Oct 222026
 

(At the beginning of this week we hosted the exclusive premiere of one of the year’s best albums, Indecent Idols, by the German epic doom band Fvneral Fvkk. And now, on the day before its release by Dying Victims Productions, we present our Comrade Aleks’ interview with two of the band’s members.)

The first full-length album from the German epic doom brethren Fvneral Fvkk was released in 2019 via Solitude Productions. On their debut, Carnal Confession, the four-piece — whose members are also largely active in the Hamburg-based death-doom outfit Ophis — tackled the issue of child abuse by representatives of the Catholic Church. Fvneral Fvkk emphasized that they are not an anti-Christian band; they do not critique Christian dogma or faith as a whole, but rather specific manifestations of the Church as an institution.

Given this approach, doom metal — a genre arguably closer to liturgical or ceremonial music than to extreme metal — was chosen as the most fitting vehicle for critiquing the Church’s documented crimes. While the band’s name itself embodies a form of dark satire, their follow-up, Indecent Idols, continues and further develops the melodic richness and solemn emotional depth of the debut.

I approached Fvneral Fvkk for guidance, and Decanus Obscaenus (guitars) alongside Cantor Cinaedicus (vocals) answered my call. Continue reading »

Oct 192026
 

(written by Islander)

We have been avidly following the towering epic doom progressions of Fvneral Fvkk since their first release in 2017 (the Lecherous Liturgies EP). In considering that EP, after first wondering whether it would be a serious undertaking in light of the band’s name, we wrote:

[T]his music is no joke. The largely mid-paced songs are really well-written, anchored by intensely seductive melodic hooks. They’re also plenty heavy, undergirded by a potent rhythm section (you can almost feel those drum strikes gradually cracking your skull like a car windshield crazing under the blows of baseball-sized hail). Compulsive headbanging is the order the day, except when it’s time to crawl like someone who’s suddenly lost the use of his legs, with an anvil on his back.

Apart from those sensations, the band’s lyrical themes further strengthened their appeal in these quarters. Although the music was presented with an often-ecclesiastical solemnity and grandeur, the band’s purpose was to expose and scorch the depravity of the clergy and the “black-robed pedophile ring” many of them have run under the auspices of the Church (to quote from this very interesting and highly informative 2020 interview at our site).

They continued that mission in their 2019 debut album Carnal Confessions, which our Andy Synn named to his year-end Critical Top Ten list, calling it “without a doubt one of the most brilliant albums of the year.”

Sadly, the band didn’t release any new music for quite a long time after that full-length debut. Happily, we now have a second album from them, this one named Indecent Idols. It will be released at the end of this week by Dying Victims Productions, but down below you’ll be able to stream the whole thing today. Continue reading »

Oct 162020
 

 

(We welcome back Comrade Aleks, who has brought us a long-gestating but highly engaging interview with Frater Flagellum, drummer of the German epic doom band Fvneral Fvkk, and we thank him for his time as well.)

Probably there’s still an intrigue for those who skipped Fvneral Fvkk’s debut full-length Carnal Confessions (released on the 27th of September, 2019). What does a band with a name like this play? Death’n’thrash? Blasphemous black metal? Or its punkish version?

Actually, this outfit from Hamburg preaches epic doom metal with texts focused on modern Catholic crimes against children, but I bet you’ve heard about them despite your musical preferences because Carnal Confessions was one of most noticeable albums of this kind for the whole of 2019.

Fvneral Fvkk has remained a quartet since 2015, and although session musicians have joined their live masses, the core lineup has been the same since then: Cantor Cinaedicus (vocals), Vicarius Vespillo (bass), Frater Flagellum (drums) and Decanus Obscaenus (guitars). The band’s members tend to keep their personalities incognito, though it’s well-known that there are members of Crimson Swan, Fäulnis, and Ophis in the band. Not a big secret then, right?

This interview was started 11 months ago or so, but things happened as we know… However I need to thank Frater Flagellum for the time he spent on answering all of this, it’s much appreciated – God speed you on, oh good Frater! Continue reading »

Jan 252020
 

 

If past is prologue, some newcomer will see this post and go, “LOL — there’s clean singing in these songs!”, ignorant of the fact that from the very beginning of the site more than 10 years ago we’ve made exceptions to the “rule” in the site’s title where the exception is well-earned — and these three songs earn it.

Know-it-all newcomers may also point out, as if I didn’t know, that these songs aren’t really “extreme metal” either. But as these annual lists have gone on, also for 10 years, I’ve allowed myself some flexibility in my adherence to the title I chose for the them, in part as a way of providing a bit more breadth in the scope of the list as a vehicle for remembering all the good things that the preceding year brought us.

Of course I’ll quickly add that this Part of the list is just that — an exception in both respects, as you’ll understand if you check out all the preceding Parts (which you’ll find collected here). I’ll further add that it probably won’t be the last exception before I finish the list this year.

And with those observations behind me, let’s venture forth into the grand halls of doom…. Continue reading »

Jan 302018
 

 

We’re coming down to the wire, and I’m in a frantic state of mind. I’ve now firmly decided to end this list on January 31, but I realized this morning that January 31 IS TOMORROW!!!

I spent hours yesterday afternoon and last night listening to many of the remaining candidates for the list, and reached the conclusion that I have to double-down on these posts. In other words, there will be two installments of this list today and two more tomorrow, and each one is going to include a lot of songs.

This one, as forecast by the title of the post, is devoted to Exceptions to Our Rule (the one in the site’s title). I’ve done this before in previous years, and have already named a few songs to the list this year that include clean vocals. There are some beautiful voices in this post, and a lot of highly addictive music as well (of course). Continue reading »

Aug 262017
 

 

I’ve been in this situation more than once, and maybe you have too: I’m hanging out listening to music with people who don’t have much interest in metal and don’t know much about it (though everyone seems to have heard of Metallica), but they’re trying to be polite, so they ask if you’d like to pick something for everyone to listen to, in between whatever they’re playing.

I was in this situation last weekend, which is why I’m thinking about it. It wasn’t the first time, it won’t be the last. I don’t always come up with the same answers. It’s usually whatever pops into my head first. But either consciously or subconsciously, I’m usually thinking about catchy riffs, infectious rhythms, and melodies that people can latch onto fast. It’s usually tempting to steer clear of harsh vocals, but sometimes I just don’t give a fuck about that. Depends on the company I’m keeping and my own mood. Continue reading »

Jul 122017
 

 

I’m showing rare restraint in this round-up. Rather than try to stuff 8-10 new things into one bulging post, which my gluttonous self has a habit of doing, this time I’ve just picked four new things. Following this new, but probably short-lived, format, my plan is to scatter more of these shorter round-ups over the remaining days of this week, too.

GODHUNTER

Back in May we had the pleasure of premiering an unusual song named “Cocaine Witches & Lysergic Dreams” off the band’s new EP, Codex Narco, which has now been released. The whole EP is as hard to pin down as the song we premiered, and that’s one of its many attractions — the creative and unexpected splicing together of disparate musical elements, along with the strong emotional force of the songs, is a big part of what makes Codex Narco stand out.

One of the tracks on the EP is a cover song, Godhunter’s take on “Walking With A Ghost“, which was originally recorded by Tegan & Sara. I also mentioned that the song would eventually become the subject of a music video made by Mitch Wells from Thou, and that video was finally released yesterday. It’s the first item in this collection. Continue reading »