Apr 282026
 

(written by Islander)

For nearly a decade we’ve been recommending the recordings of the Brisbane-based black metal band Graveir, and we’re doing it again today. Their discography to date has included a pair of albums — Iconostasis (2016) and King of the Silent World (2020) — plus an EP and a pair of splits. And now they have a third album named The Festering Triad that’s set for release on May 29th by Apocalyptic Witchcraft Recordings.

As their label has accurately described, Graveir’s music has proven to be “bleak, violent and uncompromising.” It’s capable of evoking fury, chaos, and degradation, but also creating mind-warping melodic visions that are unearthly and even mesmerizing but also profoundly frightening. And here is how Apocalyptic Witchcraft describes their new full-length:

The Festering Triad, their third album, is a bleak vision of societal decay and corrupted power. Across eight tracks, bile-fuelled aggression surges through anxiety-ridden drums, convulsing guitars, and serpentine basslines—forming a suffocating, venomous descent into rot.

What we have for you today is a startling sign of just how accurate that description is, a song named “A Futile Exhortation“, which arrives with a tremendous video that captures many of the album’s dire concepts. Continue reading »

Apr 282026
 

(written by Islander)

Masca is a new group that unites three long-time friends who have been involved in the Italian and international metal underground, with such names as Beheaded, Adversum, and Daemusinem on their resumes. They have recorded a debut album named Maskerie Filia Diaboli that will be co-released on May 22nd by Satanath Records (Georgia) and Underworld Echoes Records (Greece).

And beyond that we don’t have much other information to share about the band or the album, other than the labels’ recommendation of it for fans of Dark Funeral, Belphegor, Behemoth, and Immortal. That’s potentially useful in pointing the way to some kind of powerful amalgam of black and death metal, but we have a more immediate and tangible sign of what Masca have done through our premiere today of an album track called “The Perseverance of Sacrilege“. Continue reading »

Apr 282026
 

(Andy Synn has found another new favourite and would like to share it with you today)

Every single thing we’ve ever been taught was a lie
The truth we know is the history written by people with money meant to keep the poor weak and preventing us from breaking the barrier between classes
They created the illusion that this country is all powerful and untouchable
Creating the god complex in our minds and being forced to break habits we never want to admit we have
We’re witnessing it first hand
We’re witnessing the collapse of the infinite

This is how Colorado Metallic Hardcore crew Eyes of Salt introduce their debut album, Collapse of the Infinite.

So, obviously, if you prefer music that leans more towards escapism than activism this one may not be for you.

Continue reading »

Apr 272026
 

(written by Islander)

Five years after Le Cœur Bat (2021), and more than a decade after Un petit peu d’amour pour la haine, the genre-blurring French collective Non Serviam are returning with a third album named La Lune Dont Mon Âme Est Pleine, now set for release on June 12th.

The new full-length is described as “a symbolist concept album centered on the myth of Diana and Actaeon, exploring themes of the desire for the absolute, the violence it engenders, and the melancholy that follows.” And further:

Beyond the metamorphosed and tormented figure of Actaeon, the album also invokes Émile Henry, the late-19th-century French anarchist, as well as the apocalyptic goddess Kali, voiced by Mirai Kawashima (Sigh) in a powerful homage.

Those excerpts from the album’s press materials should create a sense of intrigue among listeners, even listeners who haven’t already been exposed to the shape-shifting musical nature of Non Serviam’s previous releases. They remain shape-shifters on the new album, and even more so, as you’ll discover from the new song and video we’re now premiering. Continue reading »

Apr 272026
 

(written by Islander)

From the standpoint of a listener the idea of a band like Norway-based Defect Designer taking their music to a higher level is a bewildering concept — because their music has been so continuously bewildering. They have used death metal as a laboratory for experimentation, with results that are eccentric, subversive, unpredictable, and dazzling.

For this listener (and I suspect for all their fans), Defect Designer’s music produces big smiles. Maybe they were smiling too when they named their new album Depressants, because it is a powerful anti-depressant, no prescription needed. At least based on early listening, it also comes across as their best work yet.

Yes indeed, they have found ways to take their music to a higher level, though how to linguistically define the unconventional countours of that new plateau is no easier than it has been in the past.

We’ve premiered songs from each of Defect Designer’s last three releases, and fortune has smiled upon us because today we get to do it a fourth time, linguistic challenges and all. Speaking of linguistic challenges, the name of the song you’re about to hear is “Scorching The Rival Pogonomyrmex Burrows“. Continue reading »

Apr 272026
 

(The Dutch metal extremists Soulburn will release their fifth album on June 12th through Testimony Records, and that created a good opportunity for our Comrade Aleks to check in with Soulburn co-founder Eric Daniels. A great discussuion ensued, and you can check it out below along with the album’s first two singles.)

Dutch extreme metal act Soulburn was born 30 years ago after the first disbanding of legendary death-doom aggressors Asphyx whose core members Eric Daniels (guitars) and Bob Bagchus (drums) taught a new lesson of extremity with the devastating debut Feeding on Angels (1998). Years passed, and Eric is the only original Soulburn member now, although his bandmates Twan van Geel (bass, vocals), Remco Kreft (guitars), and Marc Verhaar (drums) are hardened veterans of the metal underground too.

Honestly, I didn’t expect any surprises from the band’s new album Quantifying Cosmic Doom but more good old blasphemous extreme stuff, yet the album strikes me not only with its high technical quality but also with a much wider concept, both lyrically and music-wise. The album is scheduled for the 12th of June by Testimony Records, so be forewarned! Quantifying Cosmic Doom this way comes.

I was lucky to get this in-depth interview with Eric himself, and there’s no better way to learn more about Soulburn than to read it. Continue reading »

Apr 262026
 

(written by Islander)

Yesterday I riffed on how my plans for Saturday-morning NCS roundups can fall apart as a result of Friday-night adventures, even when those adventures don’t include self-immolation. Much the same could be said of Saturday nights and their occasional wreckage of Sunday mornings. This has happened again. I’ll spare you the details.

I also forgot that my spouse planned an outing by the two of us this morning. I tried to beg off, but she’s not having it, and I don’t have the strength to resist (it takes a lot of strength even in the best of circumstances). Coupled with my extensive over-sleeping, I just don’t have time to do very much with today’s column. The only reason I’ve done anything is because nature (even mine) abhors a vacuum (horror vacui!). Continue reading »

Apr 252026
 

(written by Islander)

Friday nights inexorably flow into Saturday mornings. There is also a cause-and-effect relationship between them. For many of us, Friday nights tend to be a time for “blowing off steam” after the work week, though my history of them has often been more like arson, with my own self as the target. Realizing through painful experience that I am not flame-retardant, I don’t ignite myself on Friday nights as much as I used to. But the cause-and-effect relationship persists.

Late yesterday afternoon my spouse and I began crossing the water to Seattle to attend a celebration of a friend and former colleague’s 10th year of recovery from being struck by a Seattle emergency vehicle through no fault of her own, an event that nearly killed her and inflicted a severe traumatic brain injury. Her long, gradual recovery defied all medical prognoses. She still has deficits compared to who she was before the accident, but looking back over the last 10 years, what she has achieved through pure strength of will has been astonishing.

It was a great gathering of herself, her family, and her friends, not just locally but from around the country. But we forgot about the ferry schedule, missed a 10 pm sailing back to where we live, and waited around the ferry terminal with a bunch of other exhaused and/or wasted people ’til the next one left after midnight. By the time I got home and to bed, the clock was not far away from 2 am. Continue reading »

Apr 242026
 

(written by Islander)

Brisbane-based Gutter Prince Cabal has established a reputation as a go-to platform for exposing the world to killer underground metal from Australia and New Zealand, and they’ll continue doing that in May when they present the debut of NZ’s Molosser. Here’s the vivid language they use in introducing the record:

Set for release on May 11, the band’s self-titled debut EP Molosser arrives as a full-frontal assault, an uncompromising barrage of aggression that wastes no time in establishing its intent. From the very first moments, the message is clear: rip and tear, kill and maim.

Built on muscular riffs, punishing rhythms, and an atmosphere of pure hostility, Molosser is a record that pulls no punches. Every track surges forward with unyielding force, carving a path through anything in its way. There is no restraint here, only momentum, impact, and the raw satisfaction of destruction.

We’ll have a tough time competing with those words in describing the EP track we’re premiering today, but of course that won’t stop us from trying! Continue reading »

Apr 242026
 

(written by Islander)

We heartily welcome the return of the Scottish death metal band Scordatura, whose music we’ve previously described as “a neck-wrecking, gut-churning, bowel-loosening bombardment of jagged riffs, technical twists, and gruesome, glass-gargling gutturals that floats like an atom bomb and stings like a beast,” and as “the kind of brutish and blistering treatment that our pathetic world so richly deserves.”

Six years on from their last album, the ruthlessly punishing Mass Failure, Scordatura have joined forces with Everlasting Spew Records to lead us into oblivion with a new full-length named… Led Into Oblivion… which we’re helping to announce today through the premiere of a video for the record’s brutally bombastic but also razor-sharp title song. Continue reading »