Apr 032019
 

 

(Here’s DGR’s review of the new album by the Italian extreme metal band Hiss From the Moat, which was released by Salem Rose Music and M-Theory Audio on February 22nd, and features cover artwork by Stefano Bonora.)

The family tree of the hyper-blasting death metal groups from Italy is a densely populated series of branches that seem to spiral every outwards with a tremendous number of offshoots and tied-together snarls that could make fractal patterns jealous.

This specific region and genre have found more musicians crossing paths than might even be initially obvious. Hiss From The Moat‘s branch of the tree has always been a strange outlier, taking their genre’s penchant for near-relentless and precise brutal death metal and combining it with the heavy atmospherics and low-tuned guitar batterings of blackened death metal — like a latter day Hour Of Penance crashing headlong into Apostasy/Evangelion-era Behemoth. Continue reading »

Jan 312014
 

This is a collection of new songs and videos I discovered over the last 24 hours. Some of it, but not all, is black metal. I’ve used that “Shades of Black” label again because there’s a lot of dark, malevolent power in all the music — and a lot of evil fun to be had, too.

LOATHING

I heard from this Polish band two weeks ago, with the news that their debut album We Are the Hunt was set for release on January 20. I dicked around and failed to pounce on it, but yesterday I did discover both a lyric video for “Warspite” and a second song from the album, “I Rot Inside”. They’re both supremely good, and although I’m now very interested in hearing the whole album, I’m so behind in writing reviews that I at least wanted to make sure I said something about these two songs.

I suspect that many Polish death metal bands get tired of being compared to Behemoth or Hate, or maybe they’re flattered? I do mean to flatter Loathing with those references, although I don’t mean to suggest they sound exactly like either of those other magnificent bands. Their music does convey a similar kind of demonic majesty, the huge booming riffs and spine-shaking drum beats thundering with titanic might, the occult melodies writhing like freed serpents, the deep vocals roaring with malignant power (and howling with passion in the second song). Continue reading »