A FIRST TASTE OF CRYPTOPSY’S NEW ALBUM

 Metal News  14 Responses »
Aug 122012
 

I got an e-mail from Crypotopsy this morning. My pulse rate spiked, and so did my curiosity? Why, I wondered, was Cryptopsy writing me? And then I remembered.

I pre-ordered their forthcoming self-titled album — the album that I and every other Cryptopsy fan on the planet hopes will be a resurrection of the band who brought us None So Vile (1996) and other wonderful offerings over the following years — but who took a wrong turn with The Unspoken King (2008). And one of the perks that was to come with a pre-order was the chance to get a download of two tracks from the album in advance of its September 11 release date. And in that e-mail were codes for download of those two songs — which turn out to be the opening track, “Two-Pound Torch”, and the third one, “Red-Skinned Scapegoat”.

Well, of course, I dropped what I was doing and immediately downloaded the two tracks. I strapped on the patented NO CLEAN SINGING headphone-helmet with the built-in rawhide bit (to prevent biting through your tongue), the vacuum-seal goggles (to keep your eyeballs from popping out), and the forehead padding (to prevent skull fractures if you headbang your noggin’ straight into a wall or other inflexible surface). You see, I had my hopes up.

And I played those two songs. And then I played them again.  And then I listened to None So Vile.  And then I played the two new songs again.

And I’m here to report that Crytopsy are FUCKING BACK! Continue reading »

A WHOLE FUCKLOAD OF ALBUM RELEASE AND TOUR NEWS (AND A NEW GRAVE TRACK)

 Metal News, RANDOM FUCKING MUSIC  8 Responses »
Jul 112012
 

If you made your way through today’s earlier post about the first direct observation of Dark Matter, then you know we now have an official definition of “fuckload”: It’s a number that’s equal to the number of miles in 18 megaparsecs, which is (yes, I finally did the math) 1,126,656,000,000,000,000,000. Conveniently, that’s about 1.1 sextillion of whatever you’re counting, which is why it makes so much sense to just call it a fuckload.

And today there was a fuckload of news about forthcoming albums, with album art and release dates and such, plus a press release about a hellacious new tour. I don’t have time to write about the entire fuckload of news items, so I’m just going to pick the four that got the most “fuck yeah’s!” in a random survey I did of myself.

The bands in question are: Hooded Menace, Eyeconoclast, Cryptopsy, and Obituary.  And then at the end, I’ve got a new song from Grave’s next album, because we always have to have the musics.

HOODED MENACE

We’ll start this fucker off with Finland’s Hooded Menace. Today it was announced that their first album for Relapse Records, Effigies of Evil, will be released on September 11 (it can be pre-ordered in a variety of formats and bundles here). David D’Andrea did the album cover, which is cool. Relapse describes the album as “combining the grooving riffs of Black Sabbath and early Cathedral with the fire of classic Autopsy and Asphyx”. Fuck yeah. Continue reading »

CARNIVOROUS MUSIC

 RANDOM FUCKING MUSIC  3 Responses »
Apr 192012
 

This photo seemed appropriate for this post. (Thanks to Alfonso for sharing it on FB.) It’s a pic of what two fishermen pulled up in their net from Mexico’s Sea of Cortez on Sunday. Fortunately for them, it was already dead. This Great White shark measured almost 20 feet long and weighed an estimate 2,000 pounds. It took 50 people to help pull the carcass ashore. More details can be found here.

And that’s about all the introduction I can afford for this post, except to say that I’ve rounded up a bunch of new flesh-eating music and am throwing it at your head. Here’s what I caught in my net, in no particular order:

New videos from Cryptopsy (Canada), Fester (Norway), Mordbrand (Sweden), and In Mourning (Sweden), plus new songs from Carach Angren (The Netherlands) and Antigama (Poland). That ought to hold you . . . and eat you. (To learn more about each band, click on their names.) Continue reading »

CRYPTOPSY

 Metal News, RANDOM FUCKING MUSIC  4 Responses »
Feb 062012
 

Most serious death metal addicts I know rank the early albums of Montreal’s Cryptopsy (recently inducted into DECIBEL’s Hall of Fame) among their personal favorites, especially None So Vile (1996), recorded at a time when the “classic” Cryptopsy line-up was in place — vocalist Lord Worm, Jon Levasseur on guitars, Flo Mounier behind the kit, and Éric Langlois on bass. But I doubt I’ll get much argument when I say that more recent albums — and especially 2008’s The Unspoken King — have greatly disappointed the band’s long-time fans.

The band’s musical decline (at least compared to their early glory days) can be traced to Levasseur’s departure in late 2004. He left, and we got Once Was Not (which was not all bad, in part because Lord Worm was back in the fold, briefly) and The Unspoken King (which just plain didn’t measure up to this band’s legacy).

Well, the great circle of life spins, or some shit like that, and Jon Levasseur is now a Cryptopsian again (since May 2011). My fairly simple mind fairly boggles at the contemplation of what he and co-guitarist Chris Donaldson are going to cook up for the band’s next album. Neuraxis bassist Olivier Pinard replaced Youri Raymond (who replaced Langlois last year), and he will be strong, and of course the paranormal Flo Mounier will continue to be his otherworldly self. And then there’s vocalist Matt McGachy, who will ne’er replace Lord Worm in the hearts of the Cryptopsy faithful, but he’s really not bad, and in any event he will be overshadowed by the instrumental extravagance of his bandmates.

And speaking of instrumental extravagance, after the jump, I have a few tastes of what we have in store for our greedy selves from the “new” Cryptopsy, plus a few more morsels of news about the next album. Continue reading »

[INSERT NAME] SCREAM.COM

 RANDOM FUCKING MUSIC  28 Responses »
Dec 172011
 

So, this new Metal Injection-conceived web page called Tom Araya Scream has been making the rounds of the interhole since it appeared yesterday. It’s a clever idea, and if Slayer is, like, still your favoritest metal band ever, dude, SLAAAAAAAYER!!!! (while throwing two-handed horns), then you’ll probably be punching this button on your smartphone all weekend to get a few seconds of Tom Araya’s tinny scream.

However, if you’re to the point in your metal-listening life (as I am) when this scream has begun to sound sort of . . . what’s the word? . . . anemic? . . .  by comparison to the kind of really ugly, vicious, bile-vomiting screams and roars you really enjoy, then Tom Araya Scream is more useful as a template for something . . . better.  And no, I’m not talking about Bruce Dickinson or Rob Halford.

Like, how about Lord Worm Scream . . . such as the vein-exploder that starts at about the 3:45 mark of Cryptopsy’s classic “Open Face Surgery”?  (after the jump) Continue reading »

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