SHOW REVIEW: BE’LAKOR, PERSEFONE, ORPHEUS OMEGA (MELBOURNE, OCT. 11, 2025)

 Concert Reviews  No Responses »
Oct 152025
 

(Australia-based NCS contributor Tør was lucky enough to see the Melbourne stop on a recent short tour by Be’lakor, Persefone, and Orpheus Omega, and he sent in the following report, accompanied by his photos of the show, in black and white below.)

I enter The Croxton Bandroom in Melbourne on a cool early spring evening, fashionably late. The recuring infection in my left ear has just flared up, and my tolerance for nonsense is at an all-time low.

As soon as I clear the ticket counter, I am greeted by Melbourne’s Orpheus Omega who are blazing through their set. What’s on display is Australian melodic death metal at its finest: solid riffs infused with clever use of keyboards and sweeping melodies. Frontman Chris Themelco navigates the guttural and clean passages with expertise and manages to engage the crowd in the process. The band’s latest release, Emberglow, will undoubtedly please traditional melodeath worshippers as well as those who dabble in the more symphonic end of the spectrum. Continue reading »

AN NCS INTERVIEW: STEVE MERRY (BE’LAKOR)

 Interviews  1 Response »
Oct 062025
 


Photo Credit: Oli Sansom

(NCS contributor Tør last appeared in our shredded pages during the depths of the covid pandemic, but he rejoins us today from Australia with a very extensive and interesting interview of keyboardist Steve Merry from the Australian progressive/melodic death metal band Be’lakor following completion of their recent North American tour and just a few days away from the band’s three-date tour of Australia with Persefone and Orpheus Omega. We’re grateful to both of them for all the time and thoughtfulness they devoted to this discussion.)

NCS: Years ago when I was still in the US, I was always looking forward to you guys doing a US tour. So, that’s where I want to start because it kind of relates to me personally, but also just knowing that the tour landscape in the US is logistically so brutal. There’s a lot of travel involved, it’s a different culture, there’s gear challenges, and lots of other things going on. So my first question is, how did it go for you guys? Did it live up to your expectations?

SM: Well, firstly, I hope you’re coming to our Melbourne show, we’ve got you on the guest list.

NCS: Yes, I am!

Continue reading »

THE ISOLATION DIARIES (NO. 3)

 Off Topic, RANDOM FUCKING MUSIC  2 Responses »
Nov 242020
 

 

(Our Atlanta-based contributor Tør returns to NCS with the third edition of a series that began here in August and continued here in September.)

It’s official: I am in I-don’t-give-a-fuck-anymore mode. Between quarantine, social distancing, and Covid-induced madness, I’ve managed to stay above water but barely. Like most of us, I miss going to shows, hanging out with fellow metalheads, having a beer or two, and getting my ears blasted with hellish riffs in some smoke-filled, damp shithole in the sketchy part of town. As Islander points out in this piece, it has become abundantly clear by now that we will be dealing with this mess for the foreseeable future and any talk of a vaccine sorting things out, at least immediately, is pure fantasy.

Adding to the misery is the current political situation in the US and elsewhere. Recently, we were made to choose between two sets of incompetent and corrupt candidates whose political grand accomplishments include gems such as drafting the 1994 Crime Bill, imprisoning thousands of black men on minor (and often bogus) drug charges, building a ridiculous border wall, giving the rich more tax cuts, and tweeting nonsense at the world all day, everyday, for the last four years. Those who have done the most damage to American society by harassing, abusing, and dividing its people with their actions and rhetoric are now masquerading as leaders committed to social justice and unity. Continue reading »

THE ISOLATION DIARIES NO. 2

 Metal News, RANDOM FUCKING MUSIC  2 Responses »
Sep 102020
 

 

(In February of 2019 we published an article (here) about the “Proliferation of Metal Across National Boundaries” by guest writer Tør, a self-professed metalhead, data nerd, and ex-academic. The article, and accompanying interactive maps, were based on his work on a Ph.D. doctoral dissertation. Now Tør has updated the work in that previous article, along with a new map, under the second of the “Isolation Diaries” he has written for us — which includes some music at the end.)

I recently revisited some data I had collected on metal bands from The Metal Archives website and decided to make an interactive map illustrating the location of all metal bands archived on there.

Los Angeles, Mexico City, Santiago, Paris, Moscow, Athens, and Stockholm emerge as the most vibrant hubs for metal bands although there are plenty of equally important “metal cities” across the globe. A couple of notes about this map: (1) it is not normalized for population so only raw numbers are depicted, (2) the data is current as of 2015 so it doesn’t reflect the latest catalog of bands listed on the MA. I will probably make an updated map at some point in the future. I should also thank the fine folks over at MA for all the work that goes into maintaining that site. Continue reading »

THE ISOLATION DIARIES #1

 RANDOM FUCKING MUSIC  7 Responses »
Aug 172020
 

 

(Our Atlanta-based contributor Tør returns to NCS with the first edition of what may become a series — and invites you to contribute.)

 

The last six months have been difficult for all of us, no doubt. From social upheaval in the US to pandemic-induced lockdowns all around the world, 2020 has been an utter disappointment. In some ways it has been a symbolic disaster; twenty years on from the turn of the millennium, we find ourselves questioning every aspect of our lives, including our collective obsession with conspicuous consumption and entertainment culture, social media and technology, and the impact of conflict, poor governance, and greed on the very fabric of our societies.

We see the devastating impact of callous acts on our individual and global relationships, poor health outcomes, and the gradual devastation of the climate. Homelessness, addiction, and growing income inequality have spun out of control in the US as our politicians bicker over irrelevance and divisive identity politics. One could argue that twenty years on, our post-post-modernist experiment has not only failed, but it has left us exposed and hopeless as well. Continue reading »

AN NCS INTERVIEW: STEELFEST 2020

 Interviews  No Responses »
Feb 102020
 

 

(Atlanta-based NCS contributor Tør is hoping to attend the 2020 edition of Steelfest in Hyvinkää, Finland, on May 15-16. This year the open-air festival will include such bands as Deicide, Sodom, Moonsorrow, Primordial, Venom Inc, Nifelheim, Impaled Nazarene, and many more. In this interview, Tør spoke with Steelfest founder Commander.)

 

Tell us a little bit about the concept and history behind Steelfest. What motivated you to organize it and how is it different from other metal festivals?

Steelfest started over a decade ago, 14-15 years ago, as a private “festival.” In the beginning, it was just local bands, friends, and lots of beer. I think in the first few events, there were more band members than the audience. So just the normal underground activity as usual.

I don’t remember how it happened but one day we just decided to change the venue and try to sell some tickets. We didn’t really think about what kind of bands or genre we wanted to focus on. We just invited bands what we liked at the time, and of course those we could afford to invite.  In the first years, we had seven guys doing this and it really showed in our lineups. So, we didn’t have much of a [cohesive] idea about what we were doing or what kind of festival we wanted to do.

Nowadays, there are just two guys including me behind our events. So in the last four or five years we have founded the path that Steelfest is now on. As we concentrate on the underground and extreme side of black/death metal and other obscure controversial stuff, I would like to think that Steelfest is different because of its whole atmosphere. Atmosphere made by the venue, bands, audience and all of Steelfest’s volunteers crew. Usually, Steeefest includes some rare artists which you cannot find in other festivals. So maybe that also is something that is unique to us and what we are known for. Continue reading »

BEYOND THE GATES FESTIVAL 2019

 Concert Reviews  4 Responses »
Sep 032019
 

 

(Our Atlanta-based contributor Tør was fortunate to attend the 2019 edition of the Beyond the Gates festival in Bergen, Norway (headlined by Watain, Mayhem, Emperor, and Abbath), which took place on August 21-24, and he provides the following thoughts about the experience, and a treasure-trove of his own wonderful photos.)

Beyond The Gates VIII has just wrapped up and I am back in my Airbnb room — the cool Bergen breeze is coming in through the open window. It has been one hell of a festival with all three days providing quality entertainment for all who were lucky to witness it. I have lots of things to say about the festival itself, the city of Bergen, the country of Norway, and the friends I met along the way: things about why Norway is one of the happiest countries in the world, how Bergen is one of the liveliest cities I have visited, and why metal has become such an international phenomenon. However, those are heavy subjects for my tired soul and best left for another time. For now, a brief overview of the last three days will suffice. Continue reading »

AN NCS INTERVIEW: TORGRIM ØYRE (BEYOND THE GATES FESTIVAL)

 Interviews  No Responses »
Jul 092019
 

 

On August 21-24, 2019, the eighth edition of the Beyond the Gates festival will take place in Bergen, Norway, featuring a remarkable line-up of bands, headlined by Watain, Mayhem, Emperor, and Abbath. Our Atlanta-based contributor Tør was able to get the attention of BTG founder and principal organizer Torgrim Øyre, to discuss not only the upcoming event but also its history, and the predecessor Bergen festival Hole in the Sky. Our thanks to both of them for this interview.

 

Tell us a little bit about the history of Hole In The Sky/Beyond The Gates and how the idea for them came about.

Hole in the Sky was founded as a tribute to our late friend Erik «Grim» Brødreskift. He was a prominent figure in the metal scene in Bergen. Erik played with bands like Immortal, Gorgoroth, and Borknagar. Initially it was intended to be a one-off where friends from Bergen were paying their respects to their lost friend. The line-up was based on Bergen bands only. After the first festival, people kept saying that we should make it a tradition as there literally were no underground festivals in Norway at all at that point. This was pre-Inferno too. The festival quickly took on a life on its own. Slowly growing from the 300-cap venue Garage and moving into USF Verftet a few years later. It was an intense time. Not a lot of metal bands had played these shores before, so everything felt new and exciting. Everyone involved had very high standards for Hole in the Sky and after 12 years, we came to a point were we felt that we had done everything we could within that framework, so in order not to repeat ourselves and possibly compromise the quality of the festival, we felt that it was a good thing to put the fork in the road and end on a high note. Continue reading »

SHOW REVIEW AND PHOTOS: DARK FUNERAL, BELPHEGOR, INCANTATION — LIVE IN ATLANTA, JUNE 6, 2019

 Concert Reviews  5 Responses »
Jun 122019
 

 

(Our Atlanta-based contributor Tør was in the audience at The Loft on June 6th when the Devastation on the Nation Tour made its stop in Atlanta, and he provides these impressions, with his own excellent photos following the text.)

I have been looking forward to this night for months. The Devastation On The Nation Tour is in full swing, and co-headliners Dark Funeral and Belphegor are being supported by a host of bands including legends Incantation, HATE, Vale of Pnath, Nightmarer, and Malformity.

I make it to The Loft and have to walk up the stairs past some teeny-bopper event going on in the first-floor lounge area. Yes, I am a metal snob. I walk in the middle of HATE’s set, and Sinner’s vocals hit me like a brick. After a short setup, death metal legends Incantation take over the stage. With every riff and groove, I’m reminded of why this band has such a cult following. Incantation embody American death metal in the most imaginative way possible and I have a total blast watching their set. Continue reading »

SHOW REVIEW: MESHUGGAH AND THE BLACK DAHLIA MURDER (LIVE IN ATLANTA, MAY 6, 2019)

 Concert Reviews  1 Response »
May 172019
 

 

(Our Atlanta-Based contributor Tør attended the performance of Meshuggah and The Black Dahlia Murder on May 6th at Buckhead Theater, and provided us with these impressions and many of his photos of the performances, most of which follow the text below.)

It is a rather peculiar scene: a bunch of metal fans lined up on the sidewalk of one the trendiest parts of the city waiting for Meshuggah and The Black Dahlia Murder to perform. The Buckhead Theater is a wonderful venue for all kinds of live music and I am glad I can finally catch a show there for the first time after six years of living in Atlanta. Continue reading »

 Older Entries