Jan 062013
 

This is Part 9 of our list of the year’s most infectious extreme metal songs. Each day until the list is finished, I’m posting two songs that made the cut. For more details about what this list is all about and how it was compiled, read the introductory post via this link. To see the selections that preceded the two we’re announcing today, click here.

For most people, today’s two songs will come like a bolt out of left field. Though both songs did receive passing mention here, the bands aren’t exactly household names and we haven’t reviewed either of the albums where these songs appeared. One of the albums isn’t even due for release in the U.S. until this coming week. But these songs are among the most infectious I heard in 2012, and it would be just plain wrong not to give them a place on this list.

ZATOKREV

I first heard about this Swiss band last April when I saw they had been signed by Candlelight Records and became intrigued by the name of their new album (the third in their discography): The Bat The Wheel And The Long Road To Nowhere. In June, the opening track began streaming, and I ate it up. I had a second helping when they released a wonderful video for that same song in July (featured here, with orgasmic praise). Continue reading »

Jul 232012
 

I find it occasionally amusing and more often annoying to see how often male metal fanboys and even metal bloggers describe their enthusiasm for music by referring in graphic (but presumably figurative) terms to having explosive orgasms. I took a personal vow that I would never resort to anything so stupid and juvenile in my writing for NCS. And then this morning I saw Zatokrev’s official music video for a new song called “Goddamn Lights”.

I came so hard that I punched a gaping hole in the wall with my cum. I splooged so voluminously that I’ll be scrubbing my computer screen with industrial-strength solvent for the rest of the week. Both of my heads exploded with the force of my money shot like the second coming (cumming) of Krakatoa. My shorts are in tatters.

I also took a personal vow that I would try to hold my use of the term “epic” to a bare minimum (having failed in my vow never to use the word at all). But “Goddamn Lights” is just fucking epic — not only to hear, but also to watch. It’s a hybrid of Agalloch-ian melodic black metal and dramatic progressive metal, with undertones of stoner metal and psychedelic rock. It’s a guaranteed headbang trigger. It’s both scarifying and beautiful. It gets this work week off to an awesome start.

And the video is beautifully made (credit to Lionel Weitnauer for the awesomeness), the band drenched in hot colors, with the shadows filled by images of nature. Continue reading »

Jun 012012
 

I don’t usually post live videos on this site unless the video and sound quality are in the good-to-great range — which means either pro-quality official vids or above-average fan-filmed clips. That just reflects my own prejudice: I don’t get much out of watching a live clip if the sound is muddy and the images are blurry or too dark. But sometimes the imperfections unexpectedly enhance the viewing/listening experience. I’ve got two examples of what I mean.

ZATOKREV

I found out about this Swiss band in April because they’d just been signed by Candlelight Records, and I posted about them then. Zatrokrev is a Slavic name; Metal Archives says it mean “Blood For This”. The band’s lyrics are in Czech and Slovak, as well as English, because vocalist/guitarist Frederyk Rotter is Czech-born. I still really like the name of their third album, which Candlelight will be releasing: The Bat, The Wheel, And A Long Road To Nowhere. It may have lost something in the translation from Czech.

When I wrote about Zatokrev the first time, they had one new song on YouTube called “Feel the Fire Pt. 1”, which I liked a shit ton. Since then, I’ve found another one called “Goddamn Lights”, which coincidentally is exactly what I say on post-bender mornings when my eyes open. It’s a fuckin’ good song, too, and I’ll have it for you after the jump. But, as noted above, the main reason for this post is a live video.

On May 4, Zatokrev performed at a venue called Le Grillen in Colmar, France, and a fan caught a couple of the songs on video.You expect a metal band to headbang while performing, but Zatokrev really headbang. If I headbanged like Fredryk Rotter, my head would fly off my neck like a discharged cannonball and punch bloody holes through unsuspecting moshers in the pit, leaving the rest to slip ‘n’ slide on the intestines when they hit the floor. Continue reading »

Apr 112012
 

We’ve got some show reviews and an interview coming up today that you won’t want to miss, but I thought I’d start off our Wednesday with an assortment of metal that I discovered yesterday while browsing the interhole. The first two items are from bands whose music I’d never heard before: Reverence (France) and Zatokrev (Switzerland). Both have been signed by Candlelight Records, and the songs I heard are new. The Reverence track comes packaged with an official video that’s a real eye-catcher. The third item is a new video from a Russian band we’ve featured here before — The Korea.

Stylistically, the music is all over the place — as diverse as the bands’ locations. As you’ll see, my reasons for picking each of these items are also all over the place. Here we go:

REVERENCE

This French band had their genesis in 1998. After assorted demos and splits (including one with Blut Aus Nord in 2003), they released their first album in 2005. Two more followed that one, and in 2010 the band signed up with Candlelight. Their fourth album and first Candlelight release, The Asthenic Ascension, hit the streets in Europe on April 9 and is being sold as a CD here.

To launch the new album, the band released a music video for “Earth”, the new album’s opening track. Although I’ve seen Reverence described as industrial black metal, “Earth” begins with a slow, lush, orchestral introduction, and when the metal starts, that symphonic air remains. The music swells with keyboard grandeur and heavy riffs and includes a mix of clean and harsh vocals.

“Industrial” this is not; it has more in common with Dimmu Borgir than Blut Aus Nord. Though I enjoyed the song, it’s not enough on its own to make me rush out and get the album. It’s the combination of the music and the video that landed “Earth” in this post. Continue reading »