Feb 212018
 

 

I don’t know if I’ll manage to follow through, but my plan for today is to post two round-ups of new music, this one being the first. As the post title suggests, I carved these songs away from the others and pulled them in here because the vocals in each of them aren’t solely of the kind that would suit the (demonstrably porous) rule in our site’s title. That’s right (gasp), there are some clean-sung melodies in these tracks… combined in each song with harsh ones.

Of course, to my ears the tracks have many other things to recommend them or I wouldn’t have asked you to listen. But the varied voices in these tracks are part of what made them stand out to me.

AILS

In April of last year I came across and wrote about a song from a two-track demo by a Bay-area band named Ails, whose line-up included two former members of the sorely missed Ludicra — vocalist Laurie Sue Shanaman and guitarist/vocalist Christy Cather — as well as guitarist Sam Abend (Desolation, Abrubt, Scurvy Dogs), drummer Colby Byrn (One In The Chamber, 2084, Aequorea), and bassist Jason Miller (Apocryphon, Cretaceous, Phantom Limbs). At the time, Ails was in the process of mastering their full-length debut and were seeking label support — and they got it, to no surprise of mine or anyone else who heard that demo. Continue reading »

Mar 252017
 

 

This is the second part of a collection of short reviews that I began earlier today (here). The idea was to focus on new EP-length releases I had recently discovered and enjoyed, though the ones addressed below are substantial — all of them in the 24-to-26-minute range.

CAGE OF CREATION

The first release in this collection (III) is the final part of a trilogy of EPs by the Russian trio Cage of Creation. It was released on March 4th. I became enamored of it almost immediately, from the first ringing, scratchy notes, the burly bass line, and the dark chant in the opening track, “Act IX”. Continue reading »