Nov 242025
 

(We present Daniel Barkasi’s review of a new album from the Swedish black metal band Ofermod, which was released on October 3rd by Shadow Records.)

Good old-fashioned, second wave, ritualistic, riff-centric black metal is a distinct sort of flavor profile that admittedly has been done many times; a particular sound that represents a sort of comfort zone to these ears. Those who purvey that sound were my gateway into a much larger and diverse universe of black metal, and when that feeling is captured and executed precisely, we’re all in. Enter Ofermod, the vehicle of the enigmatic Belfagor, who has cycled through a fair number of members throughout the years – especially vocalists. Through it all, however, the style has stayed remarkably consistent; a testament to Belfagor’s focused vision.

Albums such as Sol Nox and Mysterium Iniquitatis serve as the best examples of what Ofermod have to offer up to now, both being albums that are recalled when seeking this archetype of black metal. Now we have Drakosophia, with a new vocalist in tow in Adeptus (who is now a former member – more on that later), and the resultant is familiar and wholly satisfying. Continue reading »

Nov 232025
 

(written by Islander)

Greetings again on another Sunday, or whatever day it might be when you find your way here. Today’s collection is shorter than I would like it to be, because I have plans for the morning with my spouse that will take us out of the house, and I wasn’t able to spend much time pulling this together yesterday.

I’m beginning with an album released one month ago that I’ve been meaning to say something about for at least that long, and then following it with singles from two forthcoming albums that sound pretty exciting. Continue reading »

Nov 222025
 

(written by Islander)

I guess the word of the week is “piggy”, and not because Northwest Terror Fest announced yesterday that Piggy D will be one of the headliners at the May 2026 edition of the fest. In other news from the Department of Coincidence, we will post a review next week of an album by a band called Pigs Pigs Pigs Pigs Pigs Pigs Pigs.

I guess I’ve been piggy myself this morning, ravenously rooting through the trough of extreme metal that got filled up with new releases over the past week. Now engorged, here’s what I decided to vomit up for your delectation this weekend: Continue reading »

Nov 212025
 

(Given our DGR’s proclivities in musical taste it was just a matter of time before he got around to reviewing the debut album from Unaligned, which was released by Transcending Obscurity Records in September. And now’s the time.)

Fireworks are pretty much illegal in the glorious nation of California. Something about the state being a massive tinderbox in the spring and summertime thanks to our brand new, shiny, and totally not climate change related weather pattern of atmospheric river into complete and utter drought means that even the slightest butterfly fart has the risk of igniting Santa Monica and reducing it to ash. That’s not to deny that the appeal isn’t there, and a brightly colored explosion is immensely and undeniably fucking cool, to say the least.

But, if we cannot have our yearly culling of hands and other extremities by some of the less bright among the shedful of lightbulbs that is our populace, we can seek other ways to chase after that high. What about musically then? Perhaps that is why even though it has long ossified into its own form of genre, tech-death seems to hold on out here. From any source, all across the nation, we will more than happily absorb that wall of notes and pyrotechnic instrumentation. We are the one of the homes of the big ramp of the X Games after all, and what is tech-death if not the musical idea of lining up a whole bunch of fireworks all in a row, setting them off at the same time, and then launching yourself across a forty-foot gap while attempting to land some sort of trick?

Tech-death is the very existence of “why can’t it just be the big ramp all the time”. With subtlety now strapped to a rocket and launched into space, tech-death itself has been a vibrant home to foster all sorts of wild musical showmanship, and surprisingly, it still shows no sign of slowing down. The latest evidence of that comes to us from all the way across the country in Florida’s Unaligned and their September-released album A Form Beyond. Continue reading »

Nov 212025
 

(written by Islander)

Obviously, we host lots of premieres — almost every weekday. Our rule is not to agree unless we’ve first listened to what’s being offered and then come away pleased. There are exceptions, when we’re familiar with the band’s music or have a high degree of trust in whomever’s pitching the premiere. In today’s premiere a different and even more rare kind of exception became insistent: I thought the band’s name could have been a description of myself, and for almost that reason alone, I said YES, without hearing the song.

You can see the band’s name up there: Olde Outlier. I’d never heard their music before, for the good reason that they haven’t released any records yet. The forthcoming album that includes the song we’re premiering — From Shallow Lives to Shallow Graves — is their first one. When I read the pitch, I learned that their lineup makes them appear to be a continuation of an Australia band named Innsmouth, who split up after the 2014 release of their sole album, Consumed by Elder Sign. But since I never heard that album, the history didn’t mean much.

I usually find myself in accord with the choices made by Olde Outlier’s label and the label’s PR agent, so that provided a degree of confidence. And I was enthralled by the album’s cover art. But really, more than anything else, it came down to the band’s name. Maybe a flimsy reed to lean on in deciding to host this premiere, but it turned out to be no reed, but a stout trunk. Continue reading »

Nov 212025
 

(written by Islander)

For another year, our 16th overall, we’ve raced through the ongoing firestorms of heavy new music without being thrown off and trampled, and so it’s time to celebrate survival again.

On November 21, 2009, I made the first post at this blog (other than a 2-line placeholder thing on November 12th). On the 21st day of every November since then (except one year when I forgot to do it until a few days later) I’ve made a post commemorating our birthday. (If you’re curious to see how everything started, and what our starting goals and principles were, find that first post in 2009 here.)

In these annual posts I used to explain how I had no ambitions or expectations when I started the blog, nor any training or experience as a music writer, and that the sum total of my motivation was to create an enjoyable diversion for myself from the grind of daily life, and to indulge my burgeoning interest in heavy music. And there, I just did it again, albeit in fewer words than in some earlier years.

In these annual observances I also tended to reminisce about how many things about NCS have changed from the early days, and about how surprising it is to me that we’re still here. Some of you remember the early days, because you were here with us then. Others who have begun checking in here more recently might yawn if I indulged in that kind of nostalgia, so once again I’m going to skip that and get right into expressions of gratitude and the annual tradition of mind-numbing statistics. Continue reading »

Nov 202025
 

(Today we present Comrade Aleks’ wide-ranging interview of the very busy Russian musician and producer Vladimir Lehtinen, and we’ll let Aleks introduce it.)

Vladimir Lehtinen is a one-man army, as he has managed not only to rule one of the most prolific and exemplary Russian black metal bands, Second to Sun, but also stay as one of the organizers of an annual festival of extreme music known as T’ma Fest (Darkness Fest) and to keep on working as a sound engineer who has mixed and mastered dozens of metal albums.

Second to Sun remains Vladimir’s main outfit, and together with Theodor Borovski (drums) and the Sysoev brothers from cult bands Grima and Ultar, he manages to keep the balance between quality and the quantity of music he produces. The band’s most up-to-date release is the EP Thunderbolt, which you may have heard as it was out in February 2025; yet you need no special reason to make an interview with such a man, as Vladimir, being deeply involved in the underground, has a lot to tell. Continue reading »

Nov 202025
 

(Andy Synn presents another terrific trio of albums from the UK underground)

I’m going to level with you, I’m running out of time… I’ve got recording to finish off, my annual work review coming up, and then I’m off on my mini-honeymoon at the start of December… and I still haven’t properly started work on my yearly round-up of all the “Great”, “Good”, and “Disappointing” albums of the year.

But that’s not stopping me trying to highlight as many examples of the “Best of British” as I can before the year is out, and today I’ve got a killer mix of “blackened” Prog, Metallic Hardcore, and nasty Sludge that should appeal to a variety of tastes.

So, without further ado…

Continue reading »

Nov 202025
 

(Our site has had a long and warm relationship with the Canadian musician Seb Painchaud, whose year-end lists have always provided eclectic cornucopias of music for all of us to investigate. His band Tumbleweed Dealer released a fascinating new album way back in February of this year, an album that really needed the unusual voice of Vizzah Harri to express a review of it — which at last he has managed to do. It was worth the wait.)

Sometimes if we don’t carefully watch our daily intake of the ‘terribles’ online, it can seem a bit too much Everything Everywhere All At Once (warning, flashing images). It is good to keep oneself updated if any online life or profile exists because outside of our daily intake of horror, two pretty big leaks of personal data happened over the space of about 8 months. The Internet Archive (NPR link) was one, and on Saturday June 21st this one got confirmed too. It’s an AP link, not an attempt to hack you.

You won’t exactly need a machete to hack your way into the shadowy thickets of marshy vegetation when imagining the source material; but Tumbleweed Dealer’s album Dark Green pays tribute to one of the greatest pieces of fiction stemming from the 20th century, Swamp Thing.

Now that I’ve primed your frame of reference with the perils of the internet and mentioned horror at least once, well, Alan Moore is known amongst other things as having been the mind behind the resurgence of said comic book back in 1987. It is available to borrow or buy on the internet archives (it is probably safe by now) and Moore’s introduction to The Saga of the Swamp Thing has some passages that are worth sharing here for still being applicable in today’s climate, and also regarding the record being discussed: Continue reading »

Nov 192025
 

(written by Islander)

Based on photographs, Cesena looks like a pretty place. A small city of roughly 100,000 people, it’s near the Apennine Mountains in Italy and about 15 kilometres (9 miles) from the Adriatic Sea on the east coast of the country toward the north. Of course, like every other place in Italy it has an extensive history, and its old architecture reflects that.

Cesena is home to the genre-bending black metal band Sedna. They have a new album that will be released in two days by the Dusktone label. The name of the album is Sila Nuna, a compound word of ancient origin that means “Sky and Earth”. But the language isn’t one of the many that have been spoken over time in the area of Cesena, or anywhere else in Italy. And you probably can’t guess what that language is, because it is so unexpected. Continue reading »