Feb 042022
 

 

Today I must bring this list to an end. It’s not because I’m really finished — I have dozens more songs I’d like to add and write about. It’s because we’re now a week into February and I really ought to spend more time focusing on the songs of this year instead of yesteryear.

So, please do me a favor and hold your fire. I know I didn’t include some of the songs you’ve been waiting to see, and please don’t question how the hell I chose the ones I did include, at the cost of your own favorites, because it was anything but an organized, scientific, and well-thought-out process. I’m happy with what I chose, but easily could have chosen others.

That statement is as true of today’s final songs as all the ones that came before. I picked a few — okay, more than a few (though accompanied by fewer words and no artwork) — but in coming down to the wire I yielded even more to random impulse than probably ever before.

On Monday I’ll add a “wrap up” post that compiles everything on the list from eager beginning to anguished end, all in one place. And with that, here are the final choices, this time arranged alphabetically. Continue reading »

Aug 142021
 

 

Upon awakening this morning I gave some passing though to concentrating on one or two albums and trying to write something that might pass for a review or two. As you can see, the thought didn’t last long, and I instead dove back into the giant list of new songs and videos that had become the source of the giant two-part roundup I compiled yesterday. And that led to this further compilation… though it does include one album review after all.

CARCASS (UK)

“I’d describe this album as dad rock.” So says Jeff Walker about the new Carcass album, Torn Arteries. The song that premiered (here) at Rolling Stone along with an excellent animated video (created by created by the inimitable Costin Chioreanu), an extensive history of the band, and a very enjoyable interview of Walker, is definitely more of a rocking song than most others in Carcass‘ storied discography, but the song’s rapidly chugging riff, worming leads, squirming solo, and booming drums do get their hooks in the head. Moreover, Walker’s vocals are damned nasty, and there’s a devilish atmosphere surrounding the song as well. I like it! Continue reading »