(written by Islander)
I thought about deleting the placeholder post I made yesterday but then decided to leave it there so you can see the explanation for why this SEEN AND HEARD roundup arrives a day late. That way, I can get right to the music.
Sad to say, I don’t think I’ll be able to compile a SHADES OF BLACK feature today. Continue reading »
Last night my spouse and I joined out-of-town visitors at a local casino for dinner and drinks — LOTS OF DRINKS. TOO MANY DRINKS. It was fun, but man am I paying for my fun this morning, even after sleeping way later than usual.
Before going out last night I did lay the foundations for a SEEN AND HEARD roundup. I’ve picked the music, uploaded cover art, installed the usual links, and made some notes that might turn into sentences. It’s possible I will eventually feel well enough to finish and post it, but if that happens it will be much later in the day than usual. It’s also possible I’ll finish it and wait until Sunday to post it.
Which brings me to another issue. Continue reading »
(written by Islander)
It is another Bandcamp Friday. You will already have many suggestions and discoveries that point you toward how you might spend your music-oriented money today. Poor you, here are some more. (And I’ll have more tomorrow, so you can start complicating your life in advance of the final Bandcamp Friday of 2025 on December 5th.) Continue reading »
(written by Islander)
The Danish band Helge describe their amalgam of black and death metal as “spiritual metal”. Of course, many other metal bands also invoke spiritual concepts, but more often that not they’re talking about such things as diabolical spirits of vengeance, malign alien gods that venture forth from the void, or getting fueled up by ethanol spirits and running wild. That is not what Helge mean.
Instead, they delve into themes that include the presence of common bonds among people, the need to make a less violent world more nurturing of nature (and each other), and other ideas that point toward spiritual uplift rather than downfall. Their most recent album, Gidinawendimin (released on November 1st of last year) is (as they explained) “an ancient word from the Ojibwe people that means ‘we are all related.'”
Last year we premiered an exhilarating video for the album’s closing song “Keep the Fire Burning,” a song that lyrically exhorts listeners to “stand aside from ego,” to forsake anger and poison, to “return to the core of the spirit,” and thus to become reborn, and to rise.
And now we have another video premiere for yet another emotionally powerful song from that same album. This one is “Zoongide`e“. Continue reading »
(September 2025 is in the books, and so Gonzo is back with us to share his recommendations of five albums released in that month.)
It’s probably a pretty clear indicator of the world we’re living in when not one, not two, but three albums released in the same month are some of the most intense emotional experiences I’ve had all year. And friends, let me tell you—it’s been a year.
It’s with albums like the newest from Sundrowned and Heretoir that provide comfort in the darkest of times. Whether or not these are a direct result or response to world events is anyone’s guess, but music in 2025 has hit decisively differently than years previous.
All this being said, if you’re looking for coping mechanisms, emotional catharsis, or just a goddamn wild-ass ride you won’t forget, I can’t recommend my picks for September highly enough. Continue reading »
(written by Islander)
More than seven years having passed since the Montréal-based progressive death metal band Augury released their last album Illusive Golden Age, which itself was released a lengthy nine years after the one before it (Fragmentary Evidence). But although we can happily disclose that Augury are recording their fourth album and are half-way there, their leader Patrick Loisel has continued to make music on his own in recent years through his intriguing solo project Merfolk, which divulged the Demersal demo in late 2022 and released the debut full-length Sundaland this past May.
Sundaland is obviously an entirely personal creation, one in which Loisel wrote everything, performed every instrument, engineered and mixed every sound, and directed all the visuals. Those instruments included not only conventional metal accoutrement (though a fretless bass is not entirely conventional) but also classical instruments such as violin, cello, double bass, and piano.
It’s also worth giving you the following statement regarding the album’s inspiration, before we share with you a new video for the album track “Castaways“: Continue reading »
(written by Islander)
The lineup of Dwelling Below — drummer/vocalist Jared Moran, bassist Anthony Wheeler, and guitarist Nicolas Turner — overlaps significantly with those of the bands Hierarchies and Acausal Intrusion. United in Dwelling Below, they create a variant of doom/death metal. But if you’re at all familiar with their work in those other bands, you can guess (correctly) that their version of doom/death is a twisted one, occupying an ever-changing intersection of the conventional and the unconventional, with results that are as unpredictable as they are abominable.
Dwelling Below made their advent with a self-titled debut album in 2023, and now they’re back with a second head-warper named Wearisome Guardians, which will be released on October 31st by Transcending Obscurity Records. What we’ve got for you today is the third song from the new album to be disgorged so far, a mind-ruiner named “Sacraments“. Continue reading »
(Andy Synn gazes deep into the Guilded Abyss in advance of its release tomorrow)
I’ve spoken before, both briefly and at length, about how thankful I am that NCS is a wholly incompetent independent entity.
Don’t get me wrong, when I actually wrote for a physical magazine I was still pretty much left to my own devices, but the fact that we have no advertisers to placate, no industry higher-ups to fellate, and for the most part aren’t reliant on PR reps/divisions to feed us potential content (which often comes with an assumed quid pro quo that future access will be contingent on positive coverage), means that Islander, DGR, and I are essentially a law unto ourselves.
And because of this, because we make our own rules and don’t have to answer to anyone else, we’re able to do things like start the week off by reviewing the already incredibly popular album from future mainstream Metalcore darlings Dying Wish and end it by telling you all to save space for the latest slab of suffocating Black/Death savagery from underground iconoclasts Valdur.
photo by Matt Chains
(Comrade Aleks has brought us a truly excellent interview with members of Chicago-based Fer de Lance, whose enthusiasm for metal and their own music-making is highly infectious. Their latest album, which is an exception to the not-entirely-serious rule in our site’s title, is also an excellent one, and worth checking out before, during, or after this very engaging discussion.)
Around 2019, MP Popeye (vocals, guitar) and Pat Glockle aka Rüsty (bass) left the Chicago heavy doom band Professor Emeritus, so it took their friend Lee Smith another six years to find a new lineup and record a second, and by the way, very cool, album. But it was all part of a cunning plan, as MP and Rüsty quickly found collaborators (Scud on drums and J. Geist on guitars) and formed their own band, Fer De Lance, and in 2020 recorded the EP Colossus, followed by their full-length debut, The Hyperborean, in 2022.
To Fer de Lance‘s credit, they didn’t waste any time and are already thundering along with a second, more powerful album. Fires on the Mountainside combines a number of musical concepts, among which are doom metal, classic heavy metal, even some elements of Mediterranean folk, and the epic nature of Viking-era Bathory. Continue reading »
(written by Islander)
Samhain is of course a prime occasion for the release of new music in the realms of metal, a time entirely fitting for the emergence of spirits (musical and otherwise) through parted veils that will no longer conceal them. This year one such release is the debut album of the Italian band Araphel, a record named The Endchanter.
It has been an eagerly awaited release in these quarters ever since learning that Araphel‘s veteran lineup includes members of Into Darkness, Thulsa Doom, Black Oath, and Extirpation. The intrigue increased when we read that while the music is rooted in black metal (of varying shades), its themes depart from cliched tropes of the fantastical and instead delve into more human realities and realizations — “a critique of society and the dullness of our lives and rules we are forced to live by.”
We’ll share these further words from the press materials: Continue reading »