Mar 192021


(We present Comrade Aleks‘ interview of two members of the superb death-doom unit Rotting Kingdom from Lexington, Kentucky, whose debut album was released one year ago by Godz Ov War Productions.)

A year ago Godz ov War Productions released a debut full-length album A Deep Shade Of Sorrow by the Kentucky-based band Rotting Kingdom. The album got quite a lot of positive feedback, and it seems to have been the obvious reaction to clear and artistic old school doom-death (with a noticeable emphasis on the second). First-class growling, a truly grim sound with lots of weight and melody, and tangible macabre passion mark this material, making the album a remarkable journey into the absolute ruin of Rotting Kingdom.

Brandon Glancy (drums) and Chuck McIntyre (bass) guide us to the Kingdom’s heart. Continue reading »

Sep 122017


We have some history with Tombstalker, starting with a post back in 2012 about metal in Kentucky (here), following that the next year (here) with a review of their self-titled EP, and then including some commentary in 2015 about their fine and ferocious debut album Black Crusades. And here we are, two years later, gleefully helping spread the word about a new Tombstalker EP named Chaotic Devotion.

This latest offering is a two-track electrocution set for release by Boris Records on September 19 as a 7″ vinyl and as a digital download, and it’s a hell of a ride. Continue reading »

Jul 022015


I haven’t compiled one of these round-ups in three days, and so of course I’m now awash in news, new music, and new videos that I think are worth your time — too much to stuff into one post. Rather than become paralyzed with indecision about what to foist upon you now and what to save for later, I drew names out of a hat. Here’s what emerged…


Thanks to a tip from Grant Skelton, I saw yesterday’s announcement that Finland’s venerable and venerated Skepticism have a new album named Ordeal set for release by Svart Records on September 18. For me, the band’s performance at this year’s Maryland Deathfest was one of the event’s true high points, so I could hardly be more thrilled about this news — especially since seven long years have passed since the band’s last full-length.

And to add even more intrigue, the band recorded the new album live before an audience on January 24th at Klubi in Turku, Finland, and captured the performance on film. Continue reading »

Aug 302013

(NCS supporter Black Shuck answered our call for guest posts with the following review of the debut EP by Tombstalker from Lexington, Kentucky.)

Hello, boys and ghouls. You may or may not remember, but a year or so ago I wrote a little piece on bands from Kentucky. One of those bands was named Tombstalker, and I’ll be reviewing their self-titled EP for you today. So sit back, relax, and enjoy as I fling my poo at the keyboard, much like the noble chimpanzee, and call it writing.

I included a stream of the EP in last year’s write-up, so if you listened to that you’ll have some idea going in of what this band sounds like. If you didn’t listen, or if too many nights sitting at home drinking to forget have erased most of your long-term memory, this will be a somewhat more in-depth look at the record.

Tombstalker are a mix of extreme metal and hardcore punk, describing themselves as “hammer crushing death crust.” While Anton Escobar’s vocals run mid- to low-range, which could be indicative of death metal influence, the EP has much more of a black metal feel to me. I mentioned their “grimy” atmosphere in the earlier piece on them, and coming back to this record a year later, that is still a large part of what makes it for me. The production is suitably low-fi; while not quite as stripped down as, say, early Darkthrone, it still doesn’t really look like they bothered with any sort of sleekness or polish, which is absolutely a strength of the album. Continue reading »

May 222012

(NCS reader Black Shuck, who has introduced us to some great bands in the past, does it again in this guest post.)

Since I left home to get my edjumucation and make my way in the wide world, I’ve been very fortunate to have lived in places with good local metal scenes. I’ve previously written (here) about two bands from my college town (Ashes of Avarice and Awaking Leviathan), and two others from the surrounding area have also been featured here (The Horde and A Hill to Die Upon). I graduated from college about a year ago, and am now doing grad school in Lexington, Kentucky. I didn’t expect there to be any kind of metal scene when I moved here. I grew up in West Virginia, two hours away from Lexington, and aside from Byzantine, Appalachian Terror Unit, and one slightly insane security guard I knew at one of my jobs there, the place wasn’t exactly a hotbed of metal activity. So I wasn’t expecting a whole lot from the neighboring state.

I was quite wrong. There is most definitely a scene in Lexington, full of talented musicians dedicated heart and soul to metal. Here are three bands who kick quite a bit of ass.


Taking a page from the playbooks of some of the better re-thrash bands like Lazarus A.D. and Warbringer, Theories of the Apocalypse (shown above) showcase some pretty excellent riffing. I’ve seen them play about four times now, and each time I wake up with a sore neck the next morning. If there’s one problem thrash has, it’s that it’s repetitive to the point of being boring, but Theories manages to keep things interesting, combining traditional thrash riffs with earwormy little licks that will please your brain even as it’s rattled around from the headbanging. Continue reading »