Jun 232021
 

 

Lots of good stuff in today’s round-up, with a variety of new black metal, death metal, and thrash, plus a towering exit song. All of the songs are off forthcoming records, with the exception of a just-released EP that I’ve sandwiched in the middle. You’ll see some really good cover art in this collection too.

Even though I and most of the NCS writers are in the U.S., the preponderance of the music we cover (along with half our readers) seems to emanate from outside U.S. borders. Thus it’s unusual that (coincidentally) almost all of the following music comes from U.S. bands.

MODERN RITES (U.S./Switzerland)

The opening song today, “Self Synthesis“, swells in sound, like what you might hear if gradually approaching an industrial metal-mangling machine, and then erupts in a hammering, searing discharge of instrumental and vocal intensity — with eerie, wraith-like tones swirling in sorrow above. It revisits those mangling sensations, which begin to seem apocalyptic…. Continue reading »

Apr 172018
 

 

(On February 14th of this year, Vaelmyst released their debut EP, with cover art by Travis Smith, and now we present DGR’s review of this promising first release.)

 

This will always be something of a private entertainment given my residence in California, but sometimes the location of a band and the music they play can prove to be equal parts interesting and amusing. When you think of Southern California, oftentimes you get the gussied-up, made-for-tourism brochures-picture of the area in your mind. The usual checkboxes: nice weather, attractive people, palm trees galore, and glorious views of miles-long beaches. What you don’t expect are the heavy metal groups that appear from time to time with a distinctly European flavoring.

While that region doesn’t have a monopoly on the sound, you’d be forgiven upon listening to Vaelmyst’s first EP, Earthly Wounds, for assuming their location is somewhere a little bit more melancholy and with a whole lot more snow, rather than the wide concrete expanse of Los Angeles.

The new band, which counts amongst its members Ronny Lee Marks, Tom Warner, Jeff Martin, Jonathan V (artist-behind-the-curtain in a variety of Fredrik Norrman projects, the recent October Tide, for instance), and session drummer Mike Ponomarev, traverse multiple spheres within the melodeath genre on Earthly Wounds, with each of its five songs drawing from different inspiration than the one before it. Earthly Wounds has a solid through-line, but the different prongs of it point in multiple directions, which gives the sense that Vaelmyst are still trying to zero in to one overall sound. Continue reading »

Jan 062018
 

 

I had a very busy week, both on and off our site, so busy that I wasn’t able to cobble together a round-up of news and new music. However, I did try to keep abreast of what was coming out, and my list of intriguing tracks that appeared over just the last week is YUGE — so YUGE that I’m afraid I’ll have to resort to an OVERFLOWING STREAMS post on Monday, one in which I don’t do anything but just stitch together new music streams and release details without commentary.

But I decided I would do something for today as a head-start (in addition to working on a SHADES OF BLACK post for tomorrow), and here’s what I’ve done: I picked the latest recommendations from three of my NCS colleagues, and then added one of my own, which happens to be the latest new song premiere that I’ve listened to. But first, a news item…

PANOPTICON

A few days ago the administrator of Panopticon’s official Facebook page posted the artwork you see above, along with these few words: “Slip case cover for the new double album. the scars of man on the once nameless wilderness. Out in March on Bindrune Recordings in the USA and Nordvis in Europe. Art by Hanna Larsson of Sólfjall Design.” Continue reading »