(DGR turns in this review of the new album by Bavarian grind merchants Genocide Generator.)
This one took a bit to review. Not because there was some conflict or confusion as to how Genocide Generator did things, but mostly because III is an album that does almost exactly what I was hoping the band would do after their debut album I — you’ll note, there’s no II yet — which was to double-down on all of the elements they had used to make their first disc.
I was hoping they would double-down on the speed, on the grind, on the usage of electronics, and on the heaping helping of just outright absurdity that they splattered over the top of everything. And that’s what they did on III. So if you can remember way back to the olden horse-cart days of the internets and our review of I, and if you enjoyed that, then III is perfect for you. What took a while with III, though, is that since the self-described “grindustrial madness” band doubled down on everything, it’s hard to pontificate about much with the disc. And it also raises a few interesting questions.
One question is that since the band have so much fun inserting dumb sound effects and cranking on random electronic noise to go along with the high-speed adrenaline rush that is their music, how does one possibly review grind like that? How does one talk about grind that takes on an almost carnival-like atmosphere with its big-top bombast and the joy of how anarchic some of the songs become? How do you review an album of grind that sounds like it was made for a funhouse?