Sep 152026
 

(Our Denver-based writer Gonzo had an eventful summer, and reported on some of those events in our pages, but he now returns to reviewing and recommending albums — six of them released earlier this year.)

Well, fuck.

To say the past three months have been busy would be my own personal understatement of the year. Said months included, in no particular order: My wedding, three festivals, one World Cup road trip, one trip to North Carolina to see Acid Bath at a brand-new venue in Asheville, and other random adventures I’m somehow blanking on. June now seems like a blurry haze, July was like a metalhead’s paradise, and August was mostly spent recovering.

As a result, life forced me to break routines and generally fall behind on business as usual this summer. Among the normal routines I broke: Posting my usual monthly roundup here. And like any routine, once it’s broken, it’s hard to get back on the horse and continue riding. As it turns out, my will to write prevails.

But now that we’re about 75% of the way through 2026, it’s been quite the year for heavy music—much of which we’ve already covered here. The following five albums are some of the best I’ve heard during that stretch that still slipped through the cracks. Continue reading »

Feb 042023
 


Chat Pile – photo by Juliette Boulay

For this Saturday’s roundup I decided to limit myself to single new songs and videos released in just the last few days. The first is in support of a 2022 album, and the rest are advance tracks from records due for release in March or April. I feel pretty confident in saying that I’ll have more to recommend through a Shades of Black column tomorrow, though I haven’t yet decided what to put in it.

CHAT PILE (U.S.)

Chat Pile probably don’t need more help getting noticed. Last year’s God’s Country popped up on most of the year-end lists assembled by notable mags and sites that get lots of eyeballs on them. But the band’s new video for the song “Tropical Beaches, Inc.” doesn’t have half a million views yet, so that needs some help. Continue reading »

Aug 012022
 

 

(This is Wil Cifer‘s review of the new Chat Pile album, released last Friday, July 29th, by The Flenser.)

Perhaps this band from Oklahoma City once fit within the neat parameters of a metal subgenre. Then marijuana in their fair city was grown much stronger. Sure, aside from “medical use” the groovy green is illegal, but the sounds made on this album have been created by deeply troubled young men who must surely qualify at dispensaries. Even if they do not, metal is still the music of the outsider. An outsider is not just outside of social norms, but the laws of said norms are coughed at as well. Often with a red-eyed grin.

This band embrace their dark side, though from all the pot talk thus far you must imagine them to be on the wavelength of Sleep or Bongzilla. This is not the case. They are more abrasive than either and owe more to Black Flag than Sabbath. They are angry and put those feelings out on their instruments. Continue reading »