Feb 042022
 

 

Today I must bring this list to an end. It’s not because I’m really finished — I have dozens more songs I’d like to add and write about. It’s because we’re now a week into February and I really ought to spend more time focusing on the songs of this year instead of yesteryear.

So, please do me a favor and hold your fire. I know I didn’t include some of the songs you’ve been waiting to see, and please don’t question how the hell I chose the ones I did include, at the cost of your own favorites, because it was anything but an organized, scientific, and well-thought-out process. I’m happy with what I chose, but easily could have chosen others.

That statement is as true of today’s final songs as all the ones that came before. I picked a few — okay, more than a few (though accompanied by fewer words and no artwork) — but in coming down to the wire I yielded even more to random impulse than probably ever before.

On Monday I’ll add a “wrap up” post that compiles everything on the list from eager beginning to anguished end, all in one place. And with that, here are the final choices, this time arranged alphabetically. Continue reading »

Oct 202021
 


Obscura and their rides…

 

I picked songs for six bands for this hump-day roundup, and all of them come with videos. I expect moving through this will keep you on your toes, or rock you back on your heels, because the tracks move in unpredictable ways from one to the next. I got thrills of different kinds out of all of them, and hope you will too.

As the post title suggests, I have an idea for a second round-up, which includes some recently released EPs. I haven’t started writing it yet, so I’m unsure whether I’ll have time to finish it for posting today, but if not, you’ll see it first thing tomorrow.

OBSCURA (Germany)

This latest track premiere from Obscura’s new album, which is delivered through a performance video, got my motor running in a big damned hurry. “When Stars Collide” is a turbocharged thrill-ride with glorious bursts of singing by Soilwork’s Björn Strid, the kind of song geared to set arenas on fire with its pyrotechnical fretwork and blistering drum attack, and the dual-guitar soloing is a big ear-worm too. Continue reading »

Nov 082020
 

 

I spent a joyful day yesterday, though I was rooted in front of the TV instead of listening to metal. But the good feeling carried over into this morning as I began listening to things, and in rapid succession found music that just seemed to fit together beautifully for this column. The arc of sounds as I’ve arranged them here was almost exactly the sequence in which I heard them, and I’ve kept it that way even though not everything here qualifies as black metal.

What made the experience even more thrilling was that five of the seven bands here were new to my ears (some of the music comes from debut releases).

STORMKEEP (U.S.)

I don’t have to spend a lot of time formulating words to describe Stormkeep’sGlass Caverns Of Dragon Kings“, because Jon Rosenthal did his usual excellent job in writing about it when Invisible Oranges premiered the track two days ago: Continue reading »