(DGR presents this Sunday’s Rearview Mirror installment, reflecting upon the metal of yesteryear.)
I have to confess that there was a moment in writing this when it occurred to me that I was going to have to justify enjoying Biomechanical’s last album. It was an oddly sobering thought, especially in the face of discs like Eight Moons and The Empire Of The Worlds, which are albums it feels like history looks upon more kindly.
The last time I sat down and took over the Rearview Mirror column for a bit, I found myself vouching for the idea of an album that is “half-good” — one of those discs that isn’t the strongest, but half of it really seems to be on to something and for that reason always sticks out in your mind. Since then, I’ve played with a couple of other ideas for Rearview Mirror posts in order to alleviate some of the burden on our glorious editor-person, but the half-good album idea has continued to gnaw at me, at least for another edition.