Jul 222015
 

In Dread Response-Heavenshore

 

(We premiere a full stream of the new album by New Zealand’s In Dread Response, with the following introduction by TheMadIsraeli.)

Melodic death metal and metalcore have been intersecting with each other for quite a while now. I’ve been a proponent of the idea that this has mostly produced mediocre music that should be of little interest, often resulting in little more than watered-down melodic death metal with clean pop vocals, riffing that lacks any technical edge, and a boring breakdown here and there. But In Dread Response have always consistently done it right, taking exactly the best aspects of both styles. The technical edge, ferocity, and speed of melodic death metal are in play, combined with metalcore’s emotive sense of melody, energy, and a vocal style that comes off as more emotionally charged. Think of early Killswitch Engage with Jesse Leech, except IDR are definitely about the more ferocious aspects of heavy music. And there are no breakdowns or clean vocals to be found here.   Zero.

Heavenshore is the band’s third album, and their best. I’ve not heard metal of the melodic sort this emotionally charged or this vicious in a long time. It’s also one of the few instances in which I truly feel an album is “perfect”, in the sense that there is no filler on it. Every song is distinct and equally great, and I never have an urge to skip to the next track at any point. This is as repeat-listenable as Alive Or Just Breathing or Slaughter Of The Soul, and I’ve been treating it as an album of like prestige since the IDR guys sent me the promo of it. Continue reading »

Jul 102015
 

Arphael-Ambigram

 

(TheMadIsraeli provides this introduction to the music of Arphael.)

So I’ve been trying to catch up on reviews I meant to have done months ago, and it just isn’t happening because I keep finding absolutely stellar musical discoveries and we keep getting promos I’ve been anticipating. This album, however, is from last year, by a lone Ukranian man whose name is unknown. Arphael is the alias of the project, and it is one of the most unique and badass slabs of titanic rib-cage crushing brutality I’ve ever heard. Ambigram is a gem from last year that somehow just got criminally ignored.

Now what does Arphael do? That’s really hard to articulate. It’s technical death metal, it’s djent, it’s industrial, it’s garage black metal cheesy cheap keyboards and vocals buried in the mix. The ultimate sound is otherworldly, alien, and completely disorienting, especially since the song-writing takes a tech-death leaning of lots of sections and lots of tempo changes. It’s also completely unrelenting. There isn’t a whole lot of breathing room in the hour or more’s worth of music; for some, listening to Arphael will be a genuinely exhausting endeavor. Continue reading »

Jun 232015
 

 

(TheMadIsraeli reviews the new album by Cut Up.)

There are a few death metal bands that just instantly turn me into a foaming-at-the-mouth violent super-brute — Hail of Bullets, Vader, and Bloodbath. Those bands are the epitome of no-bullshit consistently killer riffs, consistently savage speed, consistently relentless songwriting, and consistently skeleton-crushing grooves. Join Cut Up to that group.

Cut Up are a band who have a lot of pedigree due to the backgrounds of the members, and it shows. Forensic Nightmares is the most perfect death metal album I’ve heard this year, and it too turns me into a foaming-at-the-mouth violent super-brute at heart when I listen to it. Continue reading »

Jun 222015
 

 

(In this post TheMadIsraeli returns to NCS with a review of the new album by Dagoba, which is being released today.)

I’ve ALWAYS liked Dagoba. I’ve always seen them as a metalcore band, and one of the best and few worth listening to who’ve put out material in the last ten years. Their brand of the standard metalcore formula mixed with symphonic bombast and industrial precision has always really stood out, always sticking to a hefty, bruising attack. Tales of the Black Dawn isn’t really a dramatic departure, but it’s definitely the darkest and heaviest record they’ve done yet. I’m really digging what’s going on here. Continue reading »

Apr 222015
 

 

(TheMadIsraeli introduces our premiere of another new song from the forthcoming album by Mendel, the solo project of Aborted guitarist Mendel Bij de Leij.)

Time to serve up another tasty morsel courtesy of Mendel. His new album Oblivion is coming soon and it’ll blow you away. We premiered the first single “Discover” earlier (here), and now we bring you the second track, “Horizon”.

This song is more of a display of Mendel’s riff-writing capability. This song lacks any notable lead playing, and instead is a technical riff showcase. There IS a solo in this song, but it’s a sax solo and it fits quite nicely with what he’s got going on. Let us know what you think. Continue reading »

Apr 132015
 

 

(TheMadIsraeli introduces our premiere of a song from the new album by Mendel, the solo project of Aborted guitarist Mendel Bij de Leij.)

Mendel, as some of you may be aware, is Aborted’s current lead guitarist.  For a while now, he’s also been doing guitar-centric instrumental solo material that is quite good, and for me has been elevating him into the ranks of players like Jeff Loomis and Paul Wardingham.  He plays a purely neoclassical style of metal drenched entirely in modern aesthetic, which puts a new spin on this approach to guitar exhibitionism.

The guy not only has chops, he has phrasing, borderline poetic, and knows how to write a central motif unlike many others I’ve ever heard.  His new album Oblivion will be released May 17th, and we’ll be streaming it on or before that date.  Today, I’m presenting the first single, the album’s opener “Discover”. Continue reading »

Mar 242015
 

 

(TheMadIsraeli introduces us to a band from the Detroit area named Fell Ruin.)

I found out about Fell Ruin through the vocalist from a Michigan band we’ve covered here, Scorned Deity. Brian Sheehan hit me up, wanting me to check out another project of his who’ve finally gotten to release their first bit of music after some time. I love Scorned Deity, so I thought I’d see what he was doing with Fell Ruin.

Fell Ruin are definitely worth your time. I can’t quite describe what they do, but in an attempt to give you an idea, I’ll say it’s basically blackened death grind doom sludge? I don’t even know. It’s riveting stuff though, and savage like a pack of feral hyenas. Continue reading »

Mar 182015
 

 

(TheMadIsraeli provides the following brief introduction to our premiere of the new EP by Tennessee’s Animality — with a link to a free download of the music.)

We posted a premiere of a song by these Tennessean tech death/deathcore bruisers a bit back, and I’m proud to present not only a stream, but a free download of their newest EP. It’s a self-titled one, and I think you’ll really enjoy it. It’s three songs of purely merciless bludgeoning, and Animality are particularly gifted at administering this kind of punishment. I hope you enjoy. Continue reading »

Mar 182015
 

 

(TheMadIsraeli reviews the new album by West Virginia’s Byzantine.)

Anyone who could get to sit down and have a real, lengthy chat with Chris “OJ” Ojeda would quickly learn that the dude is one of the coolest cats you could have the pleasure of talking to. He’s still got a youthful passion for metal, as if he hadn’t aged from his teenage years at all. I remember back in the early/mid-2000s a marketing term being thrown around, the meaning of which I was never sure of: “working man’s metal”. If you take the words literally, Byzantine are certainly that. For OJ, music really has been the thing he gets to indulge once the rest of life is taken care of. Yet Byzantine’s music is one of the most compelling cases for the argument that some of the best metal is written when it’s not created with careerist intentions.

Normally, I would have been afraid that To Release Is To Resolve wouldn’t stack up to the band’s previous work. They lost two members who contributed a lot of touches that made the band: Michael “Skip” Cromer’s bass playing and back up vocals were gone, as was Tony Rohrbough, one of my favorite guitarists of all time and a hard-to-replace identity in the lead guitar slot. However, I didn’t have that hesitation, because since my introduction to Chris when I reached out to him concerning my retrospective of their discography, I learned that Ojeda is, in many respects, Byzantine incarnate. This is his baby, and he wouldn’t allow it to stagnate or put out material that wouldn’t be up to par. Continue reading »

Mar 092015
 

 

(TheMadIsraeli introduces our premiere of a new song by Animality from Nashville, Tennessee.)

Going to make this short and sweet to accommodate our humble editor getting ass-slammed by work.

This is Animality.  They are from my home state of Tennessee and perform some downright bestial bloodthirsty technical death metal/deathcore.  You are about to hear “Bloodspatter Brainmatter”, the first single from their upcoming EP and I’m proud to present it to you and hope you’ll dig it. Continue reading »