May 072020
 

 

I know I’m damned lucky to still have a job when so many people have been thrown out of work, but the job has been annoyingly intrusive lately. And by “intrusive”, I mean that it unexpectedly interferes with my grand ideas for NCS posts. This post, for example, is grand and gargantuan, but the job that pays me has delayed its appearance and constricted my time to the point that I’ve had to strip away most of the writing I had in mind. I’m cognizant of the likelihood that depriving you of my complete thoughts will cause widespread weeping.

As the title signifies, I decided to make this round-up death-centric — but there are lots of flavors of death metal represented here and different directions being pursued. I might have figured out a good way to order the flow, but didn’t have time to think about that either. So, just be prepared to bounce around.

I THE INTRUDER (Tunisia)

“Check this steamroller. Nasum-like grind with choppy tech riffs to break things up. Complete barbarian war vocals. From Tunisia. What the hell, Omination, Ayyur, and now this….” Continue reading »

Aug 172019
 

 

It would have been better if I had managed to get a round-up done for yesterday, because fewer people visit NCS on Saturdays than on any other day of the week. Which makes it even more puzzling that I’m planning to present a two-part collection of new music on this Saturday, on top of Andy’s latest Waxing Lyrical interview. It’s not a rational plan, but I can’t help myself.

It happened that most of the music I wanted to recommend today lined up under the giant banner of death metal (though black metal is also in the mix), hence the title of this post rather than the usual “Seen and Heard” moniker. Part 2 (which might have to wait until tomorrow) will include a new album which surfaced yesterday in full, and caught me by surprise, as well as a few other recent selections. There are some surprises in Part 1 too.

PUTRESCINE

Former NCS scribe Joseph Schafer pointed me enthusiastically to the first item in this collection, the just-released debut EP of Putrescine, who claim their inspirations from “the great works of Carcass, Morbid Angel, and the modern hellworld that is the political landscape”. Countless bands have been influenced by Carcass (early Carcass in this case) and Morbid Angel, but this San Diego trio immediately stand out from the pack. Continue reading »