inducing than the aforementioned art-project (though not by much), I have found that I am weirdly fascinated with Tentacula for much the same reasons. Continue reading »

Jul 302025
 

(written by Islander)

Rintrah is an unusual musical collaboration whose lineup consists of Otrebor (Botanist, ex-Lotus Thief) on drums and vocals, Arsenio Santos (Howling Sycamore) on bass, William DuPlain (aka Cynoxylon, ex-Botanist) on vocals, and acoustic classical guitarist Justin Collins. They describe Rintrah as a project “that pays tribute to Romantic period art, poetry, and music (circa 1798-1837),” in part by drawing their lyrics from “classical pieces by Romantic era poets, presented unaltered and unabridged.”

Last year we premiered Rintrah‘s debut demo (here), and we also wrote about another demo track that came out later in the year (here). Those were rough versions of four songs that will appear in their final form, along with seven more songs, on Rintrah‘s debut album The Torrid Clime.

That album will be released on this coming Bandcamp Friday, August 1st, via Fiadh Productions, and pre-orders by the label and the band are starting today. Tomorrow we will premiere a full stream of the album with a review, and we’re including one of the new songs (“In Tempests”) at the end of this article.

To help pave the way to these events, I interviewed Justin Collins to delve deeper into how Rintrah came to be, and how the music was made. That discussion follows, illustrated with paintings by Caspar David Friedrich and one by Julius von Leypold (excerpts of some of these appear in the booklet accompanying the album). Continue reading »

Jul 302025
 

(written by Islander)

The Polish black metal band Black Altar, spearheaded by its leader Shadow, have been releasing music since 1998, assembling a discography that now includes two albums, a large assortment of splits, EPs, and singles, and two compilation records. Their most recent release is a three-way split named Drakonian Elitism from January 2024 that also includes music by Ofermod and Acherontas.

Black Altar contributed four tracks to that nearly hour-long release, including “In the Labyrinths of Sitra Achra“, which is the subject of the lyric video we’re premiering today. Continue reading »